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Color name
HEX #5FD757

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD757 it is the complementary color #A028A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD757. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD757 shade: #64D752, #75E965, #86FB78, #97FF8B and #A8FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD757. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD757 shade: #5FD757, #4EC544, #3DB331, #2CA11E and #1B8F0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD757 shade: #5DD755, #80D755, #A3D755, #C6D755 and #D7C455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD757 shade: #5DD755, #55D770, #55D793, #55D7B6 and #55D5D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD757 shade matches the following richer shades: #5DD755, #4EE844 and #40F933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD757 shade: #5DD755, #6CC666, #7BB577, #8AA488 and #989399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD757 shade: #A3D755, #80D755, #5ED755, #55D76F and #55D792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD757 shade: #31B029, #3DCF34, #5DD755, #7DDF77 and #9DE698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD757 shade: #5FD757, #55C5D7 and #D75592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD757 shade: #5FD757, #555ED7 and #D7555E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD757 shade: #5FD757, #55C5D7, #CE55D7 and #D76655

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD757 shade: #5FD757, #559FD7, #CE55D7 and #D78D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

Complementary color

CMYK 5 / 76 / 0 / 34

HEX #A028A8

RGB 160 40 168

HSL 296.25, 0.62%, 0.41%

LAB 40.93, 63.12, -42.85

 

CMYK 53 / 0 / 62 / 16

HEX #64D752

RGB 100 215 82

HSL 111.88, 0.62%, 0.58%

LAB 77.23, -57.4, 54.41

 

CMYK 50 / 0 / 57 / 9

HEX #75E965

RGB 117 233 101

HSL 112.73, 0.75%, 0.65%

LAB 83.44, -57.64, 53.34

 

CMYK 47 / 0 / 52 / 2

HEX #86FB78

RGB 134 251 120

HSL 113.59, 0.94%, 0.73%

LAB 89.59, -57.73, 52.18

 

CMYK 41 / 0 / 45 / 0

HEX #97FF8B

RGB 151 255 139

HSL 113.79, 1%, 0.77%

LAB 91.67, -52.07, 46

 

CMYK 34 / 0 / 38 / 0

HEX #A8FF9E

RGB 168 255 158

HSL 113.81, 1%, 0.81%

LAB 92.71, -44.3, 38.27

 

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

CMYK 60 / 0 / 65 / 23

HEX #4EC544

RGB 78 197 68

HSL 115.35, 0.53%, 0.52%

LAB 70.85, -57.66, 53.07

 

CMYK 66 / 0 / 73 / 30

HEX #3DB331

RGB 61 179 49

HSL 114.46, 0.57%, 0.45%

LAB 64.53, -56.82, 53.76

 

CMYK 73 / 0 / 81 / 37

HEX #2CA11E

RGB 44 161 30

HSL 113.59, 0.69%, 0.37%

LAB 58.15, -55.44, 53.77

 

CMYK 81 / 0 / 92 / 44

HEX #1B8F0B

RGB 27 143 11

HSL 112.73, 0.86%, 0.3%

LAB 51.73, -53.28, 52.5

 

CMYK 57 / 0 / 60 / 16

HEX #5DD755

RGB 93 215 85

HSL 116.31, 0.62%, 0.59%

LAB 77.03, -58.85, 52.82

 

CMYK 40 / 0 / 60 / 16

HEX #80D755

RGB 128 215 85

HSL 100.15, 0.62%, 0.59%

LAB 78.37, -48.93, 54.7

 

CMYK 24 / 0 / 60 / 16

HEX #A3D755

RGB 163 215 85

HSL 84, 0.62%, 0.59%

LAB 80.2, -36.74, 57.25

 

CMYK 8 / 0 / 60 / 16

HEX #C6D755

RGB 198 215 85

HSL 67.85, 0.62%, 0.59%

LAB 82.52, -23.11, 60.45

 

CMYK 0 / 9 / 60 / 16

HEX #D7C455

RGB 215 196 85

HSL 51.23, 0.62%, 0.59%

LAB 78.8, -6.61, 56.76

 

CMYK 57 / 0 / 60 / 16

HEX #5DD755

RGB 93 215 85

HSL 116.31, 0.62%, 0.59%

LAB 77.03, -58.85, 52.82

 

CMYK 60 / 0 / 48 / 16

HEX #55D770

RGB 85 215 112

HSL 132.46, 0.62%, 0.59%

LAB 77.1, -57.24, 40.25

 

CMYK 60 / 0 / 32 / 16

HEX #55D793

RGB 85 215 147

HSL 148.62, 0.62%, 0.59%

LAB 77.66, -51.18, 23.18

 

CMYK 60 / 0 / 15 / 16

HEX #55D7B6

RGB 85 215 182

HSL 164.77, 0.62%, 0.59%

LAB 78.41, -43.54, 5.71

 

CMYK 60 / 1 / 0 / 16

HEX #55D5D7

RGB 85 213 215

HSL 180.92, 0.62%, 0.59%

LAB 78.71, -34.14, -11.51

 

CMYK 57 / 0 / 60 / 16

HEX #5DD755

RGB 93 215 85

HSL 116.31, 0.62%, 0.59%

LAB 77.03, -58.85, 52.82

 

CMYK 66 / 0 / 71 / 9

HEX #4EE844

RGB 78 232 68

HSL 116.34, 0.78%, 0.59%

LAB 81.7, -69.56, 64.56

 

