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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #604849 it is the complementary color #9FB7B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #604849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #604849 shade: #654844, #765A57, #876C6A, #987E7D and #A99090

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #604849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #604849 shade: #604849, #4F3636, #3E2423, #2D1210 and #1C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #604849 shade: #5F4849 and #5F4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #604849 shade: #5F4849, #5F484F, #5F4856, #5F485C and #5D485F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #604849 shade matches the following richer shades: #5F4849, #6D3A3C, #7B2D30, #881F23 and #961117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #604849 shade: #5F4849, #525555, #446362, #37716E and #297E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #604849 shade: #5F4856, #5F484F, #5F4849, #5F4D48 and #5F5348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #604849 shade: #302425, #483637, #5F4849, #775A5B and #8E6B6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #604849 shade: #604849, #5C5F48 and #48525F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #604849 shade: #604849, #495F48 and #48495F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #604849 shade: #604849, #5C5F48, #485F5E and #4B485F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #604849 shade: #604849, #555F48, #485F5E and #52485F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

Complementary color

CMYK 13 / 0 / 1 / 28

HEX #9FB7B6

RGB 159 183 182

HSL 177.5, 0.14%, 0.67%

LAB 72.64, -8.38, -2.27

 

CMYK 0 / 29 / 33 / 60

HEX #654844

RGB 101 72 68

HSL 7.27, 0.2%, 0.33%

LAB 33.6, 11.77, 7.28

 

CMYK 0 / 24 / 26 / 54

HEX #765A57

RGB 118 90 87

HSL 5.81, 0.15%, 0.4%

LAB 40.98, 11, 6.16

 

CMYK 0 / 20 / 21 / 47

HEX #876C6A

RGB 135 108 106

HSL 4.14, 0.12%, 0.47%

LAB 48.15, 10.37, 5.17

 

CMYK 0 / 17 / 18 / 40

HEX #987E7D

RGB 152 126 125

HSL 2.22, 0.12%, 0.54%

LAB 55.15, 9.83, 4.28

 

CMYK 0 / 15 / 15 / 34

HEX #A99090

RGB 169 144 144

HSL 0, 0.13%, 0.61%

LAB 61.99, 9.36, 3.47

 

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

CMYK 0 / 32 / 32 / 69

HEX #4F3636

RGB 79 54 54

HSL 0, 0.19%, 0.26%

LAB 25.46, 11.21, 4.47

 

CMYK 0 / 42 / 44 / 76

HEX #3E2423

RGB 62 36 35

HSL 2.22, 0.28%, 0.19%

LAB 17.49, 12.24, 5.87

 

CMYK 0 / 60 / 64 / 82

HEX #2D1210

RGB 45 18 16

HSL 4.14, 0.48%, 0.12%

LAB 9.22, 13.62, 7.1

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 0 / 24 / 24 / 63

HEX #5F4848

RGB 95 72 72

HSL 0, 0.14%, 0.33%

LAB 33, 9.8, 3.78

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 0 / 24 / 17 / 63

HEX #5F484F

RGB 95 72 79

HSL 341.74, 0.14%, 0.33%

LAB 33.2, 11.05, -0.39

 

CMYK 0 / 24 / 9 / 63

HEX #5F4856

RGB 95 72 86

HSL 323.48, 0.14%, 0.33%

LAB 33.43, 12.4, -4.52

 

CMYK 0 / 24 / 3 / 63

HEX #5F485C

RGB 95 72 92

HSL 307.83, 0.14%, 0.33%

LAB 33.65, 13.63, -8.01

 

CMYK 2 / 24 / 0 / 63

HEX #5D485F

RGB 93 72 95

HSL 294.78, 0.14%, 0.33%

LAB 33.54, 13.5, -10.11

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 0 / 47 / 45 / 57

HEX #6D3A3C

RGB 109 58 60

HSL 357.65, 0.31%, 0.33%

LAB 30.89, 22.68, 8.77

 

CMYK 0 / 63 / 61 / 52

HEX #7B2D30

RGB 123 45 48

HSL 357.69, 0.46%, 0.33%

LAB 30.16, 34.21, 15.97

 

CMYK 0 / 77 / 74 / 47

HEX #881F23

RGB 136 31 35

HSL 357.71, 0.63%, 0.33%

LAB 30.24, 43.94, 24.96

 

CMYK 0 / 89 / 85 / 41

HEX #961117

RGB 150 17 23

HSL 357.29, 0.8%, 0.33%

LAB 31.69, 51.63, 34.6

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 4 / 0 / 0 / 67

HEX #525555

RGB 82 85 85

HSL 180, 0.02%, 0.33%

LAB 35.88, -1.2, -0.42

 

