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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD773 it is the complementary color #A0288C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD773 shade: #64D76E, #75E981, #86FB94, #97FFA7 and #A8FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD773 shade: #5FD773, #4EC560, #3DB34D, #2CA13A and #1B8F27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD773 shade: #5FD773, #6CD75F, #8CD75F, #ACD75F and #CCD75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD773 shade: #5FD773, #5FD793, #5FD7B4, #5FD7D4 and #5FB9D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD773 shade matches the following richer shades: #5FD773, #4FE769 and #3FF75E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD773 shade: #5FD773, #6FC77E, #80B789, #90A693 and #A0969E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD773 shade: #8BD75F, #6BD75F, #5FD773, #5FD793 and #5FD7B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD773 shade: #2DB644, #3ECE56, #5FD773, #80DF90 and #A1E7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD773 shade: #5FD773, #5FABD7 and #D75F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD773 shade: #5FD773, #735FD7 and #D7735F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD773 shade: #5FD773, #5FABD7, #D75FC3 and #D78B5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD773 shade: #5FD773, #5F87D7, #D75FC3 and #D7AF5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

Complementary color

CMYK 0 / 75 / 13 / 37

HEX #A0288C

RGB 160 40 140

HSL 310, 0.6%, 0.39%

LAB 39.39, 58.61, -28.36

 

CMYK 53 / 0 / 49 / 16

HEX #64D76E

RGB 100 215 110

HSL 125.22, 0.59%, 0.62%

LAB 77.54, -54.02, 41.88

 

CMYK 50 / 0 / 45 / 9

HEX #75E981

RGB 117 233 129

HSL 126.21, 0.73%, 0.69%

LAB 83.78, -54.03, 40.57

 

CMYK 47 / 0 / 41 / 2

HEX #86FB94

RGB 134 251 148

HSL 127.18, 0.94%, 0.75%

LAB 89.95, -53.94, 39.31

 

CMYK 41 / 0 / 35 / 0

HEX #97FFA7

RGB 151 255 167

HSL 129.23, 1%, 0.8%

LAB 92.08, -47.96, 32.83

 

CMYK 34 / 0 / 27 / 0

HEX #A8FFBA

RGB 168 255 186

HSL 132.41, 1%, 0.83%

LAB 93.18, -39.88, 24.88

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 60 / 0 / 51 / 23

HEX #4EC560

RGB 78 197 96

HSL 129.08, 0.51%, 0.54%

LAB 71.14, -54.33, 40.64

 

CMYK 66 / 0 / 57 / 30

HEX #3DB34D

RGB 61 179 77

HSL 128.14, 0.49%, 0.47%

LAB 64.78, -53.87, 42.02

 

CMYK 73 / 0 / 64 / 37

HEX #2CA13A

RGB 44 161 58

HSL 127.18, 0.57%, 0.4%

LAB 58.35, -53.02, 43.32

 

CMYK 81 / 0 / 73 / 44

HEX #1B8F27

RGB 27 143 39

HSL 126.21, 0.68%, 0.33%

LAB 51.86, -51.54, 44.34

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 50 / 0 / 56 / 16

HEX #6CD75F

RGB 108 215 95

HSL 113.5, 0.6%, 0.61%

LAB 77.65, -53.83, 49.18

 

CMYK 35 / 0 / 56 / 16

HEX #8CD75F

RGB 140 215 95

HSL 97.5, 0.6%, 0.61%

LAB 79.04, -43.99, 51.16

 

CMYK 20 / 0 / 56 / 16

HEX #ACD75F

RGB 172 215 95

HSL 81.5, 0.6%, 0.61%

LAB 80.85, -32.49, 53.72

 

CMYK 5 / 0 / 56 / 16

HEX #CCD75F

RGB 204 215 95

HSL 65.5, 0.6%, 0.61%

LAB 83.05, -19.95, 56.82

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 56 / 0 / 32 / 16

HEX #5FD793

RGB 95 215 147

HSL 146, 0.6%, 0.61%

LAB 77.96, -49.06, 23.63

 

CMYK 56 / 0 / 16 / 16

HEX #5FD7B4

RGB 95 215 180

HSL 162.5, 0.6%, 0.61%

LAB 78.65, -42.06, 7.16

 

CMYK 56 / 0 / 1 / 16

HEX #5FD7D4

RGB 95 215 212

HSL 178.5, 0.6%, 0.61%

LAB 79.49, -34.11, -8.71

 

CMYK 56 / 14 / 0 / 16

HEX #5FB9D7

RGB 95 185 215

HSL 195, 0.6%, 0.61%

LAB 70.9, -18.46, -23.28

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 66 / 0 / 55 / 9

HEX #4FE769

RGB 79 231 105

HSL 130.26, 0.76%, 0.61%

LAB 81.75, -65.18, 49.24

 

