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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63CF52 it is the complementary color #9C30AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63CF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63CF52 shade: #68CF4D, #79E160, #8AF373, #9BFF86 and #ACFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63CF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63CF52 shade: #63CF52, #52BD3F, #41AB2C, #309919 and #1F8706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63CF52 shade: #63CF52, #85CF52, #A7CF52, #C8CF52 and #CFB552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63CF52 shade: #63CF52, #52CF63, #52CF85, #52CFA6 and #52CFC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63CF52 shade matches the following richer shades: #63CF52, #56E141 and #4AF32F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63CF52 shade: #63CF52, #70BE64, #7DAC76, #8A9A88 and #978899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63CF52 shade: #A8CF52, #86CF52, #65CF52, #52CF61 and #52CF82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63CF52 shade: #3CA32C, #48C335, #63CF52, #81D873 and #9EE193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63CF52 shade: #63CF52, #52C9CF and #CF5297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63CF52 shade: #63CF52, #5265CF and #CF5265

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63CF52 shade: #63CF52, #52C9CF, #BD52CF and #CF5952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63CF52 shade: #63CF52, #52A4CF, #BD52CF and #CF7E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

Complementary color

CMYK 10 / 72 / 0 / 32

HEX #9C30AD

RGB 156 48 173

HSL 291.84, 0.57%, 0.43%

LAB 41.53, 60.45, -44.9

 

CMYK 50 / 0 / 63 / 19

HEX #68CF4D

RGB 104 207 77

HSL 107.54, 0.58%, 0.56%

LAB 74.89, -53.77, 53.97

 

CMYK 46 / 0 / 57 / 12

HEX #79E160

RGB 121 225 96

HSL 108.37, 0.68%, 0.63%

LAB 81.16, -53.97, 52.96

 

CMYK 43 / 0 / 53 / 5

HEX #8AF373

RGB 138 243 115

HSL 109.22, 0.84%, 0.7%

LAB 87.36, -54.02, 51.83

 

CMYK 39 / 0 / 47 / 0

HEX #9BFF86

RGB 155 255 134

HSL 109.59, 1%, 0.76%

LAB 91.78, -51.52, 48.55

 

CMYK 33 / 0 / 40 / 0

HEX #ACFF99

RGB 172 255 153

HSL 108.82, 1%, 0.8%

LAB 92.83, -43.75, 40.92

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 57 / 0 / 67 / 26

HEX #52BD3F

RGB 82 189 63

HSL 110.95, 0.5%, 0.49%

LAB 68.42, -54.25, 52.54

 

CMYK 62 / 0 / 74 / 33

HEX #41AB2C

RGB 65 171 44

HSL 110.08, 0.59%, 0.42%

LAB 62.02, -53.51, 53.09

 

CMYK 69 / 0 / 84 / 40

HEX #309919

RGB 48 153 25

HSL 109.22, 0.72%, 0.35%

LAB 55.56, -52.28, 52.84

 

CMYK 77 / 0 / 96 / 47

HEX #1F8706

RGB 31 135 6

HSL 108.37, 0.91%, 0.28%

LAB 49.05, -50.29, 51.16

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 36 / 0 / 60 / 19

HEX #85CF52

RGB 133 207 82

HSL 95.52, 0.57%, 0.57%

LAB 76.2, -44.22, 53.63

 

CMYK 19 / 0 / 60 / 19

HEX #A7CF52

RGB 167 207 82

HSL 79.2, 0.57%, 0.57%

LAB 78.14, -31.79, 56.33

 

CMYK 3 / 0 / 60 / 19

HEX #C8CF52

RGB 200 207 82

HSL 63.36, 0.57%, 0.57%

LAB 80.47, -18.59, 59.54

 

CMYK 0 / 13 / 60 / 19

HEX #CFB552

RGB 207 181 82

HSL 47.52, 0.57%, 0.57%

LAB 74.14, -2.39, 52.74

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 60 / 0 / 52 / 19

HEX #52CF63

RGB 82 207 99

HSL 128.16, 0.57%, 0.57%

LAB 74.39, -56.76, 43.2

 

CMYK 60 / 0 / 36 / 19

HEX #52CF85

RGB 82 207 133

HSL 144.48, 0.57%, 0.57%

LAB 74.9, -51.26, 26.73

 

CMYK 60 / 0 / 20 / 19

HEX #52CFA6

RGB 82 207 166

HSL 160.32, 0.57%, 0.57%

LAB 75.56, -44.38, 10.17

 

CMYK 60 / 0 / 3 / 19

HEX #52CFC8

RGB 82 207 200

HSL 176.64, 0.57%, 0.57%

LAB 76.43, -35.91, -6.85

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 62 / 0 / 71 / 12

HEX #56E141

RGB 86 225 65

HSL 112.13, 0.73%, 0.57%

LAB 79.73, -65.84, 63.68

 

