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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #603E38 it is the complementary color #9FC1C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #603E38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #603E38 shade: #653E33, #765046, #876259, #98746C and #A9867F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #603E38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #603E38 shade: #603E38, #4F2C25, #3E1A12, #2D0800 and #1C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #603E38 shade: #603E38 and #603838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #603E38 shade: #603E38, #604938, #605438, #605E38 and #576038

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #603E38 shade matches the following richer shades: #603E38, #6C352C, #792D1F, #852413 and #911B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #603E38 shade: #603E38, #544744, #474F51, #3B585D and #2E616A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #603E38 shade: #603847, #60383D, #603E38, #604938 and #605338

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #603E38 shade: #2C1C1A, #462D29, #603E38, #7A4F47 and #946057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #603E38 shade: #603E38, #526038 and #384260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #603E38 shade: #603E38, #38603E and #3E3860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #603E38 shade: #603E38, #526038, #385A60 and #463860

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #603E38 shade: #603E38, #466038, #385A60 and #523860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

Complementary color

CMYK 20 / 3 / 0 / 22

HEX #9FC1C7

RGB 159 193 199

HSL 189, 0.26%, 0.7%

LAB 75.84, -10.04, -6.8

 

CMYK 0 / 39 / 50 / 60

HEX #653E33

RGB 101 62 51

HSL 13.2, 0.33%, 0.3%

LAB 30.52, 15.7, 13.88

 

CMYK 0 / 32 / 41 / 54

HEX #765046

RGB 118 80 70

HSL 12.5, 0.26%, 0.37%

LAB 37.9, 14.59, 12.32

 

CMYK 0 / 27 / 34 / 47

HEX #876259

RGB 135 98 89

HSL 11.74, 0.21%, 0.44%

LAB 45.09, 13.68, 11.02

 

CMYK 0 / 24 / 29 / 40

HEX #98746C

RGB 152 116 108

HSL 10.91, 0.18%, 0.51%

LAB 52.12, 12.92, 9.87

 

CMYK 0 / 21 / 25 / 34

HEX #A9867F

RGB 169 134 127

HSL 10, 0.2%, 0.58%

LAB 58.99, 12.28, 8.85

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 44 / 53 / 69

HEX #4F2C25

RGB 79 44 37

HSL 10, 0.36%, 0.23%

LAB 22.29, 15.28, 11.47

 

CMYK 0 / 58 / 71 / 76

HEX #3E1A12

RGB 62 26 18

HSL 10.91, 0.55%, 0.16%

LAB 14.44, 16.81, 13.58

 

CMYK 0 / 82 / 100 / 82

HEX #2D0800

RGB 45 8 0

HSL 10.67, 1%, 0.09%

LAB 6.61, 17.97, 10.25

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 42 / 42 / 62

HEX #603838

RGB 96 56 56

HSL 0, 0.26%, 0.3%

LAB 28.38, 17.8, 7.6

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 24 / 42 / 62

HEX #604938

RGB 96 73 56

HSL 25.5, 0.26%, 0.3%

LAB 33, 7.18, 13.94

 

CMYK 0 / 13 / 42 / 62

HEX #605438

RGB 96 84 56

HSL 42, 0.26%, 0.3%

LAB 36.2, 0.4, 18.18

 

CMYK 0 / 2 / 42 / 62

HEX #605E38

RGB 96 94 56

HSL 57, 0.26%, 0.3%

LAB 39.2, -5.58, 22.07

 

CMYK 9 / 0 / 42 / 62

HEX #576038

RGB 87 96 56

HSL 73.5, 0.26%, 0.3%

LAB 39.03, -10.78, 21.69

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 51 / 59 / 58

HEX #6C352C

RGB 108 53 44

HSL 8.44, 0.42%, 0.3%

LAB 29.2, 23.49, 16.81

 

CMYK 0 / 63 / 74 / 53

HEX #792D1F

RGB 121 45 31

HSL 9.33, 0.59%, 0.3%

LAB 29.51, 32.31, 25.84

 

CMYK 0 / 73 / 86 / 48

HEX #852413

RGB 133 36 19

HSL 8.95, 0.75%, 0.3%

LAB 30.15, 40.41, 34.06

 

