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Color name
HEX #63D972

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63D972 it is the complementary color #9C268D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63D972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63D972 shade: #68D96D, #79EB80, #8AFD93, #9BFFA6 and #ACFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63D972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63D972 shade: #63D972, #52C75F, #41B54C, #30A339 and #1F9126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63D972 shade: #62D972, #73D962, #93D962, #B3D962 and #D3D962

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63D972 shade: #62D972, #62D991, #62D9B1, #62D9D1 and #62C0D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63D972 shade matches the following richer shades: #62D972, #53E866 and #43F85A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63D972 shade: #62D972, #72C97D, #82B989, #92AA95 and #A19AA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63D972 shade: #94D962, #74D962, #62D970, #62D990 and #62D9AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63D972 shade: #2DBC3F, #41D154, #62D972, #84E190 and #A5E9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63D972 shade: #63D972, #62B3D9 and #D96284

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63D972 shade: #63D972, #7062D9 and #D97062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63D972 shade: #63D972, #62B3D9, #D962CB and #D98862

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63D972 shade: #63D972, #6290D9, #D962CB and #D9AB62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

Complementary color

CMYK 0 / 76 / 10 / 39

HEX #9C268D

RGB 156 38 141

HSL 307.63, 0.61%, 0.38%

LAB 38.51, 58.47, -30.4

 

CMYK 52 / 0 / 50 / 15

HEX #68D96D

RGB 104 217 109

HSL 122.65, 0.6%, 0.63%

LAB 78.27, -53.92, 43.3

 

CMYK 49 / 0 / 46 / 8

HEX #79EB80

RGB 121 235 128

HSL 123.68, 0.74%, 0.7%

LAB 84.5, -53.92, 42.01

 

CMYK 45 / 0 / 42 / 1

HEX #8AFD93

RGB 138 253 147

HSL 124.7, 0.97%, 0.77%

LAB 90.67, -53.82, 40.76

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA6

RGB 155 255 166

HSL 126.6, 1%, 0.8%

LAB 92.24, -46.98, 33.57

 

CMYK 33 / 0 / 27 / 0

HEX #ACFFB9

RGB 172 255 185

HSL 129.4, 1%, 0.84%

LAB 93.36, -38.85, 25.66

 

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

CMYK 59 / 0 / 52 / 22

HEX #52C75F

RGB 82 199 95

HSL 126.67, 0.51%, 0.55%

LAB 71.87, -54.31, 42.05

 

CMYK 64 / 0 / 58 / 29

HEX #41B54C

RGB 65 181 76

HSL 125.69, 0.47%, 0.48%

LAB 65.51, -53.9, 43.38

 

CMYK 71 / 0 / 65 / 36

HEX #30A339

RGB 48 163 57

HSL 124.7, 0.55%, 0.41%

LAB 59.08, -53.11, 44.61

 

CMYK 79 / 0 / 74 / 43

HEX #1F9126

RGB 31 145 38

HSL 123.68, 0.65%, 0.35%

LAB 52.6, -51.73, 45.51

 

CMYK 55 / 0 / 47 / 15

HEX #62D972

RGB 98 217 114

HSL 128.07, 0.61%, 0.62%

LAB 78.13, -54.72, 40.65

 

CMYK 47 / 0 / 55 / 15

HEX #73D962

RGB 115 217 98

HSL 111.43, 0.61%, 0.62%

LAB 78.55, -52.3, 48.93

 

CMYK 32 / 0 / 55 / 15

HEX #93D962

RGB 147 217 98

HSL 95.29, 0.61%, 0.62%

LAB 80.02, -42.16, 51.02

 

CMYK 18 / 0 / 55 / 15

HEX #B3D962

RGB 179 217 98

HSL 79.16, 0.61%, 0.62%

LAB 81.89, -30.49, 53.68

 

CMYK 3 / 0 / 55 / 15

HEX #D3D962

RGB 211 217 98

HSL 63.03, 0.61%, 0.62%

LAB 84.15, -17.87, 56.87

 

CMYK 55 / 0 / 47 / 15

HEX #62D972

RGB 98 217 114

HSL 128.07, 0.61%, 0.62%

LAB 78.13, -54.72, 40.65

 

CMYK 55 / 0 / 33 / 15

HEX #62D991

RGB 98 217 145

HSL 143.7, 0.61%, 0.62%

LAB 78.62, -49.58, 25.58

 

CMYK 55 / 0 / 18 / 15

HEX #62D9B1

RGB 98 217 177

HSL 159.83, 0.61%, 0.62%

LAB 79.27, -42.99, 9.65

 

CMYK 55 / 0 / 4 / 15

HEX #62D9D1

RGB 98 217 209

HSL 175.97, 0.61%, 0.62%

LAB 80.08, -35.26, -6.22

 

CMYK 55 / 12 / 0 / 15

HEX #62C0D9

RGB 98 192 217

HSL 192.61, 0.61%, 0.62%

LAB 73.09, -20.89, -21.01

 

CMYK 55 / 0 / 47 / 15

HEX #62D972

RGB 98 217 114

HSL 128.07, 0.61%, 0.62%

LAB 78.13, -54.72, 40.65

 

CMYK 64 / 0 / 56 / 9

HEX #53E866

RGB 83 232 102

HSL 127.65, 0.76%, 0.62%

LAB 82.12, -65.14, 51.07

 

