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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #600FDB it is the complementary color #9FF024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #600FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #600FDB shade: #650FD6, #7621E9, #8733FC, #9845FF and #A957FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #600FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #600FDB shade: #600FDB, #4F00C8, #3E00B5, #2D00A2 and #1C008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #600FDB shade: #600FDB, #970FDB, #CE0FDB, #DB0FB1 and #DB0F7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #600FDB shade: #600FDB, #290FDB and #0F0FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #600FDB shade matches the following richer shades: #600FDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #600FDB shade: #600FDB, #6422C8, #6835B5, #6C48A2 and #6F5B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #600FDB shade: #0F2DDB, #270FDB, #5D0FDB, #930FDB and #CA0FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #600FDB shade: #3E098E, #4F0CB4, #600FDB, #7424EF and #8D4AF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #600FDB shade: #600FDB, #DB0F64 and #12DB0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #600FDB shade: #600FDB, #DB5D0F and #0FDB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #600FDB shade: #600FDB, #DB0F64, #8DDB0F and #0FDB86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #600FDB shade: #600FDB, #DB0F27, #8DDB0F and #0FDBC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

Complementary color

CMYK 34 / 0 / 85 / 6

HEX #9FF024

RGB 159 240 36

HSL 83.82, 0.87%, 0.54%

LAB 86.91, -51.64, 79.62

 

CMYK 53 / 93 / 0 / 16

HEX #650FD6

RGB 101 15 214

HSL 265.93, 0.87%, 0.45%

LAB 33.91, 70.28, -81.68

 

CMYK 49 / 86 / 0 / 9

HEX #7621E9

RGB 118 33 233

HSL 265.5, 0.82%, 0.52%

LAB 39.28, 72.05, -83.63

 

CMYK 46 / 80 / 0 / 1

HEX #8733FC

RGB 135 51 252

HSL 265.07, 0.97%, 0.59%

LAB 45.01, 72.66, -84.84

 

CMYK 40 / 73 / 0 / 0

HEX #9845FF

RGB 152 69 255

HSL 266.77, 1%, 0.64%

LAB 49.68, 68.77, -78.78

 

CMYK 34 / 66 / 0 / 0

HEX #A957FF

RGB 169 87 255

HSL 269.29, 1%, 0.67%

LAB 54.52, 63.78, -70.82

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 61 / 100 / 0 / 22

HEX #4F00C8

RGB 79 0 200

HSL 263.7, 1%, 0.39%

LAB 28.99, 67.93, -81.77

 

CMYK 66 / 100 / 0 / 29

HEX #3E00B5

RGB 62 0 181

HSL 260.55, 1%, 0.35%

LAB 24.83, 62.6, -77.48

 

CMYK 72 / 100 / 0 / 36

HEX #2D00A2

RGB 45 0 162

HSL 256.67, 1%, 0.32%

LAB 20.7, 57.26, -72.93

 

CMYK 80 / 100 / 0 / 44

HEX #1C008F

RGB 28 0 143

HSL 251.75, 1%, 0.28%

LAB 16.65, 51.91, -67.99

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 31 / 93 / 0 / 14

HEX #970FDB

RGB 151 15 219

HSL 280, 0.87%, 0.46%

LAB 41.27, 76.54, -72.2

 

CMYK 6 / 93 / 0 / 14

HEX #CE0FDB

RGB 206 15 219

HSL 296.18, 0.87%, 0.46%

LAB 50.19, 84.36, -57.32

 

CMYK 0 / 93 / 19 / 14

HEX #DB0FB1

RGB 219 15 177

HSL 312.35, 0.87%, 0.46%

LAB 50.19, 80.84, -32.86

 

CMYK 0 / 93 / 44 / 14

HEX #DB0F7A

RGB 219 15 122

HSL 328.53, 0.87%, 0.46%

LAB 48.02, 75.13, -3.17

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 81 / 93 / 0 / 14

HEX #290FDB

RGB 41 15 219

HSL 247.65, 0.87%, 0.46%

LAB 29.23, 68.3, -92.49

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 50 / 83 / 0 / 22

HEX #6422C8

RGB 100 34 200

HSL 263.86, 0.71%, 0.46%

LAB 34.03, 61.87, -73.34

 

CMYK 43 / 71 / 0 / 29

HEX #6835B5

RGB 104 53 181

HSL 263.91, 0.55%, 0.46%

LAB 35.65, 49.51, -59.5

 

