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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63AFE7 it is the complementary color #9C5018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63AFE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63AFE7 shade: #68AFE2, #79C1F5, #8AD3FF, #9BE5FF and #ACF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63AFE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63AFE7 shade: #63AFE7, #529DD4, #418BC1, #3079AE and #1F679B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63AFE7 shade: #64AFE6, #648CE6, #6469E6, #8264E6 and #A664E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63AFE7 shade: #64AFE6, #648CE6, #6469E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63AFE7 shade matches the following richer shades: #64AFE6 and #56B1F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63AFE7 shade: #64AFE6, #73ADD8, #81ABCA, #8FA9BB and #9EA6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63AFE7 shade: #64E6D7, #64D3E6, #64B0E6, #648DE6 and #646BE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63AFE7 shade: #218AD7, #409DE1, #64AFE6, #88C1EC and #ABD4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63AFE7 shade: #63AFE7, #B464E6 and #E4E664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63AFE7 shade: #63AFE7, #E664B0 and #B0E664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63AFE7 shade: #63AFE7, #B464E6, #E69A64 and #96E664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63AFE7 shade: #63AFE7, #DC64E6, #E69A64 and #6FE664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

Complementary color

CMYK 0 / 49 / 85 / 39

HEX #9C5018

RGB 156 80 24

HSL 25.45, 0.73%, 0.35%

LAB 42.57, 27.84, 44.39

 

CMYK 54 / 23 / 0 / 11

HEX #68AFE2

RGB 104 175 226

HSL 205.08, 0.68%, 0.65%

LAB 68.82, -8.02, -32.46

 

CMYK 51 / 21 / 0 / 4

HEX #79C1F5

RGB 121 193 245

HSL 205.16, 0.86%, 0.72%

LAB 75.33, -8.51, -32.65

 

CMYK 46 / 17 / 0 / 0

HEX #8AD3FF

RGB 138 211 255

HSL 202.56, 1%, 0.77%

LAB 81.41, -11.38, -28.58

 

CMYK 39 / 10 / 0 / 0

HEX #9BE5FF

RGB 155 229 255

HSL 195.6, 1%, 0.8%

LAB 87.11, -16.5, -19.84

 

CMYK 33 / 3 / 0 / 0

HEX #ACF7FF

RGB 172 247 255

HSL 185.78, 1%, 0.84%

LAB 92.8, -21.07, -11.21

 

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

CMYK 61 / 26 / 0 / 17

HEX #529DD4

RGB 82 157 212

HSL 205.38, 0.6%, 0.58%

LAB 62.22, -6.78, -35.05

 

CMYK 66 / 28 / 0 / 24

HEX #418BC1

RGB 65 139 193

HSL 205.31, 0.51%, 0.51%

LAB 55.52, -5.83, -34.87

 

CMYK 72 / 30 / 0 / 32

HEX #3079AE

RGB 48 121 174

HSL 205.24, 0.57%, 0.44%

LAB 48.71, -4.6, -34.67

 

CMYK 80 / 34 / 0 / 39

HEX #1F679B

RGB 31 103 155

HSL 205.16, 0.67%, 0.36%

LAB 41.78, -2.96, -34.45

 

CMYK 57 / 24 / 0 / 10

HEX #64AFE6

RGB 100 175 230

HSL 205.38, 0.72%, 0.65%

LAB 68.81, -7.63, -34.67

 

CMYK 57 / 39 / 0 / 10

HEX #648CE6

RGB 100 140 230

HSL 221.54, 0.72%, 0.65%

LAB 59.14, 12.41, -49.85

 

CMYK 57 / 54 / 0 / 10

HEX #6469E6

RGB 100 105 230

HSL 237.69, 0.72%, 0.65%

LAB 50.13, 33.57, -64.28

 

CMYK 43 / 57 / 0 / 10

HEX #8264E6

RGB 130 100 230

HSL 253.85, 0.72%, 0.65%

LAB 51.35, 42.57, -62.19

 

CMYK 28 / 57 / 0 / 10

HEX #A664E6

RGB 166 100 230

HSL 270.46, 0.72%, 0.65%

LAB 55, 50.84, -56.12

 

CMYK 57 / 24 / 0 / 10

HEX #64AFE6

RGB 100 175 230

HSL 205.38, 0.72%, 0.65%

LAB 68.81, -7.63, -34.67

 

CMYK 57 / 39 / 0 / 10

HEX #648CE6

RGB 100 140 230

HSL 221.54, 0.72%, 0.65%

LAB 59.14, 12.41, -49.85

 

CMYK 57 / 54 / 0 / 10

HEX #6469E6

RGB 100 105 230

HSL 237.69, 0.72%, 0.65%

LAB 50.13, 33.57, -64.28

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 57 / 24 / 0 / 10

HEX #64AFE6

RGB 100 175 230

HSL 205.38, 0.72%, 0.65%

LAB 68.81, -7.63, -34.67

 

CMYK 65 / 28 / 0 / 4

HEX #56B1F5

RGB 86 177 245

HSL 205.66, 0.89%, 0.65%

LAB 69.48, -6.55, -41.84

 

