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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FEBDD it is the complementary color #A01422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FEBDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FEBDD shade: #64EBD8, #75FDEB, #86FFFE, #97FFFF and #A8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FEBDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FEBDD shade: #5FEBDD, #4ED9CA, #3DC7B7, #2CB5A4 and #1BA391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FEBDD shade: #60EBDD, #60EBB7, #60EB92, #60EB6C and #79EB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FEBDD shade: #60EBDD, #60D3EB, #60AEEB, #6088EB and #6063EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FEBDD shade matches the following richer shades: #60EBDD and #51F9E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FEBDD shade: #60EBDD, #6EDCD1, #7DCEC6, #8BC0BA and #99B1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FEBDD shade: #60EB93, #60EBB8, #60EBDD, #60D4EB and #60AFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FEBDD shade: #1BDDCA, #3BE6D5, #60EBDD, #84EFE5 and #A9F4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FEBDD shade: #5FEBDD, #6E60EB and #EBA560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FEBDD shade: #5FEBDD, #DD60EB and #EBDD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FEBDD shade: #5FEBDD, #6E60EB, #EB606E and #DDEB60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FEBDD shade: #5FEBDD, #9760EB, #EB606E and #B3EB60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

Complementary color

CMYK 0 / 88 / 79 / 37

HEX #A01422

RGB 160 20 34

HSL 354, 0.78%, 0.35%

LAB 34.17, 54.18, 31.35

 

CMYK 57 / 0 / 8 / 8

HEX #64EBD8

RGB 100 235 216

HSL 171.56, 0.77%, 0.66%

LAB 85.55, -41.31, -1.88

 

CMYK 54 / 0 / 7 / 1

HEX #75FDEB

RGB 117 253 235

HSL 172.06, 0.97%, 0.73%

LAB 91.7, -41.45, -2.71

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFE

RGB 134 255 254

HSL 179.5, 1%, 0.76%

LAB 93.34, -34.23, -10.07

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

CMYK 64 / 0 / 7 / 15

HEX #4ED9CA

RGB 78 217 202

HSL 173.53, 0.65%, 0.58%

LAB 79.33, -40.6, -3.65

 

CMYK 69 / 0 / 8 / 22

HEX #3DC7B7

RGB 61 199 183

HSL 173.04, 0.55%, 0.51%

LAB 73.06, -40.1, -2.68

 

CMYK 76 / 0 / 9 / 29

HEX #2CB5A4

RGB 44 181 164

HSL 172.55, 0.61%, 0.44%

LAB 66.72, -39.37, -1.62

 

CMYK 83 / 0 / 11 / 36

HEX #1BA391

RGB 27 163 145

HSL 172.06, 0.72%, 0.37%

LAB 60.31, -38.33, -0.42

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 59 / 0 / 22 / 8

HEX #60EBB7

RGB 96 235 183

HSL 157.55, 0.78%, 0.65%

LAB 84.65, -49.76, 14.12

 

CMYK 59 / 0 / 38 / 8

HEX #60EB92

RGB 96 235 146

HSL 141.58, 0.78%, 0.65%

LAB 83.95, -57.02, 32.21

 

CMYK 59 / 0 / 54 / 8

HEX #60EB6C

RGB 96 235 108

HSL 125.18, 0.78%, 0.65%

LAB 83.44, -62.73, 49.99

 

CMYK 49 / 0 / 59 / 8

HEX #79EB60

RGB 121 235 96

HSL 109.21, 0.78%, 0.65%

LAB 84.14, -57.85, 56.38

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 59 / 10 / 0 / 8

HEX #60D3EB

RGB 96 211 235

HSL 190.36, 0.78%, 0.65%

LAB 79.08, -25.67, -21.62

 

CMYK 59 / 26 / 0 / 8

HEX #60AEEB

RGB 96 174 235

HSL 206.33, 0.78%, 0.65%

LAB 68.57, -6.32, -37.78

 

CMYK 59 / 42 / 0 / 8

HEX #6088EB

RGB 96 136 235

HSL 222.73, 0.78%, 0.65%

LAB 58.13, 15.64, -54.25

 

CMYK 59 / 58 / 0 / 8

HEX #6063EB

RGB 96 99 235

HSL 238.71, 0.78%, 0.65%

LAB 48.77, 38.07, -69.3

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 67 / 0 / 7 / 2

HEX #51F9E8

RGB 81 249 232

HSL 173.93, 0.93%, 0.65%

LAB 89.55, -46.43, -4.43

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 50 / 0 / 5 / 14

HEX #6EDCD1

RGB 110 220 209

HSL 174, 0.61%, 0.65%

LAB 81.35, -34.19, -4.31

 

