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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE207 it is the complementary color #A01DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE207 shade: #64E202, #75F415, #86FF28, #97FF3B and #A8FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE207 shade: #5FE207, #4ED000, #3DBE00, #2CAC00 and #1B9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE207 shade: #5FE307, #9BE307, #D6E307, #E3B507 and #E37907

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE207 shade: #5FE307, #24E307, #07E325, #07E360 and #07E39C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE207 shade matches the following richer shades: #5FE307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE207 shade: #5FE307, #63D01A, #67BD2C, #6AAA3F and #6E9752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE207 shade: #D8E307, #9DE307, #62E307, #28E307 and #07E320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE207 shade: #3E9304, #4EBB05, #5FE307, #74F71B and #8CF943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE207 shade: #5FE207, #07E3B3 and #E307BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE207 shade: #5FE207, #0762E3 and #E30762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE207 shade: #5FE207, #07E3B3, #8707E3 and #E30736

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE207 shade: #5FE207, #07D1E3, #8707E3 and #E31907

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

Complementary color

CMYK 35 / 88 / 0 / 3

HEX #A01DF8

RGB 160 29 248

HSL 275.89, 0.94%, 0.54%

LAB 45.81, 80.97, -81.16

 

CMYK 56 / 0 / 99 / 11

HEX #64E202

RGB 100 226 2

HSL 93.75, 0.98%, 0.45%

LAB 80.24, -65.32, 77.63

 

CMYK 52 / 0 / 91 / 4

HEX #75F415

RGB 117 244 21

HSL 94.17, 0.91%, 0.52%

LAB 86.27, -66.7, 80.87

 

CMYK 47 / 0 / 84 / 0

HEX #86FF28

RGB 134 255 40

HSL 93.77, 1%, 0.58%

LAB 90.2, -65.28, 81.22

 

CMYK 41 / 0 / 77 / 0

HEX #97FF3B

RGB 151 255 59

HSL 91.84, 1%, 0.62%

LAB 90.97, -59.31, 77.43

 

CMYK 34 / 0 / 69 / 0

HEX #A8FF4E

RGB 168 255 78

HSL 89.49, 1%, 0.65%

LAB 91.86, -52.65, 72.44

 

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

CMYK 63 / 0 / 100 / 18

HEX #4ED000

RGB 78 208 0

HSL 97.5, 1%, 0.41%

LAB 74.02, -64.69, 72.62

 

CMYK 68 / 0 / 100 / 25

HEX #3DBE00

RGB 61 190 0

HSL 100.74, 1%, 0.37%

LAB 67.89, -62.52, 67.57

 

CMYK 74 / 0 / 100 / 33

HEX #2CAC00

RGB 44 172 0

HSL 104.65, 1%, 0.34%

LAB 61.69, -60, 62.49

 

CMYK 82 / 0 / 100 / 40

HEX #1B9A00

RGB 27 154 0

HSL 109.48, 1%, 0.3%

LAB 55.43, -56.98, 57.37

 

CMYK 58 / 0 / 97 / 11

HEX #5FE307

RGB 95 227 7

HSL 96, 0.94%, 0.46%

LAB 80.4, -66.85, 77.25

 

CMYK 32 / 0 / 97 / 11

HEX #9BE307

RGB 155 227 7

HSL 79.64, 0.94%, 0.46%

LAB 82.87, -48.3, 80.26

 

CMYK 6 / 0 / 97 / 11

HEX #D6E307

RGB 214 227 7

HSL 63.55, 0.94%, 0.46%

LAB 86.63, -25.1, 84.78

 

CMYK 0 / 20 / 97 / 11

HEX #E3B507

RGB 227 181 7

HSL 47.45, 0.94%, 0.46%

LAB 75.7, 3.6, 77.25

 

CMYK 0 / 47 / 97 / 11

HEX #E37907

RGB 227 121 7

HSL 31.09, 0.94%, 0.46%

LAB 61.67, 35.33, 67.63

 

CMYK 58 / 0 / 97 / 11

HEX #5FE307

RGB 95 227 7

HSL 96, 0.94%, 0.46%

LAB 80.4, -66.85, 77.25

 

CMYK 84 / 0 / 97 / 11

HEX #24E307

RGB 36 227 7

HSL 112.09, 0.94%, 0.46%

LAB 79.23, -76.85, 75.82

 

CMYK 97 / 0 / 84 / 11

HEX #07E325

RGB 7 227 37

HSL 128.18, 0.94%, 0.46%

LAB 79.11, -77.69, 71.06

 

CMYK 97 / 0 / 58 / 11

HEX #07E360

RGB 7 227 96

HSL 144.27, 0.94%, 0.46%

LAB 79.52, -72.53, 50.47

 

CMYK 97 / 0 / 31 / 11

HEX #07E39C

RGB 7 227 156

HSL 160.64, 0.94%, 0.46%

LAB 80.39, -62.11, 22.06

 

CMYK 58 / 0 / 97 / 11

HEX #5FE307

RGB 95 227 7

HSL 96, 0.94%, 0.46%

LAB 80.4, -66.85, 77.25

 

