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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD638 it is the complementary color #A029C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD638. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD638 shade: #64D633, #75E846, #86FA59, #97FF6C and #A8FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD638. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD638 shade: #5FD638, #4EC425, #3DB212, #2CA000 and #1B8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD638 shade: #5FD638, #89D638, #B4D638, #D6CD38 and #D6A238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD638 shade: #5FD638, #38D63B, #38D666, #38D690 and #38D6BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD638 shade matches the following richer shades: #5FD638, #55E924 and #4BFD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD638 shade: #5FD638, #68C24B, #72AF5E, #7C9C72 and #868885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD638 shade: #B3D638, #89D638, #5FD638, #38D63A and #38D664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD638 shade: #3E9B1F, #4CBE26, #5FD638, #7ADD5A and #96E47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD638 shade: #5FD638, #38D6CE and #D6389E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD638 shade: #5FD638, #385FD6 and #D6385F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD638 shade: #5FD638, #38D6CE, #AE38D6 and #D6383F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD638 shade: #5FD638, #38AED6, #AE38D6 and #D65F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

Complementary color

CMYK 20 / 79 / 0 / 22

HEX #A029C7

RGB 160 41 199

HSL 285.19, 0.66%, 0.47%

LAB 43.04, 68.42, -57.71

 

CMYK 53 / 0 / 76 / 16

HEX #64D633

RGB 100 214 51

HSL 101.96, 0.67%, 0.52%

LAB 76.7, -59.53, 65.55

 

CMYK 50 / 0 / 70 / 9

HEX #75E846

RGB 117 232 70

HSL 102.59, 0.78%, 0.59%

LAB 82.88, -60.15, 65.42

 

CMYK 46 / 0 / 64 / 2

HEX #86FA59

RGB 134 250 89

HSL 103.23, 0.94%, 0.66%

LAB 89, -60.53, 64.84

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6C

RGB 151 255 108

HSL 102.45, 1%, 0.71%

LAB 91.32, -55.66, 59.73

 

CMYK 34 / 0 / 50 / 0

HEX #A8FF7F

RGB 168 255 127

HSL 100.78, 1%, 0.75%

LAB 92.3, -48.29, 52.59

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 60 / 0 / 81 / 23

HEX #4EC425

RGB 78 196 37

HSL 104.53, 0.68%, 0.46%

LAB 70.34, -59.6, 63.43

 

CMYK 66 / 0 / 90 / 30

HEX #3DB212

RGB 61 178 18

HSL 103.88, 0.82%, 0.38%

LAB 64.06, -58.2, 62.05

 

CMYK 73 / 0 / 100 / 37

HEX #2CA000

RGB 44 160 0

HSL 103.5, 1%, 0.31%

LAB 57.73, -56.22, 59.34

 

CMYK 81 / 0 / 100 / 44

HEX #1B8E00

RGB 27 142 0

HSL 108.59, 1%, 0.28%

LAB 51.36, -53.31, 54.12

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 36 / 0 / 74 / 16

HEX #89D638

RGB 137 214 56

HSL 89.24, 0.66%, 0.53%

LAB 78.28, -47.76, 65.99

 

CMYK 16 / 0 / 74 / 16

HEX #B4D638

RGB 180 214 56

HSL 72.91, 0.66%, 0.53%

LAB 80.78, -31.61, 69.27

 

CMYK 0 / 4 / 74 / 16

HEX #D6CD38

RGB 214 205 56

HSL 56.58, 0.66%, 0.53%

LAB 80.87, -13.19, 70.25

 

CMYK 0 / 24 / 74 / 16

HEX #D6A238

RGB 214 162 56

HSL 40.25, 0.66%, 0.53%

LAB 69.77, 9.22, 59.6

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 0 / 72 / 16

HEX #38D63B

RGB 56 214 59

HSL 121.14, 0.66%, 0.53%

LAB 75.61, -68.35, 61.39

 

CMYK 74 / 0 / 52 / 16

HEX #38D666

RGB 56 214 102

HSL 137.47, 0.66%, 0.53%

LAB 76, -63.58, 43.59

 

CMYK 74 / 0 / 33 / 16

HEX #38D690

RGB 56 214 144

HSL 153.42, 0.66%, 0.53%

LAB 76.65, -56.24, 23.26

 

CMYK 74 / 0 / 13 / 16

HEX #38D6BB

RGB 56 214 187

HSL 169.75, 0.66%, 0.53%

LAB 77.59, -46.24, 1.77

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 64 / 0 / 85 / 9

HEX #55E924

RGB 85 233 36

HSL 105.08, 0.82%, 0.53%

LAB 82.02, -70.36, 74.28

 

