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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E028 it is the complementary color #9C1FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E028 shade: #68E023, #79F236, #8AFF49, #9BFF5C and #ACFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E028 shade: #63E028, #52CE15, #41BC02, #30AA00 and #1F9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E028 shade: #63E028, #95E028, #C6E028, #E0C828 and #E09728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E028 shade: #63E028, #32E028, #28E050, #28E082 and #28E0B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E028 shade matches the following richer shades: #63E028 and #5CF414

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E028 shade: #63E028, #6ACC3C, #71B850, #78A464 and #809178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E028 shade: #C7E028, #96E028, #65E028, #35E028 and #28E04D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E028 shade: #429F16, #51C31B, #63E028, #7DE54C and #98EA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E028 shade: #63E028, #28E0C7 and #E028AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E028 shade: #63E028, #2866E0 and #E02865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E028 shade: #63E028, #28E0C7, #A328E0 and #E02841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E028 shade: #63E028, #28C1E0, #A328E0 and #E04728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

Complementary color

CMYK 27 / 86 / 0 / 16

HEX #9C1FD7

RGB 156 31 215

HSL 280.76, 0.75%, 0.48%

LAB 42.69, 73.51, -67.55

 

CMYK 54 / 0 / 84 / 12

HEX #68E023

RGB 104 224 35

HSL 98.1, 0.75%, 0.51%

LAB 79.83, -62.81, 72.78

 

CMYK 50 / 0 / 78 / 5

HEX #79F236

RGB 121 242 54

HSL 98.62, 0.88%, 0.58%

LAB 85.92, -63.69, 73.69

 

CMYK 46 / 0 / 71 / 0

HEX #8AFF49

RGB 138 255 73

HSL 98.57, 1%, 0.64%

LAB 90.51, -62.46, 72.38

 

CMYK 39 / 0 / 64 / 0

HEX #9BFF5C

RGB 155 255 92

HSL 96.81, 1%, 0.68%

LAB 91.35, -55.87, 66.46

 

CMYK 33 / 0 / 56 / 0

HEX #ACFF6F

RGB 172 255 111

HSL 94.58, 1%, 0.72%

LAB 92.33, -48.65, 59.85

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 60 / 0 / 90 / 19

HEX #52CE15

RGB 82 206 21

HSL 100.22, 0.81%, 0.45%

LAB 73.54, -62.68, 69.81

 

CMYK 65 / 0 / 99 / 26

HEX #41BC02

RGB 65 188 2

HSL 99.68, 0.98%, 0.37%

LAB 67.35, -61, 66.95

 

CMYK 72 / 0 / 100 / 33

HEX #30AA00

RGB 48 170 0

HSL 103.06, 1%, 0.33%

LAB 61.11, -58.67, 62.06

 

CMYK 80 / 0 / 100 / 40

HEX #1F9800

RGB 31 152 0

HSL 107.76, 1%, 0.3%

LAB 54.81, -55.84, 56.91

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 33 / 0 / 82 / 12

HEX #95E028

RGB 149 224 40

HSL 84.46, 0.75%, 0.52%

LAB 81.76, -48.46, 74.06

 

CMYK 12 / 0 / 82 / 12

HEX #C6E028

RGB 198 224 40

HSL 68.48, 0.75%, 0.52%

LAB 84.73, -29.66, 77.8

 

CMYK 0 / 11 / 82 / 12

HEX #E0C828

RGB 224 200 40

HSL 52.17, 0.75%, 0.52%

LAB 80.35, -6.96, 74.88

 

CMYK 0 / 33 / 82 / 12

HEX #E09728

RGB 224 151 40

HSL 36.2, 0.75%, 0.52%

LAB 68.12, 18.83, 64.37

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 78 / 0 / 82 / 12

HEX #32E028

RGB 50 224 40

HSL 116.74, 0.75%, 0.52%

LAB 78.54, -73.43, 69.96

 

CMYK 82 / 0 / 64 / 12

HEX #28E050

RGB 40 224 80

HSL 133.04, 0.75%, 0.52%

LAB 78.66, -71.49, 56.47

 

CMYK 82 / 0 / 42 / 12

HEX #28E082

RGB 40 224 130

HSL 149.35, 0.75%, 0.52%

LAB 79.26, -64.35, 33.89

 

CMYK 82 / 0 / 20 / 12

HEX #28E0B3

RGB 40 224 179

HSL 165.33, 0.75%, 0.52%

LAB 80.19, -53.96, 9.74

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 62 / 0 / 92 / 4

HEX #5CF414

RGB 92 244 20

HSL 100.71, 0.91%, 0.52%

LAB 85.52, -72.85, 80.07

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 48 / 0 / 71 / 20

HEX #6ACC3C

RGB 106 204 60

HSL 100.83, 0.59%, 0.52%

LAB 73.92, -53.49, 59.76

 

