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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60504C it is the complementary color #9FAFB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60504C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60504C shade: #655047, #76625A, #87746D, #988680 and #A99893

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60504C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60504C shade: #60504C, #4F3E39, #3E2C26, #2D1A13 and #1C0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60504C shade: #61504C and #614C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60504C shade: #61504C, #61564C, #615B4C, #60614C and #5B614C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60504C shade matches the following richer shades: #61504C, #6F483E, #7D3F30, #8B3722 and #992E14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60504C shade: #61504C, #53585A, #456168, #376976 and #287284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60504C shade: #614C53, #614C4D, #61504C, #61564C and #615B4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60504C shade: #322A27, #493D3A, #61504C, #78635E and #8F7670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60504C shade: #60504C, #58614C and #4C5061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60504C shade: #60504C, #4C6150 and #504C61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60504C shade: #60504C, #58614C, #4C5C61 and #544C61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60504C shade: #60504C, #52614C, #4C5C61 and #5A4C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

Complementary color

CMYK 11 / 2 / 0 / 30

HEX #9FAFB3

RGB 159 175 179

HSL 192, 0.12%, 0.66%

LAB 70.38, -4.73, -3.95

 

CMYK 0 / 21 / 30 / 60

HEX #655047

RGB 101 80 71

HSL 18, 0.17%, 0.34%

LAB 35.91, 7.27, 8.63

 

CMYK 0 / 17 / 24 / 54

HEX #76625A

RGB 118 98 90

HSL 17.14, 0.13%, 0.41%

LAB 43.25, 6.67, 7.55

 

CMYK 0 / 14 / 19 / 47

HEX #87746D

RGB 135 116 109

HSL 16.15, 0.11%, 0.48%

LAB 50.39, 6.18, 6.59

 

CMYK 0 / 12 / 16 / 40

HEX #988680

RGB 152 134 128

HSL 15, 0.1%, 0.55%

LAB 57.35, 5.76, 5.71

 

CMYK 0 / 10 / 13 / 34

HEX #A99893

RGB 169 152 147

HSL 13.64, 0.11%, 0.62%

LAB 64.16, 5.4, 4.9

 

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

CMYK 0 / 22 / 28 / 69

HEX #4F3E39

RGB 79 62 57

HSL 13.64, 0.16%, 0.27%

LAB 27.85, 6.52, 5.88

 

CMYK 0 / 29 / 39 / 76

HEX #3E2C26

RGB 62 44 38

HSL 15, 0.24%, 0.2%

LAB 19.9, 7.31, 7.14

 

CMYK 0 / 42 / 58 / 82

HEX #2D1A13

RGB 45 26 19

HSL 16.15, 0.41%, 0.13%

LAB 11.58, 8.44, 8.62

 

CMYK 0 / 71 / 100 / 89

HEX #1C0800

RGB 28 8 0

HSL 17.14, 1%, 0.05%

LAB 3.8, 6.8, 5.81

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 0 / 22 / 22 / 62

HEX #614C4C

RGB 97 76 76

HSL 0, 0.12%, 0.34%

LAB 34.46, 8.85, 3.37

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 0 / 11 / 22 / 62

HEX #61564C

RGB 97 86 76

HSL 28.57, 0.12%, 0.34%

LAB 37.33, 2.66, 7.46

 

CMYK 0 / 6 / 22 / 62

HEX #615B4C

RGB 97 91 76

HSL 42.86, 0.12%, 0.34%

LAB 38.8, -0.38, 9.53

 

CMYK 1 / 0 / 22 / 62

HEX #60614C

RGB 96 97 76

HSL 62.86, 0.12%, 0.34%

LAB 40.5, -4.38, 11.88

 

CMYK 6 / 0 / 22 / 62

HEX #5B614C

RGB 91 97 76

HSL 77.14, 0.12%, 0.34%

LAB 40.07, -6.49, 11.21

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 0 / 35 / 44 / 56

HEX #6F483E

RGB 111 72 62

HSL 12.24, 0.28%, 0.34%

LAB 34.73, 15.35, 12.83

 

CMYK 0 / 50 / 62 / 51

HEX #7D3F30

RGB 125 63 48

HSL 11.69, 0.45%, 0.34%

LAB 34.25, 25.35, 21.29

 

CMYK 0 / 60 / 76 / 45

HEX #8B3722

RGB 139 55 34

HSL 12, 0.61%, 0.34%

LAB 34.67, 34.5, 30.72

 

