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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #601427 it is the complementary color #9FEBD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #601427. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #601427 shade: #651422, #762635, #873848, #984A5B and #A95C6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #601427. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #601427 shade: #601427, #4F0214, #3E0001, #2D0000 and #1C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #601427 shade: #611327 and #611313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #601427 shade: #611327, #61133C, #611351, #5C1361 and #471361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #601427 shade matches the following richer shades: #611327, #6A0A22 and #74001D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #601427 shade: #611327, #571D2C, #4E2630, #443035 and #3B393A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #601427 shade: #611350, #61133B, #611327, #611513 and #612913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #601427 shade: #1C050B, #3F0C19, #611327, #831A35 and #A52142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #601427 shade: #601427, #615D13 and #134661

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #601427 shade: #601427, #276113 and #132761

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #601427 shade: #601427, #615D13, #13614E and #131761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #601427 shade: #601427, #4E6113, #13614E and #271361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

Complementary color

CMYK 32 / 0 / 8 / 8

HEX #9FEBD8

RGB 159 235 216

HSL 165, 0.66%, 0.77%

LAB 87.85, -27.45, 1.76

 

CMYK 0 / 80 / 66 / 60

HEX #651422

RGB 101 20 34

HSL 349.63, 0.67%, 0.24%

LAB 21.51, 36.34, 13.22

 

CMYK 0 / 68 / 55 / 54

HEX #762635

RGB 118 38 53

HSL 348.75, 0.51%, 0.31%

LAB 28.1, 36.17, 9.75

 

CMYK 0 / 59 / 47 / 47

HEX #873848

RGB 135 56 72

HSL 347.85, 0.41%, 0.37%

LAB 34.9, 35.4, 7.26

 

CMYK 0 / 51 / 40 / 40

HEX #984A5B

RGB 152 74 91

HSL 346.92, 0.35%, 0.44%

LAB 41.73, 34.43, 5.37

 

CMYK 0 / 46 / 35 / 34

HEX #A95C6E

RGB 169 92 110

HSL 345.97, 0.31%, 0.51%

LAB 48.53, 33.45, 3.86

 

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

CMYK 0 / 97 / 75 / 69

HEX #4F0214

RGB 79 2 20

HSL 345.97, 0.95%, 0.16%

LAB 14.15, 34.33, 12.63

 

CMYK 0 / 100 / 98 / 76

HEX #3E0001

RGB 62 0 1

HSL 359.03, 1%, 0.12%

LAB 9.21, 29.2, 14.13

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 80 / 80 / 62

HEX #611313

RGB 97 19 19

HSL 0, 0.67%, 0.23%

LAB 20.26, 34.49, 21.67

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 80 / 38 / 62

HEX #61133C

RGB 97 19 60

HSL 328.46, 0.67%, 0.23%

LAB 21.33, 37.93, -5.31

 

CMYK 0 / 80 / 16 / 62

HEX #611351

RGB 97 19 81

HSL 312.31, 0.67%, 0.23%

LAB 22.31, 40.89, -18.17

 

CMYK 5 / 80 / 0 / 62

HEX #5C1361

RGB 92 19 97

HSL 296.15, 0.67%, 0.23%

LAB 22.32, 42.45, -28.87

 

CMYK 27 / 80 / 0 / 62

HEX #471361

RGB 71 19 97

HSL 280, 0.67%, 0.23%

LAB 18.66, 37.8, -34.94

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 91 / 68 / 58

HEX #6A0A22

RGB 106 10 34

HSL 345, 0.83%, 0.23%

LAB 21.57, 40.86, 13.5

 

CMYK 0 / 100 / 75 / 55

HEX #74001D

RGB 116 0 29

HSL 345, 1%, 0.23%

LAB 23, 45.61, 19.25

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 67 / 49 / 66

HEX #571D2C

RGB 87 29 44

HSL 344.48, 0.5%, 0.23%

LAB 20.39, 28.28, 4.24

 

CMYK 0 / 51 / 38 / 69

HEX #4E2630

RGB 78 38 48

HSL 345, 0.34%, 0.23%

LAB 20.9, 20.04, 1.98

 

CMYK 0 / 29 / 22 / 73

HEX #443035

RGB 68 48 53

HSL 345, 0.17%, 0.23%

LAB 22.3, 10.02, 0.41

 