CMYK 33 / 56 / 0 / 36

HEX #6C48A2

RGB 108 72 162

HSL 264, 0.38%, 0.46%

LAB 38.61, 34.97, -43.38

 

CMYK 22 / 36 / 0 / 44

HEX #6F5B8F

RGB 111 91 143

HSL 263.08, 0.22%, 0.46%

LAB 42.53, 19.44, -25.76

 

CMYK 93 / 79 / 0 / 14

HEX #0F2DDB

RGB 15 45 219

HSL 231.18, 0.87%, 0.46%

LAB 32.02, 56.59, -87.87

 

CMYK 82 / 93 / 0 / 14

HEX #270FDB

RGB 39 15 219

HSL 247.06, 0.87%, 0.46%

LAB 29.13, 68.24, -92.67

 

CMYK 58 / 93 / 0 / 14

HEX #5D0FDB

RGB 93 15 219

HSL 262.94, 0.87%, 0.46%

LAB 33.53, 70.81, -85.23

 

CMYK 33 / 93 / 0 / 14

HEX #930FDB

RGB 147 15 219

HSL 278.82, 0.87%, 0.46%

LAB 40.67, 76.05, -73.21

 

CMYK 8 / 93 / 0 / 14

HEX #CA0FDB

RGB 202 15 219

HSL 295, 0.87%, 0.46%

LAB 49.51, 83.74, -58.44

 

CMYK 56 / 94 / 0 / 44

HEX #3E098E

RGB 62 9 142

HSL 263.91, 0.88%, 0.3%

LAB 20.72, 50.97, -60.51

 

CMYK 56 / 93 / 0 / 29

HEX #4F0CB4

RGB 79 12 180

HSL 263.93, 0.88%, 0.38%

LAB 27.35, 61.1, -72.64

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 51 / 85 / 0 / 6

HEX #7424EF

RGB 116 36 239

HSL 263.65, 0.86%, 0.54%

LAB 39.93, 72.37, -85.97

 

CMYK 42 / 69 / 0 / 5

HEX #8D4AF2

RGB 141 74 242

HSL 263.93, 0.87%, 0.62%

LAB 48.22, 61.55, -73.95

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 0 / 93 / 54 / 14

HEX #DB0F64

RGB 219 15 100

HSL 335, 0.87%, 0.46%

LAB 47.39, 73.44, 9.48

 

CMYK 92 / 0 / 93 / 14

HEX #12DB0F

RGB 18 219 15

HSL 119.12, 0.87%, 0.46%

LAB 76.57, -75.84, 72.78

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 0 / 58 / 93 / 14

HEX #DB5D0F

RGB 219 93 15

HSL 22.94, 0.87%, 0.46%

LAB 54.99, 46.17, 61.16

 

CMYK 93 / 0 / 58 / 14

HEX #0FDB5D

RGB 15 219 93

HSL 142.94, 0.87%, 0.46%

LAB 77.01, -70.2, 48.89

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 0 / 93 / 54 / 14

HEX #DB0F64

RGB 219 15 100

HSL 335, 0.87%, 0.46%

LAB 47.39, 73.44, 9.48

 

CMYK 36 / 0 / 93 / 14

HEX #8DDB0F

RGB 141 219 15

HSL 82.94, 0.87%, 0.46%

LAB 79.82, -49.9, 76.77

 

CMYK 93 / 0 / 39 / 14

HEX #0FDB86

RGB 15 219 134

HSL 155, 0.87%, 0.46%

LAB 77.57, -63.53, 29.6

 

CMYK 56 / 93 / 0 / 14

HEX #600FDB

RGB 96 15 219

HSL 263.82, 0.87%, 0.46%

LAB 33.86, 71.03, -84.66

 

CMYK 0 / 93 / 82 / 14

HEX #DB0F27

RGB 219 15 39

HSL 352.94, 0.87%, 0.46%

LAB 46.38, 70.62, 44.86

 

CMYK 36 / 0 / 93 / 14

HEX #8DDB0F

RGB 141 219 15

HSL 82.94, 0.87%, 0.46%

LAB 79.82, -49.9, 76.77

 

CMYK 93 / 0 / 11 / 14

HEX #0FDBC3

RGB 15 219 195

HSL 172.94, 0.87%, 0.46%

LAB 78.87, -49.26, -0.69

 

Description

Color code: HEX #600FDB | qconv.com Color code: HEX #600FDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 15 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 15 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 93 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 93% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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