CMYK 31 / 0 / 1 / 61

HEX #446362

RGB 68 99 98

HSL 178.06, 0.19%, 0.33%

LAB 39.64, -11.5, -3.08

 

CMYK 51 / 0 / 3 / 56

HEX #37716E

RGB 55 113 110

HSL 176.9, 0.35%, 0.33%

LAB 43.87, -19.72, -4.18

 

CMYK 67 / 0 / 2 / 51

HEX #297E7B

RGB 41 126 123

HSL 177.88, 0.51%, 0.33%

LAB 48.04, -25.53, -5.8

 

CMYK 0 / 24 / 9 / 63

HEX #5F4856

RGB 95 72 86

HSL 323.48, 0.14%, 0.33%

LAB 33.43, 12.4, -4.52

 

CMYK 0 / 24 / 17 / 63

HEX #5F484F

RGB 95 72 79

HSL 341.74, 0.14%, 0.33%

LAB 33.2, 11.05, -0.39

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 0 / 19 / 24 / 63

HEX #5F4D48

RGB 95 77 72

HSL 13.04, 0.14%, 0.33%

LAB 34.41, 6.67, 5.8

 

CMYK 0 / 13 / 24 / 63

HEX #5F5348

RGB 95 83 72

HSL 28.7, 0.14%, 0.33%

LAB 36.15, 2.95, 8.26

 

CMYK 0 / 25 / 23 / 81

HEX #302425

RGB 48 36 37

HSL 355, 0.14%, 0.16%

LAB 15.61, 5.89, 1.51

 

CMYK 0 / 25 / 24 / 72

HEX #483637

RGB 72 54 55

HSL 356.67, 0.14%, 0.25%

LAB 24.61, 8.22, 2.47

 

CMYK 0 / 24 / 23 / 63

HEX #5F4849

RGB 95 72 73

HSL 357.39, 0.14%, 0.33%

LAB 33.02, 9.97, 3.18

 

CMYK 0 / 24 / 24 / 53

HEX #775A5B

RGB 119 90 91

HSL 357.93, 0.14%, 0.41%

LAB 41.2, 12.07, 4.03

 

CMYK 0 / 25 / 23 / 44

HEX #8E6B6D

RGB 142 107 109

HSL 356.57, 0.14%, 0.49%

LAB 48.72, 14.26, 4.3

 

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

CMYK 3 / 0 / 24 / 63

HEX #5C5F48

RGB 92 95 72

HSL 67.83, 0.14%, 0.33%

LAB 39.46, -5.58, 12.8

 

CMYK 24 / 14 / 0 / 63

HEX #48525F

RGB 72 82 95

HSL 213.91, 0.14%, 0.33%

LAB 34.47, -0.7, -8.88

 

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

CMYK 23 / 0 / 24 / 63

HEX #495F48

RGB 73 95 72

HSL 117.39, 0.14%, 0.33%

LAB 37.97, -13.4, 10.51

 

CMYK 24 / 23 / 0 / 63

HEX #48495F

RGB 72 73 95

HSL 237.39, 0.14%, 0.33%

LAB 31.74, 5.02, -13.04

 

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

CMYK 3 / 0 / 24 / 63

HEX #5C5F48

RGB 92 95 72

HSL 67.83, 0.14%, 0.33%

LAB 39.46, -5.58, 12.8

 

CMYK 24 / 0 / 1 / 63

HEX #485F5E

RGB 72 95 94

HSL 177.39, 0.14%, 0.33%

LAB 38.5, -8.84, -2.27

 

CMYK 21 / 24 / 0 / 63

HEX #4B485F

RGB 75 72 95

HSL 247.83, 0.14%, 0.33%

LAB 31.71, 6.75, -13.06

 

CMYK 0 / 25 / 24 / 62

HEX #604849

RGB 96 72 73

HSL 357.5, 0.14%, 0.33%

LAB 33.14, 10.4, 3.36

 

CMYK 11 / 0 / 24 / 63

HEX #555F48

RGB 85 95 72

HSL 86.09, 0.14%, 0.33%

LAB 38.87, -8.54, 11.9

 

CMYK 24 / 0 / 1 / 63

HEX #485F5E

RGB 72 95 94

HSL 177.39, 0.14%, 0.33%

LAB 38.5, -8.84, -2.27

 

CMYK 14 / 24 / 0 / 63

HEX #52485F

RGB 82 72 95

HSL 266.09, 0.14%, 0.33%

LAB 32.38, 9.33, -11.97

 

Description

Color code: HEX #604849 | qconv.com Color code: HEX #604849 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 72 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 72 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 24 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 24% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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