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Color name
HEX #63B516

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63B516 it is the complementary color #9C4AE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63B516. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63B516 shade: #68B511, #79C724, #8AD937, #9BEB4A and #ACFD5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63B516. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63B516 shade: #63B516, #52A303, #419100, #307F00 and #1F6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63B516 shade: #63B516, #8EB516, #B5B116, #B58616 and #B55B16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63B516 shade: #63B516, #38B516, #16B51F, #16B54A and #16B575

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63B516 shade matches the following richer shades: #63B516 and #62C605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63B516 shade: #63B516, #64A526, #649437, #658447 and #657358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63B516 shade: #B5B016, #90B516, #66B516, #3BB516 and #16B51B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63B516 shade: #3B6C0D, #4F9011, #63B516, #77DA1A and #8CE638

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63B516 shade: #63B516, #16B585 and #B516A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63B516 shade: #63B516, #1666B5 and #B51666

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63B516 shade: #63B516, #16B585, #6616B5 and #B51646

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63B516 shade: #63B516, #16B5B5, #6616B5 and #B51616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

Complementary color

CMYK 33 / 68 / 0 / 9

HEX #9C4AE9

RGB 156 74 233

HSL 270.94, 0.78%, 0.6%

LAB 49.31, 62.16, -67.04

 

CMYK 43 / 0 / 91 / 29

HEX #68B511

RGB 104 181 17

HSL 88.17, 0.83%, 0.39%

LAB 66.54, -47.25, 64.93

 

CMYK 39 / 0 / 82 / 22

HEX #79C724

RGB 121 199 36

HSL 88.71, 0.69%, 0.46%

LAB 72.92, -48.11, 66.66

 

CMYK 36 / 0 / 75 / 15

HEX #8AD937

RGB 138 217 55

HSL 89.26, 0.68%, 0.53%

LAB 79.22, -48.71, 67.24

 

CMYK 34 / 0 / 69 / 8

HEX #9BEB4A

RGB 155 235 74

HSL 89.81, 0.8%, 0.61%

LAB 85.44, -49.12, 67.11

 

CMYK 32 / 0 / 63 / 1

HEX #ACFD5D

RGB 172 253 93

HSL 90.38, 0.98%, 0.68%

LAB 91.6, -49.39, 66.56

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 50 / 0 / 98 / 36

HEX #52A303

RGB 82 163 3

HSL 90.38, 0.96%, 0.33%

LAB 59.88, -47.64, 61.1

 

CMYK 55 / 0 / 100 / 43

HEX #419100

RGB 65 145 0

HSL 93.1, 1%, 0.28%

LAB 53.36, -46.01, 56.13

 

CMYK 62 / 0 / 100 / 50

HEX #307F00

RGB 48 127 0

HSL 97.32, 1%, 0.25%

LAB 46.72, -44.08, 50.64

 

CMYK 72 / 0 / 100 / 57

HEX #1F6D00

RGB 31 109 0

HSL 102.94, 1%, 0.21%

LAB 39.96, -41.76, 45.08

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 22 / 0 / 88 / 29

HEX #8EB516

RGB 142 181 22

HSL 74.72, 0.78%, 0.4%

LAB 68.65, -32.86, 66.62

 

CMYK 0 / 2 / 88 / 29

HEX #B5B116

RGB 181 177 22

HSL 58.49, 0.78%, 0.4%

LAB 70.4, -14.31, 69.25

 

CMYK 0 / 26 / 88 / 29

HEX #B58616

RGB 181 134 22

HSL 42.26, 0.78%, 0.4%

LAB 58.91, 8.71, 60.03

 

CMYK 0 / 50 / 88 / 29

HEX #B55B16

RGB 181 91 22

HSL 26.04, 0.78%, 0.4%

LAB 48.72, 32.37, 51.84

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 69 / 0 / 88 / 29

HEX #38B516

RGB 56 181 22

HSL 107.17, 0.78%, 0.4%

LAB 64.92, -60.08, 61.97

 

CMYK 88 / 0 / 83 / 29

HEX #16B51F

RGB 22 181 31

HSL 123.4, 0.78%, 0.4%

LAB 64.42, -64.35, 59.2

 

CMYK 88 / 0 / 59 / 29

HEX #16B54A

RGB 22 181 74

HSL 139.62, 0.78%, 0.4%

LAB 64.73, -60.38, 43.22

 