CMYK 0 / 81 / 95 / 43

HEX #911B07

RGB 145 27 7

HSL 8.7, 0.91%, 0.3%

LAB 31.39, 47.31, 41.55

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 15 / 19 / 67

HEX #544744

RGB 84 71 68

HSL 11.25, 0.11%, 0.3%

LAB 31.37, 4.94, 3.84

 

CMYK 12 / 2 / 0 / 68

HEX #474F51

RGB 71 79 81

HSL 192, 0.07%, 0.3%

LAB 32.97, -2.72, -2.28

 

CMYK 37 / 5 / 0 / 64

HEX #3B585D

RGB 59 88 93

HSL 188.82, 0.22%, 0.3%

LAB 35.4, -9.31, -6.33

 

CMYK 57 / 8 / 0 / 58

HEX #2E616A

RGB 46 97 106

HSL 189, 0.39%, 0.3%

LAB 38.15, -14.24, -10.34

 

CMYK 0 / 42 / 26 / 62

HEX #603847

RGB 96 56 71

HSL 337.5, 0.26%, 0.3%

LAB 28.82, 20.05, -1.62

 

CMYK 0 / 42 / 36 / 62

HEX #60383D

RGB 96 56 61

HSL 352.5, 0.26%, 0.3%

LAB 28.52, 18.5, 4.51

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 24 / 42 / 62

HEX #604938

RGB 96 73 56

HSL 25.5, 0.26%, 0.3%

LAB 33, 7.18, 13.94

 

CMYK 0 / 14 / 42 / 62

HEX #605338

RGB 96 83 56

HSL 40.5, 0.26%, 0.3%

LAB 35.9, 1.01, 17.8

 

CMYK 0 / 36 / 41 / 83

HEX #2C1C1A

RGB 44 28 26

HSL 6.67, 0.26%, 0.14%

LAB 12.23, 7.55, 4.54

 

CMYK 0 / 36 / 41 / 73

HEX #462D29

RGB 70 45 41

HSL 8.28, 0.26%, 0.22%

LAB 21.35, 10.92, 7.27

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 35 / 42 / 52

HEX #7A4F47

RGB 122 79 71

HSL 9.41, 0.26%, 0.38%

LAB 38.17, 17.05, 12.16

 

CMYK 0 / 35 / 41 / 42

HEX #946057

RGB 148 96 87

HSL 8.85, 0.26%, 0.46%

LAB 46.11, 20.03, 13.87

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 15 / 0 / 42 / 62

HEX #526038

RGB 82 96 56

HSL 81, 0.26%, 0.3%

LAB 38.63, -12.97, 21.09

 

CMYK 42 / 31 / 0 / 62

HEX #384260

RGB 56 66 96

HSL 225, 0.26%, 0.3%

LAB 28.33, 4.52, -19.04

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 42 / 0 / 35 / 62

HEX #38603E

RGB 56 96 62

HSL 129, 0.26%, 0.3%

LAB 37.03, -22.21, 15.12

 

CMYK 35 / 42 / 0 / 62

HEX #3E3860

RGB 62 56 96

HSL 249, 0.26%, 0.3%

LAB 25.85, 13.13, -22.87

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 15 / 0 / 42 / 62

HEX #526038

RGB 82 96 56

HSL 81, 0.26%, 0.3%

LAB 38.63, -12.97, 21.09

 

CMYK 42 / 6 / 0 / 62

HEX #385A60

RGB 56 90 96

HSL 189, 0.26%, 0.3%

LAB 35.98, -10.56, -7.36

 

CMYK 27 / 42 / 0 / 62

HEX #463860

RGB 70 56 96

HSL 261, 0.26%, 0.3%

LAB 26.66, 15.76, -21.55

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 27 / 0 / 42 / 62

HEX #466038

RGB 70 96 56

HSL 99, 0.26%, 0.3%

LAB 37.76, -18, 19.79

 

CMYK 42 / 6 / 0 / 62

HEX #385A60

RGB 56 90 96

HSL 189, 0.26%, 0.3%

LAB 35.98, -10.56, -7.36

 

CMYK 15 / 42 / 0 / 62

HEX #523860

RGB 82 56 96

HSL 279, 0.26%, 0.3%

LAB 28.03, 19.87, -19.32

 

Description

Color code: HEX #603E38 | qconv.com Color code: HEX #603E38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 62 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 62 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 42 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 42% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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