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Color name
HEX #5FF018

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FF018 it is the complementary color #A00FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FF018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FF018 shade: #64F013, #75FF26, #86FF39, #97FF4C and #A8FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FF018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FF018 shade: #5FF018, #4EDE05, #3DCC00, #2CBA00 and #1BA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FF018 shade: #5FF018, #99F018, #D3F018, #F0D218 and #F09818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FF018 shade: #5FF018, #25F018, #18F046, #18F080 and #18F0BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FF018 shade matches the following richer shades: #5FF018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FF018 shade: #5FF018, #66DC2C, #6DC840, #74B454 and #7AA168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FF018 shade: #D3F018, #9AF018, #60F018, #27F018 and #18F043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FF018 shade: #3FAB0A, #4ED20D, #5FF018, #7AF23F and #95F566

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FF018 shade: #5FF018, #18F0D3 and #F018B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FF018 shade: #5FF018, #1860F0 and #F01860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FF018 shade: #5FF018, #18F0D3, #A818F0 and #F01835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FF018 shade: #5FF018, #18CCF0, #A818F0 and #F03C18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

Complementary color

CMYK 31 / 94 / 0 / 9

HEX #A00FE7

RGB 160 15 231

HSL 280.28, 0.88%, 0.48%

LAB 43.63, 79.93, -75.13

 

CMYK 58 / 0 / 92 / 6

HEX #64F013

RGB 100 240 19

HSL 98.01, 0.88%, 0.51%

LAB 84.52, -69.75, 79.46

 

CMYK 54 / 0 / 85 / 0

HEX #75FF26

RGB 117 255 38

HSL 98.16, 1%, 0.57%

LAB 89.6, -70.01, 80.87

 

CMYK 47 / 0 / 78 / 0

HEX #86FF39

RGB 134 255 57

HSL 96.67, 1%, 0.61%

LAB 90.27, -64.55, 77.09

 

CMYK 41 / 0 / 70 / 0

HEX #97FF4C

RGB 151 255 76

HSL 94.86, 1%, 0.65%

LAB 91.06, -58.32, 72.08

 

CMYK 34 / 0 / 63 / 0

HEX #A8FF5F

RGB 168 255 95

HSL 92.63, 1%, 0.69%

LAB 91.99, -51.4, 66.12

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 65 / 0 / 98 / 13

HEX #4EDE05

RGB 78 222 5

HSL 99.82, 0.96%, 0.45%

LAB 78.39, -69.12, 75.62

 

CMYK 70 / 0 / 100 / 20

HEX #3DCC00

RGB 61 204 0

HSL 102.06, 1%, 0.4%

LAB 72.35, -66.91, 71.12

 

CMYK 76 / 0 / 100 / 27

HEX #2CBA00

RGB 44 186 0

HSL 105.81, 1%, 0.36%

LAB 66.25, -64.27, 66.13

 

CMYK 84 / 0 / 100 / 34

HEX #1BA800

RGB 27 168 0

HSL 110.36, 1%, 0.33%

LAB 60.1, -61.15, 61.11

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 36 / 0 / 90 / 6

HEX #99F018

RGB 153 240 24

HSL 84.17, 0.88%, 0.52%

LAB 86.58, -54.03, 81.33

 

CMYK 12 / 0 / 90 / 6

HEX #D3F018

RGB 211 240 24

HSL 68.06, 0.88%, 0.52%

LAB 89.97, -32.2, 85.47

 

CMYK 0 / 13 / 90 / 6

HEX #F0D218

RGB 240 210 24

HSL 51.67, 0.88%, 0.52%

LAB 84.32, -5.54, 82.04

 

CMYK 0 / 37 / 90 / 6

HEX #F09818

RGB 240 152 24

HSL 35.56, 0.88%, 0.52%

LAB 70.21, 24.71, 71.31

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 85 / 0 / 90 / 6

HEX #25F018

RGB 37 240 24

HSL 116.39, 0.88%, 0.52%

LAB 83.33, -79.98, 77.29

 

CMYK 90 / 0 / 71 / 6

HEX #18F046

RGB 24 240 70

HSL 132.78, 0.88%, 0.52%

LAB 83.42, -78.39, 65.38

 

CMYK 90 / 0 / 47 / 6

HEX #18F080

RGB 24 240 128

HSL 148.89, 0.88%, 0.52%

LAB 84, -71.2, 40.96

 

CMYK 90 / 0 / 23 / 6

HEX #18F0BA

RGB 24 240 186

HSL 165, 0.88%, 0.52%

LAB 85.03, -59.52, 12.92

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 54 / 0 / 80 / 14

HEX #66DC2C

RGB 102 220 44

HSL 100.23, 0.72%, 0.52%

LAB 78.57, -61.53, 69.4

 

