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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD5BD it is the complementary color #A02A42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD5BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD5BD shade: #64D5B8, #75E7CB, #86F9DE, #97FFF1 and #A8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD5BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD5BD shade: #5FD5BD, #4EC3AA, #3DB197, #2C9F84 and #1B8D71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD5BD shade: #5DD4BC, #5DD49C, #5DD47C, #5FD45D and #7FD45D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD5BD shade: #5DD4BC, #5DCCD4, #5DACD4, #5D8CD4 and #5D6CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD5BD shade matches the following richer shades: #5DD4BC, #4DE4C5 and #3CF5CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD5BD shade: #5DD4BC, #6EC3B2, #7EB3A8, #8FA29E and #9F9294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD5BD shade: #5DD47B, #5DD49A, #5DD4BA, #5DCED4 and #5DAED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD5BD shade: #2EB096, #3DCBAE, #5DD4BC, #7EDCC9 and #9FE5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD5BD shade: #5FD5BD, #5D5FD4 and #D48B5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD5BD shade: #5FD5BD, #BA5DD4 and #D4BA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD5BD shade: #5FD5BD, #5D5FD4, #D45D77 and #D4D25D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD5BD shade: #5FD5BD, #7F5DD4, #D45D77 and #B2D45D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

Complementary color

CMYK 0 / 74 / 59 / 37

HEX #A02A42

RGB 160 42 66

HSL 347.8, 0.58%, 0.4%

LAB 36.97, 49.51, 14.67

 

CMYK 53 / 0 / 14 / 16

HEX #64D5B8

RGB 100 213 184

HSL 164.6, 0.57%, 0.61%

LAB 78.32, -39.18, 4.57

 

CMYK 49 / 0 / 12 / 9

HEX #75E7CB

RGB 117 231 203

HSL 165.26, 0.7%, 0.68%

LAB 84.61, -39.14, 3.67

 

CMYK 46 / 0 / 11 / 2

HEX #86F9DE

RGB 134 249 222

HSL 165.91, 0.91%, 0.75%

LAB 90.82, -39.06, 2.82

 

CMYK 41 / 0 / 5 / 0

HEX #97FFF1

RGB 151 255 241

HSL 171.92, 1%, 0.8%

LAB 93.65, -33.46, -2.82

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 60 / 0 / 13 / 24

HEX #4EC3AA

RGB 78 195 170

HSL 167.18, 0.49%, 0.54%

LAB 71.93, -38.9, 2.78

 

CMYK 66 / 0 / 15 / 31

HEX #3DB197

RGB 61 177 151

HSL 166.55, 0.49%, 0.47%

LAB 65.49, -38.63, 3.83

 

CMYK 72 / 0 / 17 / 38

HEX #2C9F84

RGB 44 159 132

HSL 165.91, 0.57%, 0.4%

LAB 58.97, -38.16, 5

 

CMYK 81 / 0 / 20 / 45

HEX #1B8D71

RGB 27 141 113

HSL 165.26, 0.68%, 0.33%

LAB 52.37, -37.36, 6.33

 

CMYK 56 / 0 / 11 / 17

HEX #5DD4BC

RGB 93 212 188

HSL 167.9, 0.58%, 0.6%

LAB 77.9, -39.22, 1.79

 

CMYK 56 / 0 / 26 / 17

HEX #5DD49C

RGB 93 212 156

HSL 151.76, 0.58%, 0.6%

LAB 77.17, -46.45, 17.81

 

CMYK 56 / 0 / 42 / 17

HEX #5DD47C

RGB 93 212 124

HSL 135.63, 0.58%, 0.6%

LAB 76.6, -52.41, 33.67

 

CMYK 55 / 0 / 56 / 17

HEX #5FD45D

RGB 95 212 93

HSL 118.99, 0.58%, 0.6%

LAB 76.26, -56.34, 48.35

 

CMYK 40 / 0 / 56 / 17

HEX #7FD45D

RGB 127 212 93

HSL 102.86, 0.58%, 0.6%

LAB 77.51, -47.19, 50.13

 

CMYK 56 / 0 / 11 / 17

HEX #5DD4BC

RGB 93 212 188

HSL 167.9, 0.58%, 0.6%

LAB 77.9, -39.22, 1.79

 

CMYK 56 / 4 / 0 / 17

HEX #5DCCD4

RGB 93 204 212

HSL 184.03, 0.58%, 0.6%

LAB 76.23, -29.24, -13.58

 

CMYK 56 / 19 / 0 / 17

HEX #5DACD4

RGB 93 172 212

HSL 200.17, 0.58%, 0.6%

LAB 66.97, -12.88, -27.67

 

CMYK 56 / 34 / 0 / 17

HEX #5D8CD4

RGB 93 140 212

HSL 216.3, 0.58%, 0.6%

LAB 57.88, 5.18, -41.81

 

CMYK 56 / 49 / 0 / 17

HEX #5D6CD4

RGB 93 108 212

HSL 232.44, 0.58%, 0.6%

LAB 49.26, 24.59, -55.52

 

CMYK 56 / 0 / 11 / 17

HEX #5DD4BC

RGB 93 212 188

HSL 167.9, 0.58%, 0.6%

LAB 77.9, -39.22, 1.79

 

CMYK 66 / 0 / 14 / 11

HEX #4DE4C5

RGB 77 228 197

HSL 167.68, 0.74%, 0.6%

LAB 82.43, -46.84, 3.53

 