CMYK 73 / 0 / 64 / 3

HEX #43F85A

RGB 67 248 90

HSL 127.62, 0.93%, 0.62%

LAB 86.54, -74.51, 61.21

 

CMYK 55 / 0 / 47 / 15

HEX #62D972

RGB 98 217 114

HSL 128.07, 0.61%, 0.62%

LAB 78.13, -54.72, 40.65

 

CMYK 43 / 0 / 38 / 21

HEX #72C97D

RGB 114 201 125

HSL 127.59, 0.45%, 0.62%

LAB 74.08, -42.17, 30.01

 

CMYK 30 / 0 / 26 / 27

HEX #82B989

RGB 130 185 137

HSL 127.64, 0.28%, 0.62%

LAB 70.35, -27.77, 18.75

 

CMYK 14 / 0 / 12 / 33

HEX #92AA95

RGB 146 170 149

HSL 127.5, 0.12%, 0.62%

LAB 67.3, -12.48, 8.05

 

CMYK 0 / 4 / 1 / 37

HEX #A19AA0

RGB 161 154 160

HSL 308.57, 0.04%, 0.62%

LAB 64.34, 3.68, -2.23

 

CMYK 32 / 0 / 55 / 15

HEX #94D962

RGB 148 217 98

HSL 94.79, 0.61%, 0.62%

LAB 80.07, -41.82, 51.1

 

CMYK 47 / 0 / 55 / 15

HEX #74D962

RGB 116 217 98

HSL 110.92, 0.61%, 0.62%

LAB 78.59, -52.02, 48.99

 

CMYK 55 / 0 / 48 / 15

HEX #62D970

RGB 98 217 112

HSL 127.06, 0.61%, 0.62%

LAB 78.11, -55.01, 41.59

 

CMYK 55 / 0 / 34 / 15

HEX #62D990

RGB 98 217 144

HSL 143.19, 0.61%, 0.62%

LAB 78.6, -49.77, 26.08

 

CMYK 55 / 0 / 19 / 15

HEX #62D9AF

RGB 98 217 175

HSL 158.82, 0.61%, 0.62%

LAB 79.22, -43.44, 10.65

 

CMYK 76 / 0 / 66 / 26

HEX #2DBC3F

RGB 45 188 63

HSL 127.55, 0.61%, 0.46%

LAB 67.19, -61.36, 50.94

 

CMYK 69 / 0 / 60 / 18

HEX #41D154

RGB 65 209 84

HSL 127.92, 0.61%, 0.54%

LAB 74.42, -62.78, 50.08

 

CMYK 55 / 0 / 47 / 15

HEX #62D972

RGB 98 217 114

HSL 128.07, 0.61%, 0.62%

LAB 78.13, -54.72, 40.65

 

CMYK 41 / 0 / 36 / 12

HEX #84E190

RGB 132 225 144

HSL 127.74, 0.61%, 0.7%

LAB 82.25, -44.27, 31.2

 

CMYK 29 / 0 / 25 / 9

HEX #A5E9AE

RGB 165 233 174

HSL 127.94, 0.61%, 0.78%

LAB 86.67, -32.82, 22.03

 

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

CMYK 55 / 18 / 0 / 15

HEX #62B3D9

RGB 98 179 217

HSL 199.16, 0.61%, 0.62%

LAB 69.36, -14.11, -26.72

 

CMYK 0 / 55 / 39 / 15

HEX #D96284

RGB 217 98 132

HSL 342.86, 0.61%, 0.62%

LAB 57.22, 49.95, 4.23

 

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

CMYK 48 / 55 / 0 / 15

HEX #7062D9

RGB 112 98 217

HSL 247.06, 0.61%, 0.62%

LAB 48.5, 36.14, -59.52

 

CMYK 0 / 48 / 55 / 15

HEX #D97062

RGB 217 112 98

HSL 7.06, 0.61%, 0.62%

LAB 59.18, 39.76, 26.6

 

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

CMYK 55 / 18 / 0 / 15

HEX #62B3D9

RGB 98 179 217

HSL 199.16, 0.61%, 0.62%

LAB 69.36, -14.11, -26.72

 

CMYK 0 / 55 / 6 / 15

HEX #D962CB

RGB 217 98 203

HSL 307.06, 0.61%, 0.62%

LAB 59.71, 59.77, -33.04

 

CMYK 0 / 37 / 55 / 15

HEX #D98862

RGB 217 136 98

HSL 19.16, 0.61%, 0.62%

LAB 64.36, 27.15, 33.26

 

CMYK 54 / 0 / 47 / 15

HEX #63D972

RGB 99 217 114

HSL 127.63, 0.61%, 0.62%

LAB 78.17, -54.48, 40.7

 

CMYK 55 / 34 / 0 / 15

HEX #6290D9

RGB 98 144 217

HSL 216.81, 0.61%, 0.62%

LAB 59.48, 5.48, -42.07

 

CMYK 0 / 55 / 6 / 15

HEX #D962CB

RGB 217 98 203

HSL 307.06, 0.61%, 0.62%

LAB 59.71, 59.77, -33.04

 

CMYK 0 / 21 / 55 / 15

HEX #D9AB62

RGB 217 171 98

HSL 36.81, 0.61%, 0.62%

LAB 72.73, 8.33, 43.62

 

Description

Color code: HEX #63D972 | qconv.com Color code: HEX #63D972 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 217 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 217 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 47% 15% C M Y K

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Provide designers and agencies with accurate color values.

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