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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63AE22 it is the complementary color #9C51DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63AE22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63AE22 shade: #68AE1D, #79C030, #8AD243, #9BE456 and #ACF669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63AE22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63AE22 shade: #63AE22, #529C0F, #418A00, #307800 and #1F6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63AE22 shade: #63AE22, #89AE22, #AEAE22, #AE8822 and #AE6222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63AE22 shade: #63AE22, #3DAE22, #22AE2D, #22AE52 and #22AE78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63AE22 shade matches the following richer shades: #63AE22, #62BF11 and #61D000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63AE22 shade: #63AE22, #649D33, #658C44, #677B55 and #686A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63AE22 shade: #AEAE22, #89AE22, #63AE22, #3EAE22 and #22AE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63AE22 shade: #3C6914, #4F8C1B, #63AE22, #77D129 and #8CDA48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63AE22 shade: #63AE22, #22AE89 and #AE229B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63AE22 shade: #63AE22, #2263AE and #AE2263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63AE22 shade: #63AE22, #22AE89, #6D22AE and #AE2247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63AE22 shade: #63AE22, #22A9AE, #6D22AE and #AE2722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

Complementary color

CMYK 29 / 63 / 0 / 13

HEX #9C51DD

RGB 156 81 221

HSL 272.14, 0.67%, 0.59%

LAB 49.71, 56.1, -59.61

 

CMYK 40 / 0 / 83 / 32

HEX #68AE1D

RGB 104 174 29

HSL 88.97, 0.71%, 0.4%

LAB 64.41, -43.99, 60.54

 

CMYK 37 / 0 / 75 / 25

HEX #79C030

RGB 121 192 48

HSL 89.58, 0.6%, 0.47%

LAB 70.86, -44.61, 61.16

 

CMYK 34 / 0 / 68 / 18

HEX #8AD243

RGB 138 210 67

HSL 90.21, 0.61%, 0.54%

LAB 77.22, -45.01, 60.98

 

CMYK 32 / 0 / 62 / 11

HEX #9BE456

RGB 155 228 86

HSL 90.85, 0.72%, 0.62%

LAB 83.51, -45.26, 60.35

 

CMYK 30 / 0 / 57 / 4

HEX #ACF669

RGB 172 246 105

HSL 91.49, 0.89%, 0.69%

LAB 89.72, -45.4, 59.47

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 47 / 0 / 90 / 39

HEX #529C0F

RGB 82 156 15

HSL 91.49, 0.82%, 0.34%

LAB 57.66, -44.6, 57.45

 

CMYK 53 / 0 / 100 / 46

HEX #418A00

RGB 65 138 0

HSL 91.74, 1%, 0.27%

LAB 51.04, -43.33, 54.3

 

CMYK 60 / 0 / 100 / 53

HEX #307800

RGB 48 120 0

HSL 96, 1%, 0.24%

LAB 44.32, -41.47, 48.75

 

CMYK 70 / 0 / 100 / 60

HEX #1F6600

RGB 31 102 0

HSL 101.76, 1%, 0.2%

LAB 37.47, -39.26, 43.1

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 21 / 0 / 80 / 32

HEX #89AE22

RGB 137 174 34

HSL 75.86, 0.67%, 0.41%

LAB 66.29, -31.22, 61.58

 

CMYK 0 / 0 / 80 / 32

HEX #AEAE22

RGB 174 174 34

HSL 60, 0.67%, 0.41%

LAB 69.03, -15.51, 65.05

 

CMYK 0 / 22 / 80 / 32

HEX #AE8822

RGB 174 136 34

HSL 43.71, 0.67%, 0.41%

LAB 58.72, 4.79, 55.93

 

CMYK 0 / 44 / 80 / 32

HEX #AE6222

RGB 174 98 34

HSL 27.43, 0.67%, 0.41%

LAB 49.31, 25.99, 47.29

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 65 / 0 / 80 / 32

HEX #3DAE22

RGB 61 174 34

HSL 108.43, 0.67%, 0.41%

LAB 62.83, -56.14, 57.12

 

CMYK 80 / 0 / 74 / 32

HEX #22AE2D

RGB 34 174 45

HSL 124.71, 0.67%, 0.41%

LAB 62.34, -60.05, 52.83

 

CMYK 80 / 0 / 53 / 32

HEX #22AE52

RGB 34 174 82

HSL 140.57, 0.67%, 0.41%

LAB 62.69, -55.74, 36.95

 

CMYK 80 / 0 / 31 / 32

HEX #22AE78

RGB 34 174 120

HSL 156.86, 0.67%, 0.41%

LAB 63.32, -48.58, 17.77

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 49 / 0 / 91 / 25

HEX #62BF11

RGB 98 191 17

HSL 92.07, 0.84%, 0.41%

LAB 69.4, -53.08, 67.2

 

