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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63D623 it is the complementary color #9C29DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63D623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63D623 shade: #68D61E, #79E831, #8AFA44, #9BFF57 and #ACFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63D623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63D623 shade: #63D623, #52C410, #41B200, #30A000 and #1F8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63D623 shade: #63D622, #93D622, #C4D622, #D6B822 and #D68822

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63D623 shade: #63D622, #32D622, #22D643, #22D674 and #22D6A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63D623 shade matches the following richer shades: #63D622 and #5DEB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63D623 shade: #63D622, #69C237, #6EAE4B, #749A5F and #7A8673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63D623 shade: #C4D622, #94D622, #64D622, #34D622 and #22D640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63D623 shade: #428F17, #52B31D, #63D622, #7BE042 and #93E666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63D623 shade: #63D623, #22D6B8 and #D622AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63D623 shade: #63D623, #2264D6 and #D62264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63D623 shade: #63D623, #22D6B8, #9422D6 and #D62240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63D623 shade: #63D623, #22BED6, #9422D6 and #D63A22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

Complementary color

CMYK 29 / 81 / 0 / 14

HEX #9C29DC

RGB 156 41 220

HSL 278.55, 0.72%, 0.51%

LAB 43.98, 71.87, -68.33

 

CMYK 51 / 0 / 86 / 16

HEX #68D61E

RGB 104 214 30

HSL 95.87, 0.75%, 0.48%

LAB 76.76, -59.42, 71.17

 

CMYK 48 / 0 / 79 / 9

HEX #79E831

RGB 121 232 49

HSL 96.39, 0.8%, 0.55%

LAB 82.91, -60.3, 72.29

 

CMYK 45 / 0 / 73 / 2

HEX #8AFA44

RGB 138 250 68

HSL 96.92, 0.95%, 0.62%

LAB 89.01, -60.91, 72.57

 

CMYK 39 / 0 / 66 / 0

HEX #9BFF57

RGB 155 255 87

HSL 95.71, 1%, 0.67%

LAB 91.31, -56.27, 68.36

 

CMYK 33 / 0 / 58 / 0

HEX #ACFF6A

RGB 172 255 106

HSL 93.42, 1%, 0.71%

LAB 92.28, -49.12, 61.95

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 58 / 0 / 92 / 23

HEX #52C410

RGB 82 196 16

HSL 98, 0.85%, 0.42%

LAB 70.39, -59.4, 67.95

 

CMYK 63 / 0 / 100 / 30

HEX #41B200

RGB 65 178 0

HSL 98.09, 1%, 0.35%

LAB 64.13, -57.73, 64.64

 

CMYK 70 / 0 / 100 / 37

HEX #30A000

RGB 48 160 0

HSL 102, 1%, 0.31%

LAB 57.82, -55.45, 59.44

 

CMYK 78 / 0 / 100 / 44

HEX #1F8E00

RGB 31 142 0

HSL 106.9, 1%, 0.28%

LAB 51.42, -52.72, 54.2

 

CMYK 54 / 0 / 84 / 16

HEX #63D622

RGB 99 214 34

HSL 98.33, 0.73%, 0.49%

LAB 76.59, -60.66, 70.09

 

CMYK 31 / 0 / 84 / 16

HEX #93D622

RGB 147 214 34

HSL 82.33, 0.73%, 0.49%

LAB 78.7, -45.2, 72.75

 

CMYK 8 / 0 / 84 / 16

HEX #C4D622

RGB 196 214 34

HSL 66, 0.73%, 0.49%

LAB 81.81, -25.92, 76.63

 

CMYK 0 / 14 / 84 / 16

HEX #D6B822

RGB 214 184 34

HSL 50, 0.73%, 0.49%

LAB 75.26, -3.2, 71.76

 

CMYK 0 / 36 / 84 / 16

HEX #D68822

RGB 214 136 34

HSL 34, 0.73%, 0.49%

LAB 63.36, 22.44, 61.78

 

CMYK 54 / 0 / 84 / 16

HEX #63D622

RGB 99 214 34

HSL 98.33, 0.73%, 0.49%

LAB 76.59, -60.66, 70.09

 

CMYK 77 / 0 / 84 / 16

HEX #32D622

RGB 50 214 34

HSL 114.67, 0.73%, 0.49%

LAB 75.38, -70.77, 68.54

 

CMYK 84 / 0 / 69 / 16

HEX #22D643

RGB 34 214 67

HSL 131, 0.73%, 0.49%

LAB 75.35, -70.35, 58.07

 

CMYK 84 / 0 / 46 / 16

HEX #22D674

RGB 34 214 116

HSL 147.33, 0.73%, 0.49%

LAB 75.88, -63.91, 36.53

 

CMYK 84 / 0 / 23 / 16

HEX #22D6A4

RGB 34 214 164

HSL 163.33, 0.73%, 0.49%

LAB 76.75, -54.1, 12.8

 

CMYK 54 / 0 / 84 / 16

HEX #63D622

RGB 99 214 34

HSL 98.33, 0.73%, 0.49%

LAB 76.59, -60.66, 70.09

 