CMYK 46 / 0 / 68 / 22

HEX #6DC840

RGB 109 200 64

HSL 100.15, 0.55%, 0.52%

LAB 72.85, -50.71, 57.15

 

CMYK 36 / 0 / 53 / 29

HEX #74B454

RGB 116 180 84

HSL 100, 0.39%, 0.52%

LAB 67.27, -38.05, 42.14

 

CMYK 24 / 0 / 35 / 37

HEX #7AA168

RGB 122 161 104

HSL 101.05, 0.23%, 0.52%

LAB 62.19, -24.24, 25.49

 

CMYK 12 / 0 / 90 / 6

HEX #D3F018

RGB 211 240 24

HSL 68.06, 0.88%, 0.52%

LAB 89.97, -32.2, 85.47

 

CMYK 36 / 0 / 90 / 6

HEX #9AF018

RGB 154 240 24

HSL 83.89, 0.88%, 0.52%

LAB 86.63, -53.68, 81.38

 

CMYK 60 / 0 / 90 / 6

HEX #60F018

RGB 96 240 24

HSL 100, 0.88%, 0.52%

LAB 84.42, -70.58, 78.65

 

CMYK 84 / 0 / 90 / 6

HEX #27F018

RGB 39 240 24

HSL 115.83, 0.88%, 0.52%

LAB 83.35, -79.8, 77.32

 

CMYK 90 / 0 / 72 / 6

HEX #18F043

RGB 24 240 67

HSL 131.94, 0.88%, 0.52%

LAB 83.4, -78.63, 66.42

 

CMYK 63 / 0 / 94 / 33

HEX #3FAB0A

RGB 63 171 10

HSL 100.25, 0.89%, 0.35%

LAB 61.83, -55.61, 61.45

 

CMYK 63 / 0 / 94 / 18

HEX #4ED20D

RGB 78 210 13

HSL 100.2, 0.88%, 0.44%

LAB 74.66, -65.13, 71.81

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 50 / 0 / 74 / 5

HEX #7AF23F

RGB 122 242 63

HSL 100.22, 0.87%, 0.6%

LAB 86.01, -62.89, 71.03

 

CMYK 39 / 0 / 58 / 4

HEX #95F566

RGB 149 245 102

HSL 100.28, 0.88%, 0.68%

LAB 88.28, -52.86, 58.83

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 90 / 0 / 12 / 6

HEX #18F0D3

RGB 24 240 211

HSL 171.94, 0.88%, 0.52%

LAB 85.61, -53.28, 0.7

 

CMYK 0 / 90 / 24 / 6

HEX #F018B6

RGB 240 24 182

HSL 316.11, 0.88%, 0.52%

LAB 54.61, 84.48, -28.6

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 90 / 60 / 0 / 6

HEX #1860F0

RGB 24 96 240

HSL 220, 0.88%, 0.52%

LAB 45.43, 34.03, -77.69

 

CMYK 0 / 90 / 60 / 6

HEX #F01860

RGB 240 24 96

HSL 340, 0.88%, 0.52%

LAB 51.86, 77.03, 18.75

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 90 / 0 / 12 / 6

HEX #18F0D3

RGB 24 240 211

HSL 171.94, 0.88%, 0.52%

LAB 85.61, -53.28, 0.7

 

CMYK 30 / 90 / 0 / 6

HEX #A818F0

RGB 168 24 240

HSL 280, 0.88%, 0.52%

LAB 46, 81.32, -76.3

 

CMYK 0 / 90 / 78 / 6

HEX #F01835

RGB 240 24 53

HSL 351.94, 0.88%, 0.52%

LAB 51.19, 75.14, 43.41

 

CMYK 60 / 0 / 90 / 6

HEX #5FF018

RGB 95 240 24

HSL 100.28, 0.88%, 0.52%

LAB 84.39, -70.81, 78.61

 

CMYK 90 / 15 / 0 / 6

HEX #18CCF0

RGB 24 204 240

HSL 190, 0.88%, 0.52%

LAB 75.87, -28.62, -29.33

 

CMYK 30 / 90 / 0 / 6

HEX #A818F0

RGB 168 24 240

HSL 280, 0.88%, 0.52%

LAB 46, 81.32, -76.3

 

CMYK 0 / 75 / 90 / 6

HEX #F03C18

RGB 240 60 24

HSL 10, 0.88%, 0.52%

LAB 53.84, 66.39, 59.42

 

Description

Color code: HEX #5FF018 | qconv.com Color code: HEX #5FF018 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 240 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 240 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 90% 6% C M Y K

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Provide designers and agencies with accurate color values.

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