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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63A2BF it is the complementary color #9C5D40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63A2BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63A2BF shade: #68A2BA, #79B4CD, #8AC6E0, #9BD8F3 and #ACEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63A2BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63A2BF shade: #63A2BF, #5290AC, #417E99, #306C86 and #1F5A73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63A2BF shade: #63A2BF, #6389BF, #6370BF, #6E63BF and #8763BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63A2BF shade: #63A2BF, #6389BF, #6370BF and #6363BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63A2BF shade matches the following richer shades: #63A2BF, #51A8D1, #3FAFE2 and #2EB6F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63A2BF shade: #63A2BF, #759BAD, #86959B, #988E8A and #AA8878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63A2BF shade: #63BFA9, #63BCBF, #63A3BF, #638BBF and #6372BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63A2BF shade: #3C7893, #4890B1, #63A2BF, #80B3CB and #9DC5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63A2BF shade: #63A2BF, #9163BF and #BFB663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63A2BF shade: #63A2BF, #BF63A3 and #A3BF63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63A2BF shade: #63A2BF, #9163BF, #BF7E63 and #91BF63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63A2BF shade: #63A2BF, #AC63BF, #BF7E63 and #75BF63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

Complementary color

CMYK 0 / 40 / 59 / 39

HEX #9C5D40

RGB 156 93 64

HSL 18.91, 0.42%, 0.43%

LAB 46, 22.8, 27.47

 

CMYK 44 / 13 / 0 / 27

HEX #68A2BA

RGB 104 162 186

HSL 197.56, 0.37%, 0.57%

LAB 63.61, -12.49, -18.31

 

CMYK 41 / 12 / 0 / 20

HEX #79B4CD

RGB 121 180 205

HSL 197.86, 0.46%, 0.64%

LAB 70.26, -12.64, -18.67

 

CMYK 38 / 12 / 0 / 12

HEX #8AC6E0

RGB 138 198 224

HSL 198.14, 0.58%, 0.71%

LAB 76.78, -12.76, -19.04

 

CMYK 36 / 11 / 0 / 5

HEX #9BD8F3

RGB 155 216 243

HSL 198.41, 0.79%, 0.78%

LAB 83.21, -12.85, -19.4

 

CMYK 33 / 8 / 0 / 0

HEX #ACEAFF

RGB 172 234 255

HSL 195.18, 1%, 0.84%

LAB 89.32, -14.6, -16.42

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 52 / 16 / 0 / 33

HEX #5290AC

RGB 82 144 172

HSL 198.67, 0.35%, 0.5%

LAB 56.8, -12.01, -20.87

 

CMYK 58 / 18 / 0 / 40

HEX #417E99

RGB 65 126 153

HSL 198.41, 0.4%, 0.43%

LAB 49.91, -11.58, -20.52

 

CMYK 64 / 19 / 0 / 47

HEX #306C86

RGB 48 108 134

HSL 198.14, 0.47%, 0.36%

LAB 42.88, -10.97, -20.14

 

CMYK 73 / 22 / 0 / 55

HEX #1F5A73

RGB 31 90 115

HSL 197.86, 0.58%, 0.29%

LAB 35.68, -10.06, -19.73

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 48 / 28 / 0 / 25

HEX #6389BF

RGB 99 137 191

HSL 215.22, 0.42%, 0.57%

LAB 56.39, 1.76, -32.26

 

CMYK 48 / 41 / 0 / 25

HEX #6370BF

RGB 99 112 191

HSL 231.52, 0.42%, 0.57%

LAB 49.5, 16.76, -43.09

 

CMYK 42 / 48 / 0 / 25

HEX #6E63BF

RGB 110 99 191

HSL 247.17, 0.42%, 0.57%

LAB 46.97, 27.41, -47.06

 

CMYK 29 / 48 / 0 / 25

HEX #8763BF

RGB 135 99 191

HSL 263.48, 0.42%, 0.57%

LAB 49.3, 33.95, -43.22

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 48 / 28 / 0 / 25

HEX #6389BF

RGB 99 137 191

HSL 215.22, 0.42%, 0.57%

LAB 56.39, 1.76, -32.26

 

CMYK 48 / 41 / 0 / 25

HEX #6370BF

RGB 99 112 191

HSL 231.52, 0.42%, 0.57%

LAB 49.5, 16.76, -43.09

 

CMYK 48 / 48 / 0 / 25

HEX #6363BF

RGB 99 99 191

HSL 240, 0.42%, 0.57%

LAB 46.09, 24.77, -48.52

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 61 / 20 / 0 / 18

HEX #51A8D1

RGB 81 168 209

HSL 199.22, 0.58%, 0.57%

LAB 65.25, -13.96, -28.69

 

CMYK 72 / 23 / 0 / 11

HEX #3FAFE2

RGB 63 175 226

HSL 198.77, 0.74%, 0.57%

LAB 67.43, -15.05, -34.72

 

