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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63BEC8 it is the complementary color #9C4137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63BEC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63BEC8 shade: #68BEC3, #79D0D6, #8AE2E9, #9BF4FC and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63BEC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63BEC8 shade: #63BEC8, #52ACB5, #419AA2, #30888F and #1F767C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63BEC8 shade: #64BEC8, #64A3C8, #6488C8, #646DC8 and #7664C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63BEC8 shade: #64BEC8, #64A3C8, #6488C8, #646DC8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63BEC8 shade matches the following richer shades: #64BEC8, #53CCD9, #42D9EA and #31E7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63BEC8 shade: #64BEC8, #75B1B7, #86A3A6, #979595 and #A78884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63BEC8 shade: #64C89B, #64C8B6, #64C0C8, #64A5C8 and #648AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63BEC8 shade: #3897A1, #45B2BD, #64BEC8, #82CBD3 and #A1D8DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63BEC8 shade: #63BEC8, #8064C8 and #C8A864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63BEC8 shade: #63BEC8, #C864C0 and #C0C864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63BEC8 shade: #63BEC8, #8064C8, #C86C64 and #ACC864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63BEC8 shade: #63BEC8, #9E64C8, #C86C64 and #8EC864

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

Complementary color

CMYK 0 / 58 / 65 / 39

HEX #9C4137

RGB 156 65 55

HSL 5.94, 0.48%, 0.41%

LAB 39.79, 37.27, 25.03

 

CMYK 47 / 3 / 0 / 24

HEX #68BEC3

RGB 104 190 195

HSL 183.3, 0.43%, 0.59%

LAB 72.03, -24.62, -10.6

 

CMYK 43 / 3 / 0 / 16

HEX #79D0D6

RGB 121 208 214

HSL 183.87, 0.53%, 0.66%

LAB 78.48, -24.66, -11.19

 

CMYK 41 / 3 / 0 / 9

HEX #8AE2E9

RGB 138 226 233

HSL 184.42, 0.68%, 0.73%

LAB 84.83, -24.68, -11.74

 

CMYK 38 / 3 / 0 / 1

HEX #9BF4FC

RGB 155 244 252

HSL 184.95, 0.94%, 0.8%

LAB 91.1, -24.67, -12.28

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

CMYK 55 / 5 / 0 / 29

HEX #52ACB5

RGB 82 172 181

HSL 185.45, 0.4%, 0.52%

LAB 65.46, -24.2, -12.81

 

CMYK 60 / 5 / 0 / 36

HEX #419AA2

RGB 65 154 162

HSL 184.95, 0.43%, 0.45%

LAB 58.83, -23.88, -12.16

 

CMYK 66 / 5 / 0 / 44

HEX #30888F

RGB 48 136 143

HSL 184.42, 0.5%, 0.37%

LAB 52.08, -23.38, -11.44

 

CMYK 75 / 5 / 0 / 51

HEX #1F767C

RGB 31 118 124

HSL 183.87, 0.6%, 0.3%

LAB 45.23, -22.61, -10.62

 

CMYK 50 / 5 / 0 / 22

HEX #64BEC8

RGB 100 190 200

HSL 186, 0.48%, 0.59%

LAB 72.03, -24.18, -13.35

 

CMYK 50 / 19 / 0 / 22

HEX #64A3C8

RGB 100 163 200

HSL 202.2, 0.48%, 0.59%

LAB 64.22, -10.03, -25.21

 

CMYK 50 / 32 / 0 / 22

HEX #6488C8

RGB 100 136 200

HSL 218.4, 0.48%, 0.59%

LAB 56.57, 5.33, -37.07

 

CMYK 50 / 46 / 0 / 22

HEX #646DC8

RGB 100 109 200

HSL 234.6, 0.48%, 0.59%

LAB 49.27, 21.64, -48.62

 

CMYK 41 / 50 / 0 / 22

HEX #7664C8

RGB 118 100 200

HSL 250.8, 0.48%, 0.59%

LAB 48.43, 31.37, -49.88

 

CMYK 50 / 5 / 0 / 22

HEX #64BEC8

RGB 100 190 200

HSL 186, 0.48%, 0.59%

LAB 72.03, -24.18, -13.35

 

CMYK 50 / 19 / 0 / 22

HEX #64A3C8

RGB 100 163 200

HSL 202.2, 0.48%, 0.59%

LAB 64.22, -10.03, -25.21

 

CMYK 50 / 32 / 0 / 22

HEX #6488C8

RGB 100 136 200

HSL 218.4, 0.48%, 0.59%

LAB 56.57, 5.33, -37.07

 

CMYK 50 / 46 / 0 / 22

HEX #646DC8

RGB 100 109 200

HSL 234.6, 0.48%, 0.59%

LAB 49.27, 21.64, -48.62

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 50 / 5 / 0 / 22

HEX #64BEC8

RGB 100 190 200

HSL 186, 0.48%, 0.59%

LAB 72.03, -24.18, -13.35

 

CMYK 62 / 6 / 0 / 15

HEX #53CCD9

RGB 83 204 217

HSL 185.82, 0.64%, 0.59%

LAB 76.09, -29.62, -16.52

 

CMYK 72 / 7 / 0 / 8

HEX #42D9EA

RGB 66 217 234

HSL 186.07, 0.8%, 0.59%

LAB 80.02, -33.33, -19.73

 