CMYK 53 / 0 / 100 / 18

HEX #61D000

RGB 97 208 0

HSL 92.02, 1%, 0.41%

LAB 74.61, -59.9, 73.33

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 36 / 0 / 68 / 38

HEX #649D33

RGB 100 157 51

HSL 92.26, 0.51%, 0.41%

LAB 59.03, -36.76, 47.7

 

CMYK 28 / 0 / 51 / 45

HEX #658C44

RGB 101 140 68

HSL 92.5, 0.35%, 0.41%

LAB 53.96, -26.71, 33.92

 

CMYK 16 / 0 / 31 / 52

HEX #677B55

RGB 103 123 85

HSL 91.58, 0.18%, 0.41%

LAB 49.14, -14.73, 18.44

 

CMYK 2 / 0 / 4 / 58

HEX #686A66

RGB 104 106 102

HSL 90, 0.02%, 0.41%

LAB 44.53, -1.59, 1.97

 

CMYK 0 / 0 / 80 / 32

HEX #AEAE22

RGB 174 174 34

HSL 60, 0.67%, 0.41%

LAB 69.03, -15.51, 65.05

 

CMYK 21 / 0 / 80 / 32

HEX #89AE22

RGB 137 174 34

HSL 75.86, 0.67%, 0.41%

LAB 66.29, -31.22, 61.58

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 64 / 0 / 80 / 32

HEX #3EAE22

RGB 62 174 34

HSL 108, 0.67%, 0.41%

LAB 62.85, -55.92, 57.16

 

CMYK 80 / 0 / 75 / 32

HEX #22AE2B

RGB 34 174 43

HSL 123.86, 0.67%, 0.41%

LAB 62.33, -60.21, 53.53

 

CMYK 43 / 0 / 81 / 59

HEX #3C6914

RGB 60 105 20

HSL 91.76, 0.68%, 0.25%

LAB 39.77, -30.4, 39.8

 

CMYK 44 / 0 / 81 / 45

HEX #4F8C1B

RGB 79 140 27

HSL 92.39, 0.68%, 0.33%

LAB 52.4, -38.52, 49.72

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 43 / 0 / 80 / 18

HEX #77D129

RGB 119 209 41

HSL 92.14, 0.67%, 0.49%

LAB 75.87, -52.55, 67.98

 

CMYK 36 / 0 / 67 / 15

HEX #8CDA48

RGB 140 218 72

HSL 92.05, 0.66%, 0.57%

LAB 79.72, -47.32, 61.69

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 80 / 0 / 21 / 32

HEX #22AE89

RGB 34 174 137

HSL 164.14, 0.67%, 0.41%

LAB 63.69, -44.55, 8.93

 

CMYK 0 / 80 / 11 / 32

HEX #AE229B

RGB 174 34 155

HSL 308.14, 0.67%, 0.41%

LAB 42.01, 65.72, -33.17

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 80 / 43 / 0 / 32

HEX #2263AE

RGB 34 99 174

HSL 212.14, 0.67%, 0.41%

LAB 41.72, 7.24, -45.78

 

CMYK 0 / 80 / 43 / 32

HEX #AE2263

RGB 174 34 99

HSL 332.14, 0.67%, 0.41%

LAB 39.65, 58.89, -2.19

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 80 / 0 / 21 / 32

HEX #22AE89

RGB 34 174 137

HSL 164.14, 0.67%, 0.41%

LAB 63.69, -44.55, 8.93

 

CMYK 37 / 80 / 0 / 32

HEX #6D22AE

RGB 109 34 174

HSL 272.14, 0.67%, 0.41%

LAB 32.81, 56.88, -59.93

 

CMYK 0 / 80 / 59 / 32

HEX #AE2247

RGB 174 34 71

HSL 344.14, 0.67%, 0.41%

LAB 38.89, 56.58, 14.54

 

CMYK 43 / 0 / 80 / 32

HEX #63AE22

RGB 99 174 34

HSL 92.14, 0.67%, 0.41%

LAB 64.19, -45.47, 58.89

 

CMYK 80 / 3 / 0 / 32

HEX #22A9AE

RGB 34 169 174

HSL 182.14, 0.67%, 0.41%

LAB 63.15, -31.93, -12.49

 

CMYK 37 / 80 / 0 / 32

HEX #6D22AE

RGB 109 34 174

HSL 272.14, 0.67%, 0.41%

LAB 32.81, 56.88, -59.93

 

CMYK 0 / 78 / 80 / 32

HEX #AE2722

RGB 174 39 34

HSL 2.14, 0.67%, 0.41%

LAB 38.84, 53.24, 37.11

 

Description

Color code: HEX #63AE22 | qconv.com Color code: HEX #63AE22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 174 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 174 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 80 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 80% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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