CMYK 74 / 0 / 62 / 3

HEX #3FF75E

RGB 63 247 94

HSL 130.11, 0.92%, 0.61%

LAB 86.2, -74.35, 59.16

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 44 / 0 / 37 / 22

HEX #6FC77E

RGB 111 199 126

HSL 130.23, 0.44%, 0.61%

LAB 73.37, -42, 28.52

 

CMYK 30 / 0 / 25 / 28

HEX #80B789

RGB 128 183 137

HSL 129.82, 0.28%, 0.61%

LAB 69.66, -27.45, 17.77

 

CMYK 13 / 0 / 11 / 35

HEX #90A693

RGB 144 166 147

HSL 128.18, 0.11%, 0.61%

LAB 65.99, -11.44, 7.27

 

CMYK 0 / 6 / 1 / 37

HEX #A0969E

RGB 160 150 158

HSL 312, 0.05%, 0.61%

LAB 63.14, 5.17, -2.88

 

CMYK 35 / 0 / 56 / 16

HEX #8BD75F

RGB 139 215 95

HSL 98, 0.6%, 0.61%

LAB 78.99, -44.33, 51.09

 

CMYK 50 / 0 / 56 / 16

HEX #6BD75F

RGB 107 215 95

HSL 114, 0.6%, 0.61%

LAB 77.61, -54.11, 49.13

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 56 / 0 / 32 / 16

HEX #5FD793

RGB 95 215 147

HSL 146, 0.6%, 0.61%

LAB 77.96, -49.06, 23.63

 

CMYK 56 / 0 / 17 / 16

HEX #5FD7B3

RGB 95 215 179

HSL 162, 0.6%, 0.61%

LAB 78.63, -42.29, 7.66

 

CMYK 75 / 0 / 63 / 29

HEX #2DB644

RGB 45 182 68

HSL 130.07, 0.6%, 0.45%

LAB 65.3, -58.85, 46.69

 

CMYK 70 / 0 / 58 / 19

HEX #3ECE56

RGB 62 206 86

HSL 130, 0.6%, 0.53%

LAB 73.44, -62.04, 48.02

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 43 / 0 / 35 / 13

HEX #80DF90

RGB 128 223 144

HSL 130.11, 0.6%, 0.69%

LAB 81.5, -44.55, 30.16

 

CMYK 30 / 0 / 25 / 9

HEX #A1E7AD

RGB 161 231 173

HSL 130.29, 0.59%, 0.77%

LAB 85.88, -33.32, 21.42

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 56 / 20 / 0 / 16

HEX #5FABD7

RGB 95 171 215

HSL 202, 0.6%, 0.61%

LAB 66.87, -11.02, -29.45

 

CMYK 0 / 56 / 43 / 16

HEX #D75F7B

RGB 215 95 123

HSL 346, 0.6%, 0.61%

LAB 56.15, 49.74, 7.93

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 47 / 56 / 0 / 16

HEX #735FD7

RGB 115 95 215

HSL 250, 0.6%, 0.61%

LAB 47.93, 37.96, -59.29

 

CMYK 0 / 47 / 56 / 16

HEX #D7735F

RGB 215 115 95

HSL 10, 0.6%, 0.61%

LAB 59.47, 37.22, 28.61

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 56 / 20 / 0 / 16

HEX #5FABD7

RGB 95 171 215

HSL 202, 0.6%, 0.61%

LAB 66.87, -11.02, -29.45

 

CMYK 0 / 56 / 9 / 16

HEX #D75FC3

RGB 215 95 195

HSL 310, 0.6%, 0.61%

LAB 58.58, 59.29, -30.26

 

CMYK 0 / 35 / 56 / 16

HEX #D78B5F

RGB 215 139 95

HSL 22, 0.6%, 0.61%

LAB 64.75, 24.49, 35.33

 

CMYK 56 / 0 / 47 / 16

HEX #5FD773

RGB 95 215 115

HSL 130, 0.6%, 0.61%

LAB 77.44, -54.52, 39.27

 

CMYK 56 / 37 / 0 / 16

HEX #5F87D7

RGB 95 135 215

HSL 220, 0.6%, 0.61%

LAB 56.75, 9.53, -45.27

 

CMYK 0 / 56 / 9 / 16

HEX #D75FC3

RGB 215 95 195

HSL 310, 0.6%, 0.61%

LAB 58.58, 59.29, -30.26

 

CMYK 0 / 19 / 56 / 16

HEX #D7AF5F

RGB 215 175 95

HSL 40, 0.6%, 0.61%

LAB 73.5, 5.12, 45.99

 

Description

Color code: HEX #5FD773 | qconv.com Color code: HEX #5FD773 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 215 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 215 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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