CMYK 80 / 8 / 0 / 2

HEX #31E7FB

RGB 49 231 251

HSL 185.94, 0.96%, 0.59%

LAB 84.36, -36.51, -22.19

 

CMYK 50 / 5 / 0 / 22

HEX #64BEC8

RGB 100 190 200

HSL 186, 0.48%, 0.59%

LAB 72.03, -24.18, -13.35

 

CMYK 36 / 3 / 0 / 28

HEX #75B1B7

RGB 117 177 183

HSL 185.45, 0.31%, 0.59%

LAB 68.49, -17.8, -9.23

 

CMYK 19 / 2 / 0 / 35

HEX #86A3A6

RGB 134 163 166

HSL 185.63, 0.15%, 0.59%

LAB 64.98, -9.31, -4.89

 

CMYK 0 / 1 / 1 / 41

HEX #979595

RGB 151 149 149

HSL 0, 0.01%, 0.59%

LAB 61.86, 0.73, 0.25

 

CMYK 0 / 19 / 21 / 35

HEX #A78884

RGB 167 136 132

HSL 6.86, 0.17%, 0.59%

LAB 59.42, 11.13, 6.58

 

CMYK 50 / 0 / 23 / 22

HEX #64C89B

RGB 100 200 155

HSL 153, 0.48%, 0.59%

LAB 73.79, -39.84, 13.65

 

CMYK 50 / 0 / 9 / 22

HEX #64C8B6

RGB 100 200 182

HSL 169.2, 0.48%, 0.59%

LAB 74.44, -33.67, 0.01

 

CMYK 50 / 4 / 0 / 22

HEX #64C0C8

RGB 100 192 200

HSL 184.8, 0.48%, 0.59%

LAB 72.61, -25.18, -12.48

 

CMYK 50 / 18 / 0 / 22

HEX #64A5C8

RGB 100 165 200

HSL 201, 0.48%, 0.59%

LAB 64.8, -11.12, -24.33

 

CMYK 50 / 31 / 0 / 22

HEX #648AC8

RGB 100 138 200

HSL 217.2, 0.48%, 0.59%

LAB 57.13, 4.15, -36.2

 

CMYK 65 / 6 / 0 / 37

HEX #3897A1

RGB 56 151 161

HSL 185.71, 0.48%, 0.43%

LAB 57.6, -24.24, -13.46

 

CMYK 63 / 6 / 0 / 26

HEX #45B2BD

RGB 69 178 189

HSL 185.5, 0.48%, 0.51%

LAB 67.11, -27.3, -14.81

 

CMYK 50 / 5 / 0 / 22

HEX #64BEC8

RGB 100 190 200

HSL 186, 0.48%, 0.59%

LAB 72.03, -24.18, -13.35

 

CMYK 38 / 4 / 0 / 17

HEX #82CBD3

RGB 130 203 211

HSL 185.93, 0.48%, 0.67%

LAB 77.38, -20.68, -11.18

 

CMYK 27 / 3 / 0 / 13

HEX #A1D8DE

RGB 161 216 222

HSL 185.9, 0.48%, 0.75%

LAB 82.89, -16.18, -8.68

 

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

CMYK 36 / 50 / 0 / 22

HEX #8064C8

RGB 128 100 200

HSL 256.8, 0.48%, 0.59%

LAB 49.34, 33.87, -48.37

 

CMYK 0 / 16 / 50 / 22

HEX #C8A864

RGB 200 168 100

HSL 40.8, 0.48%, 0.59%

LAB 70.32, 3.01, 39.27

 

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

CMYK 0 / 50 / 4 / 22

HEX #C864C0

RGB 200 100 192

HSL 304.8, 0.48%, 0.59%

LAB 57.27, 52.17, -30.74

 

CMYK 4 / 0 / 50 / 22

HEX #C0C864

RGB 192 200 100

HSL 64.8, 0.48%, 0.59%

LAB 78.13, -16.93, 48.58

 

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

CMYK 36 / 50 / 0 / 22

HEX #8064C8

RGB 128 100 200

HSL 256.8, 0.48%, 0.59%

LAB 49.34, 33.87, -48.37

 

CMYK 0 / 46 / 50 / 22

HEX #C86C64

RGB 200 108 100

HSL 4.8, 0.48%, 0.59%

LAB 56.01, 35.55, 20.83

 

CMYK 14 / 0 / 50 / 22

HEX #ACC864

RGB 172 200 100

HSL 76.8, 0.48%, 0.59%

LAB 76.68, -24.88, 46.49

 

CMYK 51 / 5 / 0 / 22

HEX #63BEC8

RGB 99 190 200

HSL 185.94, 0.48%, 0.59%

LAB 71.99, -24.4, -13.41

 

CMYK 21 / 50 / 0 / 22

HEX #9E64C8

RGB 158 100 200

HSL 274.8, 0.48%, 0.59%

LAB 52.46, 41.85, -43.23

 

CMYK 0 / 46 / 50 / 22

HEX #C86C64

RGB 200 108 100

HSL 4.8, 0.48%, 0.59%

LAB 56.01, 35.55, 20.83

 

CMYK 29 / 0 / 50 / 22

HEX #8EC864

RGB 142 200 100

HSL 94.8, 0.48%, 0.59%

LAB 74.81, -36.11, 43.8

 

Description

Color code: HEX #63BEC8 | qconv.com Color code: HEX #63BEC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 190 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 190 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 5 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 5% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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