CMYK 70 / 0 / 81 / 5

HEX #4AF32F

RGB 74 243 47

HSL 111.73, 0.89%, 0.57%

LAB 84.88, -75.11, 74.15

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 41 / 0 / 47 / 25

HEX #70BE64

RGB 112 190 100

HSL 112, 0.41%, 0.57%

LAB 70.31, -41.74, 37.91

 

CMYK 27 / 0 / 31 / 33

HEX #7DAC76

RGB 125 172 118

HSL 112.22, 0.25%, 0.57%

LAB 65.88, -26.38, 22.88

 

CMYK 10 / 0 / 12 / 40

HEX #8A9A88

RGB 138 154 136

HSL 113.33, 0.08%, 0.57%

LAB 61.91, -9.24, 7.53

 

CMYK 1 / 11 / 0 / 40

HEX #978899

RGB 151 136 153

HSL 292.94, 0.08%, 0.57%

LAB 58.5, 8.86, -6.99

 

CMYK 19 / 0 / 60 / 19

HEX #A8CF52

RGB 168 207 82

HSL 78.72, 0.57%, 0.57%

LAB 78.2, -31.41, 56.41

 

CMYK 35 / 0 / 60 / 19

HEX #86CF52

RGB 134 207 82

HSL 95.04, 0.57%, 0.57%

LAB 76.25, -43.88, 53.7

 

CMYK 51 / 0 / 60 / 19

HEX #65CF52

RGB 101 207 82

HSL 110.88, 0.57%, 0.57%

LAB 74.83, -54.1, 51.7

 

CMYK 60 / 0 / 53 / 19

HEX #52CF61

RGB 82 207 97

HSL 127.2, 0.57%, 0.57%

LAB 74.37, -57.03, 44.12

 

CMYK 60 / 0 / 37 / 19

HEX #52CF82

RGB 82 207 130

HSL 143.04, 0.57%, 0.57%

LAB 74.84, -51.81, 28.22

 

CMYK 63 / 0 / 73 / 36

HEX #3CA32C

RGB 60 163 44

HSL 111.93, 0.57%, 0.41%

LAB 59.28, -51.83, 50.27

 

CMYK 63 / 0 / 73 / 24

HEX #48C335

RGB 72 195 53

HSL 111.97, 0.57%, 0.49%

LAB 69.94, -59.62, 57.9

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 40 / 0 / 47 / 15

HEX #81D873

RGB 129 216 115

HSL 111.68, 0.56%, 0.65%

LAB 79.05, -45.6, 41.57

 

CMYK 30 / 0 / 35 / 12

HEX #9EE193

RGB 158 225 147

HSL 111.54, 0.57%, 0.73%

LAB 83.56, -35.75, 31.63

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 60 / 3 / 0 / 19

HEX #52C9CF

RGB 82 201 207

HSL 182.88, 0.57%, 0.57%

LAB 74.87, -31.17, -12.96

 

CMYK 0 / 60 / 27 / 19

HEX #CF5297

RGB 207 82 151

HSL 326.88, 0.57%, 0.57%

LAB 53.53, 56.4, -12.57

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 60 / 51 / 0 / 19

HEX #5265CF

RGB 82 101 207

HSL 230.88, 0.57%, 0.57%

LAB 46.45, 25.17, -57.22

 

CMYK 0 / 60 / 51 / 19

HEX #CF5265

RGB 207 82 101

HSL 350.88, 0.57%, 0.57%

LAB 52.11, 50.97, 15.11

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 60 / 3 / 0 / 19

HEX #52C9CF

RGB 82 201 207

HSL 182.88, 0.57%, 0.57%

LAB 74.87, -31.17, -12.96

 

CMYK 9 / 60 / 0 / 19

HEX #BD52CF

RGB 189 82 207

HSL 291.36, 0.57%, 0.57%

LAB 53.34, 60.41, -45.59

 

CMYK 0 / 57 / 60 / 19

HEX #CF5952

RGB 207 89 82

HSL 3.36, 0.57%, 0.57%

LAB 52.97, 46.25, 27.45

 

CMYK 52 / 0 / 60 / 19

HEX #63CF52

RGB 99 207 82

HSL 111.84, 0.57%, 0.57%

LAB 74.75, -54.65, 51.6

 

CMYK 60 / 21 / 0 / 19

HEX #52A4CF

RGB 82 164 207

HSL 200.64, 0.57%, 0.57%

LAB 64.04, -12.23, -29.44

 

CMYK 9 / 60 / 0 / 19

HEX #BD52CF

RGB 189 82 207

HSL 291.36, 0.57%, 0.57%

LAB 53.34, 60.41, -45.59

 

CMYK 0 / 39 / 60 / 19

HEX #CF7E52

RGB 207 126 82

HSL 21.12, 0.57%, 0.57%

LAB 60.6, 27.23, 36.96

 

Description

Color code: HEX #63CF52 | qconv.com Color code: HEX #63CF52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 207 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 207 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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