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Color name
HEX #63AC14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63AC14 it is the complementary color #9C53EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63AC14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63AC14 shade: #68AC0F, #79BE22, #8AD035, #9BE248 and #ACF45B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63AC14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63AC14 shade: #63AC14, #529A01, #418800, #307600 and #1F6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63AC14 shade: #63AD14, #8DAD14, #ADA414, #AD7B14 and #AD5114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63AC14 shade: #63AD14, #3AAD14, #14AD17, #14AD40 and #14AD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63AC14 shade matches the following richer shades: #63AD14 and #64BD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63AC14 shade: #63AD14, #639D24, #628E33, #627E43 and #616E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63AC14 shade: #ADA314, #8EAD14, #66AD14, #3DAD14 and #14AD14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63AC14 shade: #39630B, #4E8810, #63AD14, #79D218 and #8DE62D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63AC14 shade: #63AC14, #14AD7A and #AD14A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63AC14 shade: #63AC14, #1466AD and #AD1466

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63AC14 shade: #63AC14, #14AD7A, #5B14AD and #AD1447

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63AC14 shade: #63AC14, #14ADA8, #5B14AD and #AD1419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

Complementary color

CMYK 34 / 65 / 0 / 8

HEX #9C53EB

RGB 156 83 235

HSL 268.82, 0.79%, 0.62%

LAB 50.98, 58.39, -65.46

 

CMYK 40 / 0 / 91 / 33

HEX #68AC0F

RGB 104 172 15

HSL 85.99, 0.84%, 0.37%

LAB 63.74, -43.62, 62.93

 

CMYK 36 / 0 / 82 / 25

HEX #79BE22

RGB 121 190 34

HSL 86.54, 0.7%, 0.44%

LAB 70.18, -44.47, 64.73

 

CMYK 34 / 0 / 75 / 18

HEX #8AD035

RGB 138 208 53

HSL 87.1, 0.62%, 0.51%

LAB 76.54, -45.06, 65.31

 

CMYK 31 / 0 / 68 / 11

HEX #9BE248

RGB 155 226 72

HSL 87.66, 0.73%, 0.58%

LAB 82.82, -45.47, 65.16

 

CMYK 30 / 0 / 63 / 4

HEX #ACF45B

RGB 172 244 91

HSL 88.24, 0.87%, 0.66%

LAB 89.03, -45.75, 64.58

 

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

CMYK 47 / 0 / 99 / 40

HEX #529A01

RGB 82 154 1

HSL 88.24, 0.99%, 0.3%

LAB 56.98, -44.14, 59.11

 

CMYK 52 / 0 / 100 / 47

HEX #418800

RGB 65 136 0

HSL 91.32, 1%, 0.27%

LAB 50.37, -42.54, 53.78

 

CMYK 59 / 0 / 100 / 54

HEX #307600

RGB 48 118 0

HSL 95.59, 1%, 0.23%

LAB 43.63, -40.71, 48.2

 

CMYK 69 / 0 / 100 / 61

HEX #1F6400

RGB 31 100 0

HSL 101.4, 1%, 0.2%

LAB 36.75, -38.53, 42.53

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 18 / 0 / 88 / 32

HEX #8DAD14

RGB 141 173 20

HSL 72.55, 0.79%, 0.38%

LAB 66.21, -29.57, 64.97

 

CMYK 0 / 5 / 88 / 32

HEX #ADA414

RGB 173 164 20

HSL 56.47, 0.79%, 0.38%

LAB 66.13, -11.17, 65.93

 

CMYK 0 / 29 / 88 / 32

HEX #AD7B14

RGB 173 123 20

HSL 40.39, 0.79%, 0.38%

LAB 55.18, 11.17, 57.17

 

CMYK 0 / 53 / 88 / 32

HEX #AD5114

RGB 173 81 20

HSL 23.92, 0.79%, 0.38%

LAB 45.39, 34.29, 49.36

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 66 / 0 / 88 / 32

HEX #3AAD14

RGB 58 173 20

HSL 105.1, 0.79%, 0.38%

LAB 62.37, -57.12, 60.18

 

CMYK 88 / 0 / 87 / 32

HEX #14AD17

RGB 20 173 23

HSL 121.18, 0.79%, 0.38%

LAB 61.74, -62.58, 58.74

 

CMYK 88 / 0 / 63 / 32

HEX #14AD40

RGB 20 173 64

HSL 137.25, 0.79%, 0.38%

LAB 62, -59.24, 44.65

 

CMYK 88 / 0 / 39 / 32

HEX #14AD69

RGB 20 173 105

HSL 153.33, 0.79%, 0.38%

LAB 62.55, -52.63, 24.82

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 47 / 0 / 98 / 26

HEX #64BD04

RGB 100 189 4

HSL 88.86, 0.96%, 0.38%

LAB 68.83, -51.95, 68.39

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 37 / 0 / 77 / 38

HEX #639D24

RGB 99 157 36

HSL 88.76, 0.63%, 0.38%

LAB 58.88, -38.18, 53.26

 