CMYK 76 / 0 / 16 / 4

HEX #3CF5CF

RGB 60 245 207

HSL 167.68, 0.9%, 0.6%

LAB 87.37, -53.64, 5.39

 

CMYK 56 / 0 / 11 / 17

HEX #5DD4BC

RGB 93 212 188

HSL 167.9, 0.58%, 0.6%

LAB 77.9, -39.22, 1.79

 

CMYK 44 / 0 / 9 / 24

HEX #6EC3B2

RGB 110 195 178

HSL 168, 0.41%, 0.6%

LAB 73.26, -29.86, 0.5

 

CMYK 30 / 0 / 6 / 30

HEX #7EB3A8

RGB 126 179 168

HSL 167.55, 0.26%, 0.6%

LAB 69.11, -19.79, 0.02

 

CMYK 12 / 0 / 2 / 36

HEX #8FA29E

RGB 143 162 158

HSL 167.37, 0.09%, 0.6%

LAB 65.08, -7.47, -0.19

 

CMYK 0 / 8 / 7 / 38

HEX #9F9294

RGB 159 146 148

HSL 350.77, 0.06%, 0.6%

LAB 61.71, 5.17, 0.68

 

CMYK 56 / 0 / 42 / 17

HEX #5DD47B

RGB 93 212 123

HSL 135.13, 0.58%, 0.6%

LAB 76.58, -52.57, 34.16

 

CMYK 56 / 0 / 27 / 17

HEX #5DD49A

RGB 93 212 154

HSL 150.76, 0.58%, 0.6%

LAB 77.13, -46.87, 18.81

 

CMYK 56 / 0 / 12 / 17

HEX #5DD4BA

RGB 93 212 186

HSL 166.89, 0.58%, 0.6%

LAB 77.85, -39.71, 2.79

 

CMYK 56 / 3 / 0 / 17

HEX #5DCED4

RGB 93 206 212

HSL 183.03, 0.58%, 0.6%

LAB 76.81, -30.21, -12.71

 

CMYK 56 / 18 / 0 / 17

HEX #5DAED4

RGB 93 174 212

HSL 199.16, 0.58%, 0.6%

LAB 67.54, -13.95, -26.78

 

CMYK 74 / 0 / 15 / 31

HEX #2EB096

RGB 46 176 150

HSL 168, 0.59%, 0.44%

LAB 64.83, -40.68, 3.39

 

CMYK 70 / 0 / 14 / 20

HEX #3DCBAE

RGB 61 203 174

HSL 167.75, 0.58%, 0.52%

LAB 74.04, -44.21, 3.61

 

CMYK 56 / 0 / 11 / 17

HEX #5DD4BC

RGB 93 212 188

HSL 167.9, 0.58%, 0.6%

LAB 77.9, -39.22, 1.79

 

CMYK 43 / 0 / 9 / 14

HEX #7EDCC9

RGB 126 220 201

HSL 167.87, 0.57%, 0.68%

LAB 81.75, -32.39, 0.61

 

CMYK 31 / 0 / 6 / 10

HEX #9FE5D7

RGB 159 229 215

HSL 168, 0.57%, 0.76%

LAB 86.16, -24.76, -0.17

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 56 / 55 / 0 / 17

HEX #5D5FD4

RGB 93 95 212

HSL 238.99, 0.58%, 0.6%

LAB 46, 32.58, -60.78

 

CMYK 0 / 34 / 56 / 17

HEX #D48B5D

RGB 212 139 93

HSL 23.19, 0.58%, 0.6%

LAB 64.36, 23.1, 35.84

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 12 / 56 / 0 / 17

HEX #BA5DD4

RGB 186 93 212

HSL 286.89, 0.58%, 0.6%

LAB 55.09, 55.48, -45.68

 

CMYK 0 / 12 / 56 / 17

HEX #D4BA5D

RGB 212 186 93

HSL 46.89, 0.58%, 0.6%

LAB 76.01, -2.09, 49.84

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 56 / 55 / 0 / 17

HEX #5D5FD4

RGB 93 95 212

HSL 238.99, 0.58%, 0.6%

LAB 46, 32.58, -60.78

 

CMYK 0 / 56 / 44 / 17

HEX #D45D77

RGB 212 93 119

HSL 346.89, 0.58%, 0.6%

LAB 55.23, 49.26, 8.92

 

CMYK 0 / 1 / 56 / 17

HEX #D4D25D

RGB 212 210 93

HSL 58.99, 0.58%, 0.6%

LAB 82.31, -14.38, 57.05

 

CMYK 55 / 0 / 11 / 16

HEX #5FD5BD

RGB 95 213 189

HSL 167.8, 0.58%, 0.6%

LAB 78.28, -39.03, 1.82

 

CMYK 40 / 56 / 0 / 17

HEX #7F5DD4

RGB 127 93 212

HSL 257.14, 0.58%, 0.6%

LAB 48.38, 40.93, -56.79

 

CMYK 0 / 56 / 44 / 17

HEX #D45D77

RGB 212 93 119

HSL 346.89, 0.58%, 0.6%

LAB 55.23, 49.26, 8.92

 

CMYK 16 / 0 / 56 / 17

HEX #B2D45D

RGB 178 212 93

HSL 77.14, 0.58%, 0.6%

LAB 80.37, -28.96, 54.18

 

Description

Color code: HEX #5FD5BD | qconv.com Color code: HEX #5FD5BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 213 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 213 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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