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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63C365 it is the complementary color #9C3C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63C365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63C365 shade: #68C360, #79D573, #8AE786, #9BF999 and #ACFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63C365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63C365 shade: #63C365, #52B152, #419F3F, #308D2C and #1F7B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63C365 shade: #64C366, #7CC364, #95C364, #AFC364 and #C3BD64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63C365 shade: #64C366, #64C380, #64C399, #64C3B2 and #64B9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63C365 shade matches the following richer shades: #64C366, #53D456, #42E545 and #30F734

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63C365 shade: #64C366, #76B177, #87A087, #988F98 and #AA7DA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63C365 shade: #95C364, #7CC364, #64C366, #64C37F and #64C398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63C365 shade: #3B993D, #47B749, #64C366, #82CE84 and #A0DAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63C365 shade: #63C365, #64AEC3 and #C36488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63C365 shade: #63C365, #6664C3 and #C36664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63C365 shade: #63C365, #64AEC3, #C364C1 and #C37964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63C365 shade: #63C365, #6492C3, #C364C1 and #C39564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

Complementary color

CMYK 0 / 62 / 1 / 39

HEX #9C3C9A

RGB 156 60 154

HSL 301.25, 0.44%, 0.42%

LAB 42.2, 52.15, -32.47

 

CMYK 47 / 0 / 51 / 24

HEX #68C360

RGB 104 195 96

HSL 115.15, 0.45%, 0.57%

LAB 71.43, -46.82, 41.2

 

CMYK 43 / 0 / 46 / 16

HEX #79D573

RGB 121 213 115

HSL 116.33, 0.54%, 0.64%

LAB 77.81, -46.75, 39.94

 

CMYK 40 / 0 / 42 / 9

HEX #8AE786

RGB 138 231 134

HSL 117.53, 0.67%, 0.72%

LAB 84.11, -46.6, 38.7

 

CMYK 38 / 0 / 39 / 2

HEX #9BF999

RGB 155 249 153

HSL 118.75, 0.89%, 0.79%

LAB 90.33, -46.41, 37.51

 

CMYK 33 / 0 / 33 / 0

HEX #ACFFAC

RGB 172 255 172

HSL 120, 1%, 0.84%

LAB 93.13, -40.96, 31.9

 

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

CMYK 54 / 0 / 54 / 31

HEX #52B152

RGB 82 177 82

HSL 120, 0.38%, 0.51%

LAB 64.84, -47.51, 39.84

 

CMYK 59 / 0 / 60 / 38

HEX #419F3F

RGB 65 159 63

HSL 118.75, 0.43%, 0.44%

LAB 58.3, -47.24, 41.12

 

CMYK 66 / 0 / 69 / 45

HEX #308D2C

RGB 48 141 44

HSL 117.53, 0.52%, 0.36%

LAB 51.68, -46.6, 42.2

 

CMYK 75 / 0 / 80 / 52

HEX #1F7B19

RGB 31 123 25

HSL 116.33, 0.66%, 0.29%

LAB 44.98, -45.35, 42.71

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 36 / 0 / 49 / 24

HEX #7CC364

RGB 124 195 100

HSL 104.84, 0.44%, 0.58%

LAB 72.39, -40.06, 40.61

 

CMYK 24 / 0 / 49 / 24

HEX #95C364

RGB 149 195 100

HSL 89.05, 0.44%, 0.58%

LAB 73.77, -31.26, 42.62

 

CMYK 10 / 0 / 49 / 24

HEX #AFC364

RGB 175 195 100

HSL 72.63, 0.44%, 0.58%

LAB 75.49, -21.25, 45.12

 

CMYK 0 / 3 / 49 / 24

HEX #C3BD64

RGB 195 189 100

HSL 56.21, 0.44%, 0.58%

LAB 75.4, -10.12, 45.37

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 49 / 0 / 34 / 24

HEX #64C380

RGB 100 195 128

HSL 137.68, 0.44%, 0.58%

LAB 71.76, -42.95, 25.24

 

CMYK 49 / 0 / 22 / 24

HEX #64C399

RGB 100 195 153

HSL 153.47, 0.44%, 0.58%

LAB 72.25, -38.02, 12.56

 

CMYK 49 / 0 / 9 / 24

HEX #64C3B2

RGB 100 195 178

HSL 169.26, 0.44%, 0.58%

LAB 72.86, -32.29, -0.13

 

CMYK 49 / 5 / 0 / 24

HEX #64B9C3

RGB 100 185 195

HSL 186.32, 0.44%, 0.58%

LAB 70.42, -23.02, -13.04

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 61 / 0 / 59 / 17

HEX #53D456

RGB 83 212 86

HSL 121.4, 0.6%, 0.58%

LAB 75.82, -59.99, 50.92

 

CMYK 71 / 0 / 70 / 10

HEX #42E545

RGB 66 229 69

HSL 121.1, 0.76%, 0.58%

LAB 80.53, -70.65, 62.91

 