CMYK 31 / 0 / 64 / 44

HEX #628E33

RGB 98 142 51

HSL 89.01, 0.47%, 0.38%

LAB 54.22, -30.63, 42.48

 

CMYK 22 / 0 / 47 / 51

HEX #627E43

RGB 98 126 67

HSL 88.47, 0.31%, 0.38%

LAB 49.4, -20.96, 28.8

 

CMYK 12 / 0 / 25 / 57

HEX #616E53

RGB 97 110 83

HSL 88.89, 0.14%, 0.38%

LAB 44.69, -10.28, 13.47

 

CMYK 0 / 6 / 88 / 32

HEX #ADA314

RGB 173 163 20

HSL 56.08, 0.79%, 0.38%

LAB 65.85, -10.65, 65.71

 

CMYK 18 / 0 / 88 / 32

HEX #8EAD14

RGB 142 173 20

HSL 72.16, 0.79%, 0.38%

LAB 66.28, -29.15, 65.05

 

CMYK 41 / 0 / 88 / 32

HEX #66AD14

RGB 102 173 20

HSL 87.84, 0.79%, 0.38%

LAB 63.97, -44.6, 62.18

 

CMYK 65 / 0 / 88 / 32

HEX #3DAD14

RGB 61 173 20

HSL 103.92, 0.79%, 0.38%

LAB 62.45, -56.46, 60.28

 

CMYK 88 / 0 / 88 / 32

HEX #14AD14

RGB 20 173 20

HSL 120, 0.79%, 0.38%

LAB 61.73, -62.7, 59.37

 

CMYK 42 / 0 / 89 / 61

HEX #39630B

RGB 57 99 11

HSL 88.64, 0.8%, 0.22%

LAB 37.51, -29.28, 40.53

 

CMYK 43 / 0 / 88 / 47

HEX #4E8810

RGB 78 136 16

HSL 89, 0.79%, 0.3%

LAB 51, -37.67, 51.47

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 42 / 0 / 89 / 18

HEX #79D218

RGB 121 210 24

HSL 88.71, 0.79%, 0.46%

LAB 76.21, -52.91, 72.12

 

CMYK 39 / 0 / 80 / 10

HEX #8DE62D

RGB 141 230 45

HSL 88.86, 0.79%, 0.54%

LAB 83.15, -53.44, 73.9

 

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

CMYK 88 / 0 / 29 / 32

HEX #14AD7A

RGB 20 173 122

HSL 160, 0.79%, 0.38%

LAB 62.88, -48.95, 16.04

 

CMYK 0 / 88 / 6 / 32

HEX #AD14A3

RGB 173 20 163

HSL 303.92, 0.79%, 0.38%

LAB 41.26, 69.63, -39.19

 

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

CMYK 88 / 41 / 0 / 32

HEX #1466AD

RGB 20 102 173

HSL 207.84, 0.79%, 0.38%

LAB 42.26, 3.71, -44.35

 

CMYK 0 / 88 / 41 / 32

HEX #AD1466

RGB 173 20 102

HSL 327.84, 0.79%, 0.38%

LAB 38.45, 62.1, -5.89

 

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

CMYK 88 / 0 / 29 / 32

HEX #14AD7A

RGB 20 173 122

HSL 160, 0.79%, 0.38%

LAB 62.88, -48.95, 16.04

 

CMYK 47 / 88 / 0 / 32

HEX #5B14AD

RGB 91 20 173

HSL 267.84, 0.79%, 0.38%

LAB 28.75, 58.69, -66.09

 

CMYK 0 / 88 / 59 / 32

HEX #AD1447

RGB 173 20 71

HSL 340, 0.79%, 0.38%

LAB 37.55, 59.57, 12.68

 

CMYK 42 / 0 / 88 / 33

HEX #63AC14

RGB 99 172 20

HSL 88.82, 0.79%, 0.38%

LAB 63.51, -45.22, 61.74

 

CMYK 88 / 0 / 3 / 32

HEX #14ADA8

RGB 20 173 168

HSL 178.04, 0.79%, 0.38%

LAB 64.05, -36.66, -7.82

 

CMYK 47 / 88 / 0 / 32

HEX #5B14AD

RGB 91 20 173

HSL 267.84, 0.79%, 0.38%

LAB 28.75, 58.69, -66.09

 

CMYK 0 / 88 / 86 / 32

HEX #AD1419

RGB 173 20 25

HSL 358.04, 0.79%, 0.38%

LAB 36.85, 57.53, 40.03

 

Description

Color code: HEX #63AC14 | qconv.com Color code: HEX #63AC14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 172 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 172 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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