CMYK 88 / 0 / 35 / 29

HEX #16B575

RGB 22 181 117

HSL 155.85, 0.78%, 0.4%

LAB 65.36, -52.97, 22.15

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 51 / 0 / 97 / 22

HEX #62C605

RGB 98 198 5

HSL 91.09, 0.95%, 0.4%

LAB 71.55, -55.92, 70.41

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 39 / 0 / 77 / 35

HEX #64A526

RGB 100 165 38

HSL 90.71, 0.63%, 0.4%

LAB 61.45, -41.16, 55.07

 

CMYK 32 / 0 / 63 / 42

HEX #649437

RGB 100 148 55

HSL 90.97, 0.46%, 0.4%

LAB 56.25, -32.31, 42.93

 

CMYK 23 / 0 / 46 / 48

HEX #658447

RGB 101 132 71

HSL 90.49, 0.3%, 0.4%

LAB 51.52, -22.33, 29.33

 

CMYK 12 / 0 / 23 / 55

HEX #657358

RGB 101 115 88

HSL 91.11, 0.13%, 0.4%

LAB 46.62, -10.61, 13.24

 

CMYK 0 / 3 / 88 / 29

HEX #B5B016

RGB 181 176 22

HSL 58.11, 0.78%, 0.4%

LAB 70.13, -13.8, 69.03

 

CMYK 20 / 0 / 88 / 29

HEX #90B516

RGB 144 181 22

HSL 73.96, 0.78%, 0.4%

LAB 68.78, -32.05, 66.78

 

CMYK 44 / 0 / 88 / 29

HEX #66B516

RGB 102 181 22

HSL 89.81, 0.78%, 0.4%

LAB 66.47, -47.78, 63.91

 

CMYK 67 / 0 / 88 / 29

HEX #3BB516

RGB 59 181 22

HSL 106.04, 0.78%, 0.4%

LAB 64.99, -59.48, 62.06

 

CMYK 88 / 0 / 85 / 29

HEX #16B51B

RGB 22 181 27

HSL 121.89, 0.78%, 0.4%

LAB 64.4, -64.55, 60.2

 

CMYK 45 / 0 / 88 / 58

HEX #3B6C0D

RGB 59 108 13

HSL 90.95, 0.79%, 0.24%

LAB 40.71, -32.5, 42.86

 

CMYK 45 / 0 / 88 / 44

HEX #4F9011

RGB 79 144 17

HSL 90.71, 0.79%, 0.32%

LAB 53.65, -40.65, 53.56

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1A

RGB 119 218 26

HSL 90.94, 0.79%, 0.48%

LAB 78.54, -56.57, 73.7

 

CMYK 39 / 0 / 76 / 10

HEX #8CE638

RGB 140 230 56

HSL 91.03, 0.78%, 0.56%

LAB 83.15, -53.24, 70.74

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 0 / 27 / 29

HEX #16B585

RGB 22 181 133

HSL 161.89, 0.78%, 0.4%

LAB 65.68, -49.37, 13.92

 

CMYK 0 / 88 / 9 / 29

HEX #B516A5

RGB 181 22 165

HSL 306.04, 0.78%, 0.4%

LAB 42.93, 71.1, -37.64

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 44 / 0 / 29

HEX #1666B5

RGB 22 102 181

HSL 209.81, 0.78%, 0.4%

LAB 42.78, 7.03, -48.21

 

CMYK 0 / 88 / 44 / 29

HEX #B51666

RGB 181 22 102

HSL 329.81, 0.78%, 0.4%

LAB 40.18, 63.65, -3.16

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 0 / 27 / 29

HEX #16B585

RGB 22 181 133

HSL 161.89, 0.78%, 0.4%

LAB 65.68, -49.37, 13.92

 

CMYK 44 / 88 / 0 / 29

HEX #6616B5

RGB 102 22 181

HSL 270.19, 0.78%, 0.4%

LAB 31.2, 61.3, -66.8

 

CMYK 0 / 88 / 61 / 29

HEX #B51646

RGB 181 22 70

HSL 341.89, 0.78%, 0.4%

LAB 39.31, 61.2, 15.98

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 0 / 0 / 29

HEX #16B5B5

RGB 22 181 181

HSL 180, 0.78%, 0.4%

LAB 66.94, -36.32, -10.72

 

CMYK 44 / 88 / 0 / 29

HEX #6616B5

RGB 102 22 181

HSL 270.19, 0.78%, 0.4%

LAB 31.2, 61.3, -66.8

 

CMYK 0 / 88 / 88 / 29

HEX #B51616

RGB 181 22 22

HSL 0, 0.78%, 0.4%

LAB 38.65, 59.28, 43.75

 

Description

Color code: HEX #63B516 | qconv.com Color code: HEX #63B516 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 181 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 181 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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