CMYK 57 / 24 / 0 / 10

HEX #64AFE6

RGB 100 175 230

HSL 205.38, 0.72%, 0.65%

LAB 68.81, -7.63, -34.67

 

CMYK 47 / 20 / 0 / 15

HEX #73ADD8

RGB 115 173 216

HSL 205.54, 0.56%, 0.65%

LAB 68.38, -7.36, -27.61

 

CMYK 36 / 15 / 0 / 21

HEX #81ABCA

RGB 129 171 202

HSL 205.48, 0.41%, 0.65%

LAB 68.06, -6.44, -20.31

 

CMYK 24 / 10 / 0 / 27

HEX #8FA9BB

RGB 143 169 187

HSL 204.55, 0.24%, 0.65%

LAB 67.88, -4.92, -12.21

 

CMYK 9 / 4 / 0 / 32

HEX #9EA6AD

RGB 158 166 173

HSL 208, 0.08%, 0.65%

LAB 67.69, -1.42, -4.59

 

CMYK 57 / 0 / 7 / 10

HEX #64E6D7

RGB 100 230 215

HSL 173.08, 0.72%, 0.65%

LAB 84.07, -39.31, -3.51

 

CMYK 57 / 8 / 0 / 10

HEX #64D3E6

RGB 100 211 230

HSL 188.77, 0.72%, 0.65%

LAB 79.05, -26.35, -18.99

 

CMYK 57 / 23 / 0 / 10

HEX #64B0E6

RGB 100 176 230

HSL 204.92, 0.72%, 0.65%

LAB 69.09, -8.18, -34.23

 

CMYK 57 / 39 / 0 / 10

HEX #648DE6

RGB 100 141 230

HSL 221.08, 0.72%, 0.65%

LAB 59.41, 11.81, -49.42

 

CMYK 57 / 53 / 0 / 10

HEX #646BE6

RGB 100 107 230

HSL 236.77, 0.72%, 0.65%

LAB 50.61, 32.35, -63.5

 

CMYK 85 / 36 / 0 / 16

HEX #218AD7

RGB 33 138 215

HSL 205.38, 0.73%, 0.49%

LAB 55.49, -1.23, -47.4

 

CMYK 72 / 30 / 0 / 12

HEX #409DE1

RGB 64 157 225

HSL 205.34, 0.73%, 0.57%

LAB 62.2, -5.33, -42.33

 

CMYK 57 / 24 / 0 / 10

HEX #64AFE6

RGB 100 175 230

HSL 205.38, 0.72%, 0.65%

LAB 68.81, -7.63, -34.67

 

CMYK 42 / 18 / 0 / 7

HEX #88C1EC

RGB 136 193 236

HSL 205.8, 0.72%, 0.73%

LAB 75.72, -7.49, -27.14

 

CMYK 29 / 12 / 0 / 5

HEX #ABD4F2

RGB 171 212 242

HSL 205.35, 0.73%, 0.81%

LAB 83, -6.63, -19.1

 

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

CMYK 22 / 57 / 0 / 10

HEX #B464E6

RGB 180 100 230

HSL 276.92, 0.72%, 0.65%

LAB 56.62, 54.25, -53.46

 

CMYK 1 / 0 / 57 / 10

HEX #E4E664

RGB 228 230 100

HSL 60.92, 0.72%, 0.65%

LAB 88.93, -17.26, 61.72

 

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

CMYK 0 / 57 / 23 / 10

HEX #E664B0

RGB 230 100 176

HSL 324.92, 0.72%, 0.65%

LAB 60.85, 58.55, -15.72

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

CMYK 22 / 57 / 0 / 10

HEX #B464E6

RGB 180 100 230

HSL 276.92, 0.72%, 0.65%

LAB 56.62, 54.25, -53.46

 

CMYK 0 / 33 / 57 / 10

HEX #E69A64

RGB 230 154 100

HSL 24.92, 0.72%, 0.65%

LAB 70.07, 22.94, 39.68

 

CMYK 35 / 0 / 57 / 10

HEX #96E664

RGB 150 230 100

HSL 96.92, 0.72%, 0.65%

LAB 83.96, -46.53, 54.76

 

CMYK 57 / 24 / 0 / 9

HEX #63AFE7

RGB 99 175 231

HSL 205.45, 0.73%, 0.65%

LAB 68.81, -7.52, -35.22

 

CMYK 4 / 57 / 0 / 10

HEX #DC64E6

RGB 220 100 230

HSL 295.38, 0.72%, 0.65%

LAB 61.69, 64.28, -45.09

 

CMYK 0 / 33 / 57 / 10

HEX #E69A64

RGB 230 154 100

HSL 24.92, 0.72%, 0.65%

LAB 70.07, 22.94, 39.68

 

CMYK 52 / 0 / 57 / 10

HEX #6FE664

RGB 111 230 100

HSL 114.92, 0.72%, 0.65%

LAB 82.32, -58.21, 52.42

 

Description

Color code: HEX #63AFE7 | qconv.com Color code: HEX #63AFE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 175 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 175 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 24 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 24% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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