CMYK 81 / 25 / 0 / 4

HEX #2EB6F4

RGB 46 182 244

HSL 198.79, 0.9%, 0.57%

LAB 69.87, -14.57, -40.76

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 32 / 10 / 0 / 32

HEX #759BAD

RGB 117 155 173

HSL 199.29, 0.25%, 0.57%

LAB 61.86, -8.56, -13.59

 

CMYK 14 / 4 / 0 / 39

HEX #86959B

RGB 134 149 155

HSL 197.14, 0.1%, 0.57%

LAB 60.72, -4.06, -4.99

 

CMYK 0 / 7 / 9 / 40

HEX #988E8A

RGB 152 142 138

HSL 17.14, 0.06%, 0.57%

LAB 59.76, 2.98, 3.45

 

CMYK 0 / 20 / 29 / 33

HEX #AA8878

RGB 170 136 120

HSL 19.2, 0.23%, 0.57%

LAB 59.44, 10.53, 13.5

 

CMYK 48 / 0 / 12 / 25

HEX #63BFA9

RGB 99 191 169

HSL 165.65, 0.42%, 0.57%

LAB 71.4, -32.8, 2.65

 

CMYK 48 / 2 / 0 / 25

HEX #63BCBF

RGB 99 188 191

HSL 181.96, 0.42%, 0.57%

LAB 71.13, -25.82, -9.78

 

CMYK 48 / 15 / 0 / 25

HEX #63A3BF

RGB 99 163 191

HSL 198.26, 0.42%, 0.57%

LAB 63.84, -12.86, -20.77

 

CMYK 48 / 27 / 0 / 25

HEX #638BBF

RGB 99 139 191

HSL 213.91, 0.42%, 0.57%

LAB 56.96, 0.6, -31.38

 

CMYK 48 / 40 / 0 / 25

HEX #6372BF

RGB 99 114 191

HSL 230.22, 0.42%, 0.57%

LAB 50.04, 15.54, -42.24

 

CMYK 59 / 18 / 0 / 42

HEX #3C7893

RGB 60 120 147

HSL 198.62, 0.42%, 0.41%

LAB 47.62, -11.15, -20.53

 

CMYK 59 / 19 / 0 / 31

HEX #4890B1

RGB 72 144 177

HSL 198.86, 0.42%, 0.49%

LAB 56.58, -12.61, -24.09

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 37 / 12 / 0 / 20

HEX #80B3CB

RGB 128 179 203

HSL 199.2, 0.42%, 0.65%

LAB 70.27, -10.78, -17.51

 

CMYK 27 / 8 / 0 / 16

HEX #9DC5D7

RGB 157 197 215

HSL 198.62, 0.42%, 0.73%

LAB 77.28, -9.14, -13.32

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 24 / 48 / 0 / 25

HEX #9163BF

RGB 145 99 191

HSL 270, 0.42%, 0.57%

LAB 50.34, 36.71, -41.5

 

CMYK 0 / 5 / 48 / 25

HEX #BFB663

RGB 191 182 99

HSL 54.13, 0.42%, 0.57%

LAB 73.18, -8.24, 43.1

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 0 / 48 / 15 / 25

HEX #BF63A3

RGB 191 99 163

HSL 318.26, 0.42%, 0.57%

LAB 54.7, 45.09, -18.04

 

CMYK 15 / 0 / 48 / 25

HEX #A3BF63

RGB 163 191 99

HSL 78.26, 0.42%, 0.57%

LAB 73.51, -24.11, 43.01

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 24 / 48 / 0 / 25

HEX #9163BF

RGB 145 99 191

HSL 270, 0.42%, 0.57%

LAB 50.34, 36.71, -41.5

 

CMYK 0 / 34 / 48 / 25

HEX #BF7E63

RGB 191 126 99

HSL 17.61, 0.42%, 0.57%

LAB 58.88, 22.15, 25.01

 

CMYK 24 / 0 / 48 / 25

HEX #91BF63

RGB 145 191 99

HSL 90, 0.42%, 0.57%

LAB 72.35, -30.97, 41.32

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 10 / 48 / 0 / 25

HEX #AC63BF

RGB 172 99 191

HSL 287.61, 0.42%, 0.57%

LAB 53.44, 44.39, -36.4

 

CMYK 0 / 34 / 48 / 25

HEX #BF7E63

RGB 191 126 99

HSL 17.61, 0.42%, 0.57%

LAB 58.88, 22.15, 25.01

 

CMYK 39 / 0 / 48 / 25

HEX #75BF63

RGB 117 191 99

HSL 108.26, 0.42%, 0.57%

LAB 70.83, -40.72, 39.11

 

Description

Color code: HEX #63A2BF | qconv.com Color code: HEX #63A2BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 162 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 162 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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