CMYK 74 / 0 / 80 / 2

HEX #40F933

RGB 64 249 51

HSL 116.06, 0.94%, 0.59%

LAB 86.54, -78.28, 74.58

 

CMYK 57 / 0 / 60 / 16

HEX #5DD755

RGB 93 215 85

HSL 116.31, 0.62%, 0.59%

LAB 77.03, -58.85, 52.82

 

CMYK 45 / 0 / 48 / 22

HEX #6CC666

RGB 108 198 102

HSL 116.25, 0.46%, 0.59%

LAB 72.59, -46.09, 39.71

 

CMYK 32 / 0 / 34 / 29

HEX #7BB577

RGB 123 181 119

HSL 116.13, 0.3%, 0.59%

LAB 68.45, -31.24, 25.77

 

CMYK 16 / 0 / 17 / 36

HEX #8AA488

RGB 138 164 136

HSL 115.71, 0.13%, 0.59%

LAB 64.75, -14.57, 11.56

 

CMYK 1 / 4 / 0 / 40

HEX #989399

RGB 152 147 153

HSL 290, 0.03%, 0.59%

LAB 61.52, 2.99, -2.51

 

CMYK 24 / 0 / 60 / 16

HEX #A3D755

RGB 163 215 85

HSL 84, 0.62%, 0.59%

LAB 80.2, -36.74, 57.25

 

CMYK 40 / 0 / 60 / 16

HEX #80D755

RGB 128 215 85

HSL 100.15, 0.62%, 0.59%

LAB 78.37, -48.93, 54.7

 

CMYK 56 / 0 / 60 / 16

HEX #5ED755

RGB 94 215 85

HSL 115.85, 0.62%, 0.59%

LAB 77.06, -58.61, 52.86

 

CMYK 60 / 0 / 48 / 16

HEX #55D76F

RGB 85 215 111

HSL 132, 0.62%, 0.59%

LAB 77.09, -57.38, 40.73

 

CMYK 60 / 0 / 32 / 16

HEX #55D792

RGB 85 215 146

HSL 148.15, 0.62%, 0.59%

LAB 77.64, -51.38, 23.67

 

CMYK 72 / 0 / 77 / 31

HEX #31B029

RGB 49 176 41

HSL 116.44, 0.62%, 0.43%

LAB 63.23, -58.74, 55.2

 

CMYK 71 / 0 / 75 / 19

HEX #3DCF34

RGB 61 207 52

HSL 116.52, 0.62%, 0.51%

LAB 73.46, -65.85, 61.68

 

CMYK 57 / 0 / 60 / 16

HEX #5DD755

RGB 93 215 85

HSL 116.31, 0.62%, 0.59%

LAB 77.03, -58.85, 52.82

 

CMYK 44 / 0 / 47 / 13

HEX #7DDF77

RGB 125 223 119

HSL 116.54, 0.62%, 0.67%

LAB 81, -49.19, 42.01

 

CMYK 32 / 0 / 34 / 10

HEX #9DE698

RGB 157 230 152

HSL 116.15, 0.61%, 0.75%

LAB 85.01, -37.58, 31

 

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

CMYK 60 / 8 / 0 / 16

HEX #55C5D7

RGB 85 197 215

HSL 188.31, 0.62%, 0.59%

LAB 74.04, -26.42, -18.53

 

CMYK 0 / 60 / 32 / 16

HEX #D75592

RGB 215 85 146

HSL 331.85, 0.62%, 0.59%

LAB 55.09, 56.87, -7.16

 

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

CMYK 60 / 56 / 0 / 16

HEX #555ED7

RGB 85 94 215

HSL 235.85, 0.62%, 0.59%

LAB 45.42, 32.73, -63.45

 

CMYK 0 / 60 / 56 / 16

HEX #D7555E

RGB 215 85 94

HSL 355.85, 0.62%, 0.59%

LAB 53.76, 51.76, 21.71

 

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

CMYK 60 / 8 / 0 / 16

HEX #55C5D7

RGB 85 197 215

HSL 188.31, 0.62%, 0.59%

LAB 74.04, -26.42, -18.53

 

CMYK 4 / 60 / 0 / 16

HEX #CE55D7

RGB 206 85 215

HSL 295.85, 0.62%, 0.59%

LAB 56.61, 64.72, -44.81

 

CMYK 0 / 53 / 60 / 16

HEX #D76655

RGB 215 102 85

HSL 7.85, 0.62%, 0.59%

LAB 56.69, 43.06, 30.71

 

CMYK 56 / 0 / 60 / 16

HEX #5FD757

RGB 95 215 87

HSL 116.25, 0.62%, 0.59%

LAB 77.11, -58.15, 52.05

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 4 / 60 / 0 / 16

HEX #CE55D7

RGB 206 85 215

HSL 295.85, 0.62%, 0.59%

LAB 56.61, 64.72, -44.81

 

CMYK 0 / 34 / 60 / 16

HEX #D78D55

RGB 215 141 85

HSL 25.85, 0.62%, 0.59%

LAB 65.08, 22.65, 41.01

 

Description

Color code: HEX #5FD757 | qconv.com Color code: HEX #5FD757 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 215 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 215 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 60% 16% C M Y K

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Provide designers and agencies with accurate color values.

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