CMYK 58 / 0 / 97 / 11

HEX #5FE307

RGB 95 227 7

HSL 96, 0.94%, 0.46%

LAB 80.4, -66.85, 77.25

 

CMYK 52 / 0 / 88 / 18

HEX #63D01A

RGB 99 208 26

HSL 95.93, 0.78%, 0.46%

LAB 74.72, -58.8, 70.14

 

CMYK 46 / 0 / 77 / 26

HEX #67BD2C

RGB 103 189 44

HSL 95.59, 0.62%, 0.46%

LAB 69.08, -49.64, 60.48

 

CMYK 38 / 0 / 63 / 33

HEX #6AAA3F

RGB 106 170 63

HSL 95.89, 0.46%, 0.46%

LAB 63.49, -39.31, 47.43

 

CMYK 27 / 0 / 46 / 41

HEX #6E9752

RGB 110 151 82

HSL 95.65, 0.3%, 0.46%

LAB 58.09, -26.9, 31.83

 

CMYK 5 / 0 / 97 / 11

HEX #D8E307

RGB 216 227 7

HSL 63, 0.94%, 0.46%

LAB 86.78, -24.27, 84.96

 

CMYK 31 / 0 / 97 / 11

HEX #9DE307

RGB 157 227 7

HSL 79.09, 0.94%, 0.46%

LAB 82.98, -47.58, 80.39

 

CMYK 57 / 0 / 97 / 11

HEX #62E307

RGB 98 227 7

HSL 95.18, 0.94%, 0.46%

LAB 80.49, -66.1, 77.36

 

CMYK 82 / 0 / 97 / 11

HEX #28E307

RGB 40 227 7

HSL 111, 0.94%, 0.46%

LAB 79.27, -76.46, 75.87

 

CMYK 97 / 0 / 86 / 11

HEX #07E320

RGB 7 227 32

HSL 126.82, 0.94%, 0.46%

LAB 79.09, -77.91, 72.14

 

CMYK 58 / 0 / 97 / 42

HEX #3E9304

RGB 62 147 4

HSL 95.66, 0.95%, 0.3%

LAB 53.92, -47.51, 55.85

 

CMYK 58 / 0 / 97 / 27

HEX #4EBB05

RGB 78 187 5

HSL 95.93, 0.95%, 0.38%

LAB 67.41, -57.52, 66.8

 

CMYK 58 / 0 / 97 / 11

HEX #5FE307

RGB 95 227 7

HSL 96, 0.94%, 0.46%

LAB 80.4, -66.85, 77.25

 

CMYK 53 / 0 / 89 / 3

HEX #74F71B

RGB 116 247 27

HSL 95.73, 0.93%, 0.54%

LAB 87.15, -67.87, 80.73

 

CMYK 44 / 0 / 73 / 2

HEX #8CF943

RGB 140 249 67

HSL 95.93, 0.94%, 0.62%

LAB 88.8, -59.99, 72.71

 

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

CMYK 97 / 0 / 21 / 11

HEX #07E3B3

RGB 7 227 179

HSL 166.91, 0.94%, 0.46%

LAB 80.87, -56.81, 10.68

 

CMYK 0 / 97 / 18 / 11

HEX #E307BB

RGB 227 7 187

HSL 310.91, 0.94%, 0.46%

LAB 51.92, 84.2, -35.9

 

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

CMYK 97 / 57 / 0 / 11

HEX #0762E3

RGB 7 98 227

HSL 215.18, 0.94%, 0.46%

LAB 44.7, 27.2, -71.56

 

CMYK 0 / 97 / 57 / 11

HEX #E30762

RGB 227 7 98

HSL 335.18, 0.94%, 0.46%

LAB 48.72, 75.84, 12.8

 

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

CMYK 97 / 0 / 21 / 11

HEX #07E3B3

RGB 7 227 179

HSL 166.91, 0.94%, 0.46%

LAB 80.87, -56.81, 10.68

 

CMYK 41 / 97 / 0 / 11

HEX #8707E3

RGB 135 7 227

HSL 274.91, 0.94%, 0.46%

LAB 39.32, 77.27, -80.06

 

CMYK 0 / 97 / 76 / 11

HEX #E30736

RGB 227 7 54

HSL 347.18, 0.94%, 0.46%

LAB 47.94, 73.74, 38.56

 

CMYK 58 / 0 / 97 / 11

HEX #5FE207

RGB 95 226 7

HSL 95.89, 0.94%, 0.46%

LAB 80.09, -66.51, 77

 

CMYK 97 / 8 / 0 / 11

HEX #07D1E3

RGB 7 209 227

HSL 184.91, 0.94%, 0.46%

LAB 76.8, -35.71, -20.94

 

CMYK 41 / 97 / 0 / 11

HEX #8707E3

RGB 135 7 227

HSL 274.91, 0.94%, 0.46%

LAB 39.32, 77.27, -80.06

 

CMYK 0 / 89 / 97 / 11

HEX #E31907

RGB 227 25 7

HSL 4.91, 0.94%, 0.46%

LAB 48.31, 70.86, 59.93

 

Description

Color code: HEX #5FE207 | qconv.com Color code: HEX #5FE207 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 226 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 226 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 97 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 97% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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