CMYK 0 / 3 / 2 / 77

HEX #3B393A

RGB 59 57 58

HSL 330, 0.02%, 0.23%

LAB 24.2, 1.09, -0.32

 

CMYK 0 / 80 / 18 / 62

HEX #611350

RGB 97 19 80

HSL 313.08, 0.67%, 0.23%

LAB 22.25, 40.74, -17.58

 

CMYK 0 / 80 / 39 / 62

HEX #61133B

RGB 97 19 59

HSL 329.23, 0.67%, 0.23%

LAB 21.29, 37.81, -4.67

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 78 / 80 / 62

HEX #611513

RGB 97 21 19

HSL 1.54, 0.67%, 0.23%

LAB 20.54, 33.72, 21.98

 

CMYK 0 / 58 / 80 / 62

HEX #612913

RGB 97 41 19

HSL 16.92, 0.67%, 0.23%

LAB 24.24, 23.86, 25.96

 

CMYK 0 / 82 / 61 / 89

HEX #1C050B

RGB 28 5 11

HSL 344.35, 0.7%, 0.06%

LAB 3.43, 9.54, 0.78

 

CMYK 0 / 81 / 60 / 75

HEX #3F0C19

RGB 63 12 25

HSL 344.71, 0.68%, 0.15%

LAB 11.89, 25.59, 5.33

 

CMYK 0 / 80 / 60 / 62

HEX #611327

RGB 97 19 39

HSL 344.62, 0.67%, 0.23%

LAB 20.65, 35.76, 8.41

 

CMYK 0 / 80 / 60 / 49

HEX #831A35

RGB 131 26 53

HSL 344.57, 0.67%, 0.31%

LAB 28.96, 45.16, 11.33

 

CMYK 0 / 80 / 60 / 35

HEX #A52142

RGB 165 33 66

HSL 345, 0.67%, 0.39%

LAB 36.89, 53.97, 14.73

 

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

CMYK 0 / 4 / 80 / 62

HEX #615D13

RGB 97 93 19

HSL 56.92, 0.67%, 0.23%

LAB 38.58, -7.69, 40.01

 

CMYK 80 / 28 / 0 / 62

HEX #134661

RGB 19 70 97

HSL 200.77, 0.67%, 0.23%

LAB 27.8, -6.35, -20.66

 

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

CMYK 60 / 0 / 80 / 62

HEX #276113

RGB 39 97 19

HSL 104.62, 0.67%, 0.23%

LAB 36.04, -34.14, 36.23

 

CMYK 80 / 60 / 0 / 62

HEX #132761

RGB 19 39 97

HSL 224.62, 0.67%, 0.23%

LAB 17.7, 15.37, -36.75

 

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

CMYK 0 / 4 / 80 / 62

HEX #615D13

RGB 97 93 19

HSL 56.92, 0.67%, 0.23%

LAB 38.58, -7.69, 40.01

 

CMYK 80 / 0 / 20 / 62

HEX #13614E

RGB 19 97 78

HSL 165.38, 0.67%, 0.23%

LAB 36.44, -27.85, 4.34

 

CMYK 80 / 76 / 0 / 62

HEX #131761

RGB 19 23 97

HSL 236.92, 0.67%, 0.23%

LAB 13.32, 26.81, -43.93

 

CMYK 0 / 79 / 59 / 62

HEX #601427

RGB 96 20 39

HSL 345, 0.66%, 0.23%

LAB 20.57, 35.06, 8.27

 

CMYK 20 / 0 / 80 / 62

HEX #4E6113

RGB 78 97 19

HSL 74.62, 0.67%, 0.23%

LAB 38.23, -18.96, 39.1

 

CMYK 80 / 0 / 20 / 62

HEX #13614E

RGB 19 97 78

HSL 165.38, 0.67%, 0.23%

LAB 36.44, -27.85, 4.34

 

CMYK 60 / 80 / 0 / 62

HEX #271361

RGB 39 19 97

HSL 255.38, 0.67%, 0.23%

LAB 14.17, 31.84, -42.46

 

Description

Color code: HEX #601427 | qconv.com Color code: HEX #601427 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 20 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 20 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 59 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 59% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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