CMYK 70 / 0 / 93 / 1

HEX #4BFD11

RGB 75 253 17

HSL 105.25, 0.98%, 0.53%

LAB 87.87, -78.94, 82.2

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 46 / 0 / 61 / 24

HEX #68C24B

RGB 104 194 75

HSL 105.38, 0.49%, 0.53%

LAB 70.89, -48.85, 50.37

 

CMYK 35 / 0 / 46 / 31

HEX #72AF5E

RGB 114 175 94

HSL 105.19, 0.34%, 0.53%

LAB 65.78, -35.22, 35.3

 

CMYK 21 / 0 / 27 / 39

HEX #7C9C72

RGB 124 156 114

HSL 105.71, 0.18%, 0.53%

LAB 61.03, -19.36, 18.46

 

CMYK 1 / 0 / 2 / 47

HEX #868885

RGB 134 136 133

HSL 100, 0.01%, 0.53%

LAB 56.46, -1.33, 1.34

 

CMYK 16 / 0 / 74 / 16

HEX #B3D638

RGB 179 214 56

HSL 73.29, 0.66%, 0.53%

LAB 80.72, -32.01, 69.18

 

CMYK 36 / 0 / 74 / 16

HEX #89D638

RGB 137 214 56

HSL 89.24, 0.66%, 0.53%

LAB 78.28, -47.76, 65.99

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 0 / 73 / 16

HEX #38D63A

RGB 56 214 58

HSL 120.76, 0.66%, 0.53%

LAB 75.6, -68.43, 61.74

 

CMYK 74 / 0 / 53 / 16

HEX #38D664

RGB 56 214 100

HSL 136.71, 0.66%, 0.53%

LAB 75.98, -63.86, 44.51

 

CMYK 60 / 0 / 80 / 39

HEX #3E9B1F

RGB 62 155 31

HSL 105, 0.67%, 0.36%

LAB 56.65, -49.37, 52.22

 

CMYK 60 / 0 / 80 / 25

HEX #4CBE26

RGB 76 190 38

HSL 105, 0.67%, 0.45%

LAB 68.39, -57.95, 61.32

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 45 / 0 / 59 / 13

HEX #7ADD5A

RGB 122 221 90

HSL 105.34, 0.66%, 0.61%

LAB 79.95, -52.72, 54.23

 

CMYK 34 / 0 / 46 / 11

HEX #96E47C

RGB 150 228 124

HSL 105, 0.66%, 0.69%

LAB 83.67, -42.93, 43.17

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 0 / 4 / 16

HEX #38D6CE

RGB 56 214 206

HSL 176.96, 0.66%, 0.53%

LAB 78.1, -41.14, -7.66

 

CMYK 0 / 74 / 26 / 16

HEX #D6389E

RGB 214 56 158

HSL 321.27, 0.66%, 0.53%

LAB 51.37, 69.06, -19.88

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 56 / 0 / 16

HEX #385FD6

RGB 56 95 214

HSL 225.19, 0.66%, 0.53%

LAB 44.06, 27.51, -65.16

 

CMYK 0 / 74 / 56 / 16

HEX #D6385F

RGB 214 56 95

HSL 345.19, 0.66%, 0.53%

LAB 49.44, 62.9, 15.24

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 0 / 4 / 16

HEX #38D6CE

RGB 56 214 206

HSL 176.96, 0.66%, 0.53%

LAB 78.1, -41.14, -7.66

 

CMYK 19 / 74 / 0 / 16

HEX #AE38D6

RGB 174 56 214

HSL 284.81, 0.66%, 0.53%

LAB 47.86, 68.96, -58.48

 

CMYK 0 / 74 / 71 / 16

HEX #D6383F

RGB 214 56 63

HSL 357.34, 0.66%, 0.53%

LAB 48.86, 61.01, 33.69

 

CMYK 56 / 0 / 74 / 16

HEX #5FD638

RGB 95 214 56

HSL 105.19, 0.66%, 0.53%

LAB 76.56, -60.53, 63.72

 

CMYK 74 / 19 / 0 / 16

HEX #38AED6

RGB 56 174 214

HSL 195.19, 0.66%, 0.53%

LAB 66.5, -19.35, -29.59

 

CMYK 19 / 74 / 0 / 16

HEX #AE38D6

RGB 174 56 214

HSL 284.81, 0.66%, 0.53%

LAB 47.86, 68.96, -58.48

 

CMYK 0 / 56 / 74 / 16

HEX #D65F38

RGB 214 95 56

HSL 14.81, 0.66%, 0.53%

LAB 54.83, 44.47, 44.28

 

Description

Color code: HEX #5FD638 | qconv.com Color code: HEX #5FD638 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 214 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 214 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 74 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 74% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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