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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #605481 it is the complementary color #9FAB7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #605481. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #605481 shade: #65547C, #76668F, #8778A2, #988AB5 and #A99CC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #605481. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #605481 shade: #605481, #4F426E, #3E305B, #2D1E48 and #1C0C35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #605481 shade: #605481, #6C5481, #785481, #81547E and #815472

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #605481 shade: #605481 and #545481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #605481 shade matches the following richer shades: #605481, #584392, #5031A4, #4820B5 and #400FC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #605481 shade: #605481, #686570, #70775E, #78884D and #80993C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #605481 shade: #546081, #545481, #605481, #6C5481 and #785481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #605481 shade: #3B344F, #4D4468, #605481, #73659A and #897DAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #605481 shade: #605481, #81546C and #5A8154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #605481 shade: #605481, #816054 and #548160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #605481 shade: #605481, #81546C, #758154 and #548169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #605481 shade: #605481, #81545F, #758154 and #548177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

Complementary color

CMYK 7 / 0 / 26 / 33

HEX #9FAB7E

RGB 159 171 126

HSL 76, 0.21%, 0.58%

LAB 68.02, -12.08, 21.82

 

CMYK 19 / 32 / 0 / 51

HEX #65547C

RGB 101 84 124

HSL 265.5, 0.19%, 0.41%

LAB 38.83, 15.7, -20.02

 

CMYK 17 / 29 / 0 / 44

HEX #76668F

RGB 118 102 143

HSL 263.41, 0.17%, 0.48%

LAB 46.09, 15.06, -20.19

 

CMYK 17 / 26 / 0 / 36

HEX #8778A2

RGB 135 120 162

HSL 261.43, 0.18%, 0.55%

LAB 53.16, 14.51, -20.39

 

CMYK 16 / 24 / 0 / 29

HEX #988AB5

RGB 152 138 181

HSL 259.53, 0.23%, 0.63%

LAB 60.06, 14.02, -20.61

 

CMYK 16 / 22 / 0 / 22

HEX #A99CC8

RGB 169 156 200

HSL 257.73, 0.29%, 0.7%

LAB 66.81, 13.57, -20.85

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 28 / 40 / 0 / 57

HEX #4F426E

RGB 79 66 110

HSL 257.73, 0.25%, 0.35%

LAB 31.08, 16.08, -23.53

 

CMYK 32 / 47 / 0 / 64

HEX #3E305B

RGB 62 48 91

HSL 259.53, 0.31%, 0.27%

LAB 23.32, 17.03, -23.61

 

CMYK 38 / 58 / 0 / 72

HEX #2D1E48

RGB 45 30 72

HSL 261.43, 0.41%, 0.2%

LAB 15.25, 18.19, -23.75

 

CMYK 47 / 77 / 0 / 79

HEX #1C0C35

RGB 28 12 53

HSL 263.41, 0.63%, 0.13%

LAB 6.93, 19.29, -23.76

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 16 / 35 / 0 / 49

HEX #6C5481

RGB 108 84 129

HSL 272, 0.21%, 0.42%

LAB 39.77, 19.3, -21.58

 

CMYK 7 / 35 / 0 / 49

HEX #785481

RGB 120 84 129

HSL 288, 0.21%, 0.42%

LAB 41.09, 23.41, -19.44

 

CMYK 0 / 35 / 2 / 49

HEX #81547E

RGB 129 84 126

HSL 304, 0.21%, 0.42%

LAB 42.02, 25.92, -16.08

 

CMYK 0 / 35 / 12 / 49

HEX #815472

RGB 129 84 114

HSL 320, 0.21%, 0.42%

LAB 41.57, 23.62, -9.43

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 35 / 35 / 0 / 49

HEX #545481

RGB 84 84 129

HSL 240, 0.21%, 0.42%

LAB 37.5, 11.49, -25.28

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 40 / 54 / 0 / 43

HEX #584392

RGB 88 67 146

HSL 255.95, 0.37%, 0.42%

LAB 34.32, 28.37, -40.69

 

CMYK 51 / 70 / 0 / 36

HEX #5031A4

RGB 80 49 164

HSL 256.17, 0.54%, 0.42%

LAB 30.84, 42.57, -57.3

 

CMYK 60 / 82 / 0 / 29

HEX #4820B5

RGB 72 32 181

HSL 256.11, 0.7%, 0.42%

LAB 28.76, 54.56, -70.93

 