CMYK 39 / 0 / 4 / 19

HEX #7DCEC6

RGB 125 206 198

HSL 174.07, 0.45%, 0.65%

LAB 77.63, -26.63, -3.84

 

CMYK 28 / 0 / 3 / 25

HEX #8BC0BA

RGB 139 192 186

HSL 173.21, 0.3%, 0.65%

LAB 74.02, -18.51, -2.57

 

CMYK 14 / 0 / 1 / 31

HEX #99B1AF

RGB 153 177 175

HSL 175, 0.13%, 0.65%

LAB 70.39, -8.64, -1.77

 

CMYK 59 / 0 / 37 / 8

HEX #60EB93

RGB 96 235 147

HSL 142.01, 0.78%, 0.65%

LAB 83.97, -56.84, 31.72

 

CMYK 59 / 0 / 22 / 8

HEX #60EBB8

RGB 96 235 184

HSL 157.99, 0.78%, 0.65%

LAB 84.67, -49.54, 13.63

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 59 / 10 / 0 / 8

HEX #60D4EB

RGB 96 212 235

HSL 189.93, 0.78%, 0.65%

LAB 79.37, -26.16, -21.18

 

CMYK 59 / 26 / 0 / 8

HEX #60AFEB

RGB 96 175 235

HSL 205.9, 0.78%, 0.65%

LAB 68.86, -6.87, -37.34

 

CMYK 88 / 0 / 9 / 13

HEX #1BDDCA

RGB 27 221 202

HSL 174.12, 0.78%, 0.49%

LAB 79.73, -47.66, -3.15

 

CMYK 74 / 0 / 7 / 10

HEX #3BE6D5

RGB 59 230 213

HSL 174.04, 0.77%, 0.57%

LAB 83.09, -45.93, -4.01

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDD

RGB 96 235 221

HSL 173.96, 0.78%, 0.65%

LAB 85.57, -40.77, -4.49

 

CMYK 45 / 0 / 4 / 6

HEX #84EFE5

RGB 132 239 229

HSL 174.39, 0.77%, 0.73%

LAB 88.11, -33.3, -4.8

 

CMYK 31 / 0 / 3 / 4

HEX #A9F4EC

RGB 169 244 236

HSL 173.6, 0.77%, 0.81%

LAB 91.32, -24.68, -3.54

 

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

CMYK 53 / 59 / 0 / 8

HEX #6E60EB

RGB 110 96 235

HSL 246.04, 0.78%, 0.65%

LAB 49.1, 42.32, -68.72

 

CMYK 0 / 30 / 59 / 8

HEX #EBA560

RGB 235 165 96

HSL 29.78, 0.78%, 0.65%

LAB 73.17, 18.83, 45.61

 

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

CMYK 6 / 59 / 0 / 8

HEX #DD60EB

RGB 221 96 235

HSL 293.96, 0.78%, 0.65%

LAB 61.43, 67.18, -48.29

 

CMYK 0 / 6 / 59 / 8

HEX #EBDD60

RGB 235 221 96

HSL 53.96, 0.78%, 0.65%

LAB 87.1, -10.25, 61.59

 

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

CMYK 53 / 59 / 0 / 8

HEX #6E60EB

RGB 110 96 235

HSL 246.04, 0.78%, 0.65%

LAB 49.1, 42.32, -68.72

 

CMYK 0 / 59 / 53 / 8

HEX #EB606E

RGB 235 96 110

HSL 353.96, 0.78%, 0.65%

LAB 59.12, 54.81, 20.12

 

CMYK 6 / 0 / 59 / 8

HEX #DDEB60

RGB 221 235 96

HSL 66.04, 0.78%, 0.65%

LAB 89.69, -22.77, 64.13

 

CMYK 60 / 0 / 6 / 8

HEX #5FEBDD

RGB 95 235 221

HSL 174, 0.78%, 0.65%

LAB 85.54, -40.94, -4.53

 

CMYK 36 / 59 / 0 / 8

HEX #9760EB

RGB 151 96 235

HSL 263.74, 0.78%, 0.65%

LAB 52.89, 50.69, -62.42

 

CMYK 0 / 59 / 53 / 8

HEX #EB606E

RGB 235 96 110

HSL 353.96, 0.78%, 0.65%

LAB 59.12, 54.81, 20.12

 

CMYK 24 / 0 / 59 / 8

HEX #B3EB60

RGB 179 235 96

HSL 84.17, 0.78%, 0.65%

LAB 86.92, -38.9, 60.28

 

Description

Color code: HEX #5FEBDD | qconv.com Color code: HEX #5FEBDD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 235 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 235 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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