CMYK 81 / 0 / 79 / 3

HEX #30F734

RGB 48 247 52

HSL 121.21, 0.93%, 0.58%

LAB 85.7, -79.66, 73.44

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 33 / 0 / 33 / 31

HEX #76B177

RGB 118 177 119

HSL 121.02, 0.27%, 0.58%

LAB 67, -31.01, 23.77

 

CMYK 16 / 0 / 16 / 37

HEX #87A087

RGB 135 160 135

HSL 120, 0.12%, 0.58%

LAB 63.38, -13.72, 10.15

 

CMYK 0 / 6 / 0 / 40

HEX #988F98

RGB 152 143 152

HSL 300, 0.04%, 0.58%

LAB 60.42, 5.04, -3.57

 

CMYK 0 / 26 / 1 / 33

HEX #AA7DA9

RGB 170 125 169

HSL 301.33, 0.21%, 0.58%

LAB 58.11, 25, -16.57

 

CMYK 24 / 0 / 49 / 24

HEX #95C364

RGB 149 195 100

HSL 89.05, 0.44%, 0.58%

LAB 73.77, -31.26, 42.62

 

CMYK 36 / 0 / 49 / 24

HEX #7CC364

RGB 124 195 100

HSL 104.84, 0.44%, 0.58%

LAB 72.39, -40.06, 40.61

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 49 / 0 / 35 / 24

HEX #64C37F

RGB 100 195 127

HSL 137.05, 0.44%, 0.58%

LAB 71.74, -43.13, 25.74

 

CMYK 49 / 0 / 22 / 24

HEX #64C398

RGB 100 195 152

HSL 152.84, 0.44%, 0.58%

LAB 72.23, -38.23, 13.07

 

CMYK 61 / 0 / 60 / 40

HEX #3B993D

RGB 59 153 61

HSL 121.28, 0.44%, 0.42%

LAB 56.14, -46.64, 39.51

 

CMYK 61 / 0 / 60 / 28

HEX #47B749

RGB 71 183 73

HSL 121.07, 0.44%, 0.5%

LAB 66.28, -53.66, 45.71

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 37 / 0 / 36 / 19

HEX #82CE84

RGB 130 206 132

HSL 121.58, 0.44%, 0.66%

LAB 76.41, -38.43, 29.59

 

CMYK 27 / 0 / 26 / 15

HEX #A0DAA1

RGB 160 218 161

HSL 121.03, 0.44%, 0.74%

LAB 81.94, -29.59, 22.23

 

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

CMYK 49 / 11 / 0 / 24

HEX #64AEC3

RGB 100 174 195

HSL 193.26, 0.44%, 0.58%

LAB 67.22, -17.35, -17.86

 

CMYK 0 / 49 / 30 / 24

HEX #C36488

RGB 195 100 136

HSL 337.26, 0.44%, 0.58%

LAB 54.55, 41.96, -2.4

 

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

CMYK 48 / 49 / 0 / 24

HEX #6664C3

RGB 102 100 195

HSL 241.26, 0.44%, 0.58%

LAB 46.82, 26.08, -49.66

 

CMYK 0 / 48 / 49 / 24

HEX #C36664

RGB 195 102 100

HSL 1.26, 0.44%, 0.58%

LAB 54.05, 36.8, 18.07

 

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

CMYK 49 / 11 / 0 / 24

HEX #64AEC3

RGB 100 174 195

HSL 193.26, 0.44%, 0.58%

LAB 67.22, -17.35, -17.86

 

CMYK 0 / 49 / 1 / 24

HEX #C364C1

RGB 195 100 193

HSL 301.26, 0.44%, 0.58%

LAB 56.65, 50.91, -32.32

 

CMYK 0 / 38 / 49 / 24

HEX #C37964

RGB 195 121 100

HSL 13.26, 0.44%, 0.58%

LAB 58.22, 26.61, 23.67

 

CMYK 49 / 0 / 48 / 24

HEX #63C365

RGB 99 195 101

HSL 121.25, 0.44%, 0.58%

LAB 71.3, -47.56, 38.53

 

CMYK 49 / 25 / 0 / 24

HEX #6492C3

RGB 100 146 195

HSL 210.95, 0.44%, 0.58%

LAB 59.17, -2, -30.21

 

CMYK 0 / 49 / 1 / 24

HEX #C364C1

RGB 195 100 193

HSL 301.26, 0.44%, 0.58%

LAB 56.65, 50.91, -32.32

 

CMYK 0 / 24 / 49 / 24

HEX #C39564

RGB 195 149 100

HSL 30.95, 0.44%, 0.58%

LAB 64.98, 11.23, 32.45

 

Description

Color code: HEX #63C365 | qconv.com Color code: HEX #63C365 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 195 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 195 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 48 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 48% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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