CMYK 60 / 0 / 94 / 8

HEX #5DEB0E

RGB 93 235 14

HSL 98.55, 0.89%, 0.49%

LAB 82.79, -69.85, 78.53

 

CMYK 54 / 0 / 84 / 16

HEX #63D622

RGB 99 214 34

HSL 98.33, 0.73%, 0.49%

LAB 76.59, -60.66, 70.09

 

CMYK 46 / 0 / 72 / 24

HEX #69C237

RGB 105 194 55

HSL 98.42, 0.56%, 0.49%

LAB 70.78, -50.26, 58.38

 

CMYK 37 / 0 / 57 / 32

HEX #6EAE4B

RGB 110 174 75

HSL 98.79, 0.4%, 0.49%

LAB 65.04, -38.46, 43.74

 

CMYK 25 / 0 / 38 / 40

HEX #749A5F

RGB 116 154 95

HSL 98.64, 0.24%, 0.49%

LAB 59.57, -24.32, 26.85

 

CMYK 9 / 0 / 14 / 47

HEX #7A8673

RGB 122 134 115

HSL 97.89, 0.08%, 0.49%

LAB 54.48, -8.15, 8.75

 

CMYK 8 / 0 / 84 / 16

HEX #C4D622

RGB 196 214 34

HSL 66, 0.73%, 0.49%

LAB 81.81, -25.92, 76.63

 

CMYK 31 / 0 / 84 / 16

HEX #94D622

RGB 148 214 34

HSL 82, 0.73%, 0.49%

LAB 78.76, -44.84, 72.81

 

CMYK 53 / 0 / 84 / 16

HEX #64D622

RGB 100 214 34

HSL 98, 0.73%, 0.49%

LAB 76.63, -60.39, 70.13

 

CMYK 76 / 0 / 84 / 16

HEX #34D622

RGB 52 214 34

HSL 114, 0.73%, 0.49%

LAB 75.41, -70.48, 68.59

 

CMYK 84 / 0 / 70 / 16

HEX #22D640

RGB 34 214 64

HSL 130, 0.73%, 0.49%

LAB 75.33, -70.62, 59.18

 

CMYK 54 / 0 / 84 / 44

HEX #428F17

RGB 66 143 23

HSL 98.5, 0.72%, 0.33%

LAB 52.8, -44.17, 51.08

 

CMYK 54 / 0 / 84 / 30

HEX #52B31D

RGB 82 179 29

HSL 98.8, 0.72%, 0.41%

LAB 65.06, -52.89, 60.78

 

CMYK 54 / 0 / 84 / 16

HEX #63D622

RGB 99 214 34

HSL 98.33, 0.73%, 0.49%

LAB 76.59, -60.66, 70.09

 

CMYK 45 / 0 / 71 / 12

HEX #7BE042

RGB 123 224 66

HSL 98.35, 0.72%, 0.57%

LAB 80.69, -55.66, 64.7

 

CMYK 36 / 0 / 56 / 10

HEX #93E666

RGB 147 230 102

HSL 98.91, 0.72%, 0.65%

LAB 83.84, -47.31, 53.68

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 84 / 0 / 14 / 16

HEX #22D6B8

RGB 34 214 184

HSL 170, 0.73%, 0.49%

LAB 77.22, -49.11, 2.8

 

CMYK 0 / 84 / 20 / 16

HEX #D622AC

RGB 214 34 172

HSL 314, 0.73%, 0.49%

LAB 50, 76.44, -30.28

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 84 / 53 / 0 / 16

HEX #2264D6

RGB 34 100 214

HSL 218, 0.73%, 0.49%

LAB 44.67, 22.13, -64.19

 

CMYK 0 / 84 / 53 / 16

HEX #D62264

RGB 214 34 100

HSL 338, 0.73%, 0.49%

LAB 47.44, 69.24, 9.41

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 84 / 0 / 14 / 16

HEX #22D6B8

RGB 34 214 184

HSL 170, 0.73%, 0.49%

LAB 77.22, -49.11, 2.8

 

CMYK 31 / 84 / 0 / 16

HEX #9422D6

RGB 148 34 214

HSL 278, 0.73%, 0.49%

LAB 41.68, 71.4, -68.67

 

CMYK 0 / 84 / 70 / 16

HEX #D62240

RGB 214 34 64

HSL 350, 0.73%, 0.49%

LAB 46.72, 67.13, 30.54

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 84 / 11 / 0 / 16

HEX #22BED6

RGB 34 190 214

HSL 188, 0.73%, 0.49%

LAB 70.89, -29.56, -22.88

 

CMYK 31 / 84 / 0 / 16

HEX #9422D6

RGB 148 34 214

HSL 278, 0.73%, 0.49%

LAB 41.68, 71.4, -68.67

 

CMYK 0 / 73 / 84 / 16

HEX #D63A22

RGB 214 58 34

HSL 8, 0.73%, 0.49%

LAB 48.81, 59.32, 49.24

 

Description

Color code: HEX #63D623 | qconv.com Color code: HEX #63D623 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 214 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 214 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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