CMYK 39 / 0 / 57 / 28

HEX #71B850

RGB 113 184 80

HSL 100.96, 0.42%, 0.52%

LAB 68.29, -41.28, 45.22

 

CMYK 27 / 0 / 39 / 36

HEX #78A464

RGB 120 164 100

HSL 101.25, 0.26%, 0.52%

LAB 62.9, -27.05, 28.55

 

CMYK 12 / 0 / 17 / 43

HEX #809178

RGB 128 145 120

HSL 100.8, 0.1%, 0.52%

LAB 58.22, -11, 11.25

 

CMYK 11 / 0 / 82 / 12

HEX #C7E028

RGB 199 224 40

HSL 68.15, 0.75%, 0.52%

LAB 84.8, -29.25, 77.88

 

CMYK 33 / 0 / 82 / 12

HEX #96E028

RGB 150 224 40

HSL 84.13, 0.75%, 0.52%

LAB 81.81, -48.1, 74.13

 

CMYK 55 / 0 / 82 / 12

HEX #65E028

RGB 101 224 40

HSL 100.11, 0.75%, 0.52%

LAB 79.75, -63.4, 71.5

 

CMYK 76 / 0 / 82 / 12

HEX #35E028

RGB 53 224 40

HSL 115.76, 0.75%, 0.52%

LAB 78.59, -73.03, 70.02

 

CMYK 82 / 0 / 66 / 12

HEX #28E04D

RGB 40 224 77

HSL 132.07, 0.75%, 0.52%

LAB 78.64, -71.81, 57.67

 

CMYK 58 / 0 / 86 / 38

HEX #429F16

RGB 66 159 22

HSL 100.73, 0.76%, 0.35%

LAB 58.05, -50.24, 56.05

 

CMYK 58 / 0 / 86 / 24

HEX #51C31B

RGB 81 195 27

HSL 100.71, 0.76%, 0.44%

LAB 70.08, -58.96, 65.68

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 45 / 0 / 67 / 10

HEX #7DE54C

RGB 125 229 76

HSL 100.78, 0.75%, 0.6%

LAB 82.34, -56.23, 62.69

 

CMYK 35 / 0 / 52 / 8

HEX #98EA71

RGB 152 234 113

HSL 100.66, 0.74%, 0.68%

LAB 85.36, -46.18, 50.5

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 82 / 0 / 11 / 12

HEX #28E0C7

RGB 40 224 199

HSL 171.85, 0.75%, 0.52%

LAB 80.68, -48.88, -0.16

 

CMYK 0 / 82 / 22 / 12

HEX #E028AF

RGB 224 40 175

HSL 315.98, 0.75%, 0.52%

LAB 52.35, 77.67, -28.24

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 82 / 54 / 0 / 12

HEX #2866E0

RGB 40 102 224

HSL 219.78, 0.75%, 0.52%

LAB 46.09, 25.14, -67.57

 

CMYK 0 / 82 / 55 / 12

HEX #E02865

RGB 224 40 101

HSL 340.11, 0.75%, 0.52%

LAB 49.86, 70.51, 12.47

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 82 / 0 / 11 / 12

HEX #28E0C7

RGB 40 224 199

HSL 171.85, 0.75%, 0.52%

LAB 80.68, -48.88, -0.16

 

CMYK 27 / 82 / 0 / 12

HEX #A328E0

RGB 163 40 224

HSL 280.11, 0.75%, 0.52%

LAB 45.2, 74.03, -68.57

 

CMYK 0 / 82 / 71 / 12

HEX #E02841

RGB 224 40 65

HSL 351.85, 0.75%, 0.52%

LAB 49.19, 68.49, 33.37

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 82 / 14 / 0 / 12

HEX #28C1E0

RGB 40 193 224

HSL 190.11, 0.75%, 0.52%

LAB 72.21, -27.38, -26.29

 

CMYK 27 / 82 / 0 / 12

HEX #A328E0

RGB 163 40 224

HSL 280.11, 0.75%, 0.52%

LAB 45.2, 74.03, -68.57

 

CMYK 0 / 68 / 82 / 12

HEX #E04728

RGB 224 71 40

HSL 10.11, 0.75%, 0.52%

LAB 52.41, 57.9, 50.33

 

Description

Color code: HEX #63E028 | qconv.com Color code: HEX #63E028 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 224 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 224 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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