CMYK 68 / 92 / 0 / 22

HEX #400FC6

RGB 64 15 198

HSL 256.07, 0.86%, 0.42%

LAB 28.14, 63.87, -82.05

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 7 / 10 / 0 / 56

HEX #686570

RGB 104 101 112

HSL 256.36, 0.05%, 0.42%

LAB 43.39, 3.51, -5.76

 

CMYK 6 / 0 / 21 / 53

HEX #70775E

RGB 112 119 94

HSL 76.8, 0.12%, 0.42%

LAB 48.82, -7.4, 12.89

 

CMYK 12 / 0 / 43 / 47

HEX #78884D

RGB 120 136 77

HSL 76.27, 0.28%, 0.42%

LAB 54.17, -15.92, 29.71

 

CMYK 16 / 0 / 61 / 40

HEX #80993C

RGB 128 153 60

HSL 76.13, 0.44%, 0.42%

LAB 59.61, -23.13, 44.86

 

CMYK 35 / 26 / 0 / 49

HEX #546081

RGB 84 96 129

HSL 224, 0.21%, 0.42%

LAB 40.95, 3.95, -19.93

 

CMYK 35 / 35 / 0 / 49

HEX #545481

RGB 84 84 129

HSL 240, 0.21%, 0.42%

LAB 37.5, 11.49, -25.28

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 16 / 35 / 0 / 49

HEX #6C5481

RGB 108 84 129

HSL 272, 0.21%, 0.42%

LAB 39.77, 19.3, -21.58

 

CMYK 7 / 35 / 0 / 49

HEX #785481

RGB 120 84 129

HSL 288, 0.21%, 0.42%

LAB 41.09, 23.41, -19.44

 

CMYK 25 / 34 / 0 / 69

HEX #3B344F

RGB 59 52 79

HSL 255.56, 0.21%, 0.26%

LAB 23.51, 9.83, -15.39

 

CMYK 26 / 35 / 0 / 59

HEX #4D4468

RGB 77 68 104

HSL 255, 0.21%, 0.34%

LAB 31.14, 12.46, -19.64

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 25 / 34 / 0 / 40

HEX #73659A

RGB 115 101 154

HSL 255.85, 0.21%, 0.5%

LAB 46.02, 17.42, -26.86

 

CMYK 19 / 26 / 0 / 33

HEX #897DAA

RGB 137 125 170

HSL 256, 0.21%, 0.58%

LAB 54.96, 14.11, -22.24

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 0 / 35 / 16 / 49

HEX #81546C

RGB 129 84 108

HSL 328, 0.21%, 0.42%

LAB 41.36, 22.54, -6.06

 

CMYK 30 / 0 / 35 / 49

HEX #5A8154

RGB 90 129 84

HSL 112, 0.21%, 0.42%

LAB 50.11, -23.03, 20.17

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 0 / 26 / 35 / 49

HEX #816054

RGB 129 96 84

HSL 16, 0.21%, 0.42%

LAB 43.76, 11.63, 12.07

 

CMYK 35 / 0 / 26 / 49

HEX #548160

RGB 84 129 96

HSL 136, 0.21%, 0.42%

LAB 50.01, -22.91, 13.1

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 0 / 35 / 16 / 49

HEX #81546C

RGB 129 84 108

HSL 328, 0.21%, 0.42%

LAB 41.36, 22.54, -6.06

 

CMYK 9 / 0 / 35 / 49

HEX #758154

RGB 117 129 84

HSL 76, 0.21%, 0.42%

LAB 51.98, -12.47, 22.97

 

CMYK 35 / 0 / 19 / 49

HEX #548169

RGB 84 129 105

HSL 148, 0.21%, 0.42%

LAB 50.22, -21.03, 8.17

 

CMYK 26 / 35 / 0 / 49

HEX #605481

RGB 96 84 129

HSL 256, 0.21%, 0.42%

LAB 38.57, 15.3, -23.53

 

CMYK 0 / 35 / 26 / 49

HEX #81545F

RGB 129 84 95

HSL 345.33, 0.21%, 0.42%

LAB 40.95, 20.39, 1.36

 

CMYK 9 / 0 / 35 / 49

HEX #758154

RGB 117 129 84

HSL 76, 0.21%, 0.42%

LAB 51.98, -12.47, 22.97

 

CMYK 35 / 0 / 8 / 49

HEX #548177

RGB 84 129 119

HSL 166.67, 0.21%, 0.42%

LAB 50.59, -17.81, 0.51

 

Description

Color code: HEX #605481 | qconv.com Color code: HEX #605481 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 84 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 84 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 35 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 35% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

87% - Element AI
Link: http://www.elementai.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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