CMYK 0 / 70 / 87 / 40

HEX #992E14

RGB 153 46 20

HSL 11.73, 0.77%, 0.34%

LAB 35.55, 43.36, 39.84

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 8 / 2 / 0 / 65

HEX #53585A

RGB 83 88 90

HSL 197.14, 0.04%, 0.34%

LAB 37.03, -1.53, -1.85

 

CMYK 34 / 7 / 0 / 59

HEX #456168

RGB 69 97 104

HSL 192, 0.2%, 0.34%

LAB 39.27, -8.41, -7.31

 

CMYK 53 / 11 / 0 / 54

HEX #376976

RGB 55 105 118

HSL 192.38, 0.36%, 0.34%

LAB 41.57, -12.91, -12.46

 

CMYK 70 / 14 / 0 / 48

HEX #287284

RGB 40 114 132

HSL 191.74, 0.53%, 0.34%

LAB 44.45, -16.47, -16.55

 

CMYK 0 / 22 / 14 / 62

HEX #614C53

RGB 97 76 83

HSL 340, 0.12%, 0.34%

LAB 34.67, 10.12, -0.76

 

CMYK 0 / 22 / 21 / 62

HEX #614C4D

RGB 97 76 77

HSL 357.14, 0.12%, 0.34%

LAB 34.49, 9.03, 2.78

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 0 / 11 / 22 / 62

HEX #61564C

RGB 97 86 76

HSL 28.57, 0.12%, 0.34%

LAB 37.33, 2.66, 7.46

 

CMYK 0 / 6 / 22 / 62

HEX #615B4C

RGB 97 91 76

HSL 42.86, 0.12%, 0.34%

LAB 38.8, -0.38, 9.53

 

CMYK 0 / 16 / 22 / 80

HEX #322A27

RGB 50 42 39

HSL 16.36, 0.12%, 0.17%

LAB 17.83, 3.07, 3.32

 

CMYK 0 / 16 / 21 / 71

HEX #493D3A

RGB 73 61 58

HSL 12, 0.11%, 0.26%

LAB 26.9, 4.64, 3.78

 

CMYK 0 / 18 / 22 / 62

HEX #61504C

RGB 97 80 76

HSL 11.43, 0.12%, 0.34%

LAB 35.6, 6.36, 5

 

CMYK 0 / 18 / 22 / 53

HEX #78635E

RGB 120 99 94

HSL 11.54, 0.12%, 0.42%

LAB 43.84, 7.57, 5.99

 

CMYK 0 / 17 / 22 / 44

HEX #8F7670

RGB 143 118 112

HSL 11.61, 0.12%, 0.5%

LAB 51.8, 8.74, 6.95

 

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

CMYK 9 / 0 / 22 / 62

HEX #58614C

RGB 88 97 76

HSL 85.71, 0.12%, 0.34%

LAB 39.83, -7.74, 10.83

 

CMYK 22 / 18 / 0 / 62

HEX #4C5061

RGB 76 80 97

HSL 228.57, 0.12%, 0.34%

LAB 34.27, 2.52, -10.43

 

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

CMYK 22 / 0 / 18 / 62

HEX #4C6150

RGB 76 97 80

HSL 131.43, 0.12%, 0.34%

LAB 39.01, -11.75, 7.12

 

CMYK 18 / 22 / 0 / 62

HEX #504C61

RGB 80 76 97

HSL 251.43, 0.12%, 0.34%

LAB 33.43, 6.52, -11.66

 

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

CMYK 9 / 0 / 22 / 62

HEX #58614C

RGB 88 97 76

HSL 85.71, 0.12%, 0.34%

LAB 39.83, -7.74, 10.83

 

CMYK 22 / 5 / 0 / 62

HEX #4C5C61

RGB 76 92 97

HSL 194.29, 0.12%, 0.34%

LAB 37.94, -4.89, -4.92

 

CMYK 13 / 22 / 0 / 62

HEX #544C61

RGB 84 76 97

HSL 262.86, 0.12%, 0.34%

LAB 33.81, 8.01, -11.05

 

CMYK 0 / 17 / 21 / 62

HEX #60504C

RGB 96 80 76

HSL 12, 0.12%, 0.34%

LAB 35.49, 5.93, 4.83

 

CMYK 15 / 0 / 22 / 62

HEX #52614C

RGB 82 97 76

HSL 102.86, 0.12%, 0.34%

LAB 39.35, -10.19, 10.1

 

CMYK 22 / 5 / 0 / 62

HEX #4C5C61

RGB 76 92 97

HSL 194.29, 0.12%, 0.34%

LAB 37.94, -4.89, -4.92

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

Description

Color code: HEX #60504C | qconv.com Color code: HEX #60504C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 80 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 80 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 21 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 21% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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