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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #605C89 it is the complementary color #9FA376. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #605C89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #605C89 shade: #655C84, #766E97, #8780AA, #9892BD and #A9A4D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #605C89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #605C89 shade: #605C89, #4F4A76, #3E3863, #2D2650 and #1C143D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #605C89 shade: #5F5B89, #6C5B89, #785B89, #855B89 and #895B82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #605C89 shade: #5F5B89 and #5B5B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #605C89 shade matches the following richer shades: #5F5B89, #50499C, #4136AE, #3224C1 and #2211D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #605C89 shade: #5F5B89, #6F6E77, #7E8064, #8D9352 and #9CA63F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #605C89 shade: #5B7089, #5B6489, #5F5B89, #6B5B89 and #785B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #605C89 shade: #3D3A58, #4E4B70, #5F5B89, #736F9F and #8B88AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #605C89 shade: #605C89, #895B7C and #6A895B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #605C89 shade: #605C89, #895F5B and #5B895F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #605C89 shade: #605C89, #895B7C, #85895B and #5B8968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #605C89 shade: #605C89, #895B6E, #85895B and #5B8976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

Complementary color

CMYK 2 / 0 / 28 / 36

HEX #9FA376

RGB 159 163 118

HSL 65.33, 0.2%, 0.55%

LAB 65.65, -9.01, 22.97

 

CMYK 23 / 30 / 0 / 48

HEX #655C84

RGB 101 92 132

HSL 253.5, 0.18%, 0.44%

LAB 41.35, 12.75, -21.01

 

CMYK 22 / 27 / 0 / 41

HEX #766E97

RGB 118 110 151

HSL 251.71, 0.16%, 0.51%

LAB 48.56, 12.19, -21.14

 

CMYK 21 / 25 / 0 / 33

HEX #8780AA

RGB 135 128 170

HSL 250, 0.2%, 0.58%

LAB 55.58, 11.7, -21.31

 

CMYK 20 / 23 / 0 / 26

HEX #9892BD

RGB 152 146 189

HSL 248.37, 0.25%, 0.66%

LAB 62.43, 11.27, -21.51

 

CMYK 19 / 21 / 0 / 18

HEX #A9A4D0

RGB 169 164 208

HSL 246.82, 0.32%, 0.73%

LAB 69.14, 10.88, -21.73

 

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

CMYK 33 / 37 / 0 / 54

HEX #4F4A76

RGB 79 74 118

HSL 246.82, 0.23%, 0.38%

LAB 33.71, 13.17, -24.44

 

CMYK 37 / 43 / 0 / 61

HEX #3E3863

RGB 62 56 99

HSL 248.37, 0.28%, 0.3%

LAB 26.02, 14.05, -24.56

 

CMYK 44 / 53 / 0 / 69

HEX #2D2650

RGB 45 38 80

HSL 250, 0.36%, 0.23%

LAB 18.02, 15.19, -24.78

 

CMYK 54 / 67 / 0 / 76

HEX #1C143D

RGB 28 20 61

HSL 251.71, 0.51%, 0.16%

LAB 9.67, 16.71, -25.09

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 21 / 34 / 0 / 46

HEX #6C5B89

RGB 108 91 137

HSL 262.17, 0.2%, 0.45%

LAB 41.96, 16.96, -23.04

 

CMYK 12 / 34 / 0 / 46

HEX #785B89

RGB 120 91 137

HSL 277.83, 0.2%, 0.45%

LAB 43.18, 20.99, -21.06

 

CMYK 3 / 34 / 0 / 46

HEX #855B89

RGB 133 91 137

HSL 294.78, 0.2%, 0.45%

LAB 44.62, 25.44, -18.72

 

CMYK 0 / 34 / 5 / 46

HEX #895B82

RGB 137 91 130

HSL 309.13, 0.2%, 0.45%

LAB 44.82, 25.44, -14.16

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 34 / 34 / 0 / 46

HEX #5B5B89

RGB 91 91 137

HSL 240, 0.2%, 0.45%

LAB 40.43, 11.51, -25.54

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 49 / 53 / 0 / 39

HEX #50499C

RGB 80 73 156

HSL 245.06, 0.36%, 0.45%

LAB 35.73, 25.67, -44.53

 

CMYK 63 / 69 / 0 / 32

HEX #4136AE

RGB 65 54 174

HSL 245.5, 0.53%, 0.45%

LAB 31.39, 40.42, -62.45

 

CMYK 74 / 81 / 0 / 24

HEX #3224C1

RGB 50 36 193

HSL 245.35, 0.69%, 0.45%

LAB 28.88, 54.38, -77.91

 

CMYK 84 / 92 / 0 / 17

HEX #2211D3

RGB 34 17 211

HSL 245.26, 0.85%, 0.45%

LAB 27.96, 65.57, -89.98

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 7 / 8 / 0 / 53

HEX #6F6E77

RGB 111 110 119

HSL 246.67, 0.04%, 0.45%

LAB 46.79, 2.28, -4.85

 

CMYK 2 / 0 / 22 / 50

HEX #7E8064

RGB 126 128 100

HSL 64.29, 0.12%, 0.45%

LAB 52.72, -5.81, 14.99

 

CMYK 4 / 0 / 44 / 42

HEX #8D9352

RGB 141 147 82

HSL 65.54, 0.28%, 0.45%

LAB 59.1, -12.41, 33.57

 

CMYK 6 / 0 / 62 / 35

HEX #9CA63F

RGB 156 166 63

HSL 65.83, 0.45%, 0.45%

LAB 65.51, -17.7, 50.57

 

CMYK 34 / 18 / 0 / 46

HEX #5B7089

RGB 91 112 137

HSL 212.61, 0.2%, 0.45%

LAB 46.47, -1.34, -16.23

 

CMYK 34 / 27 / 0 / 46

HEX #5B6489

RGB 91 100 137

HSL 228.26, 0.2%, 0.45%

LAB 42.98, 5.92, -21.59

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 22 / 34 / 0 / 46

HEX #6B5B89

RGB 107 91 137

HSL 260.87, 0.2%, 0.45%

LAB 41.87, 16.63, -23.2

 

CMYK 12 / 34 / 0 / 46

HEX #785B89

RGB 120 91 137

HSL 277.83, 0.2%, 0.45%

LAB 43.18, 20.99, -21.06

 

CMYK 31 / 34 / 0 / 65

HEX #3D3A58

RGB 61 58 88

HSL 246, 0.21%, 0.29%

LAB 25.93, 9.07, -17.55

 

CMYK 30 / 33 / 0 / 56

HEX #4E4B70

RGB 78 75 112

HSL 244.86, 0.2%, 0.37%

LAB 33.61, 10.49, -20.85

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 28 / 30 / 0 / 38

HEX #736F9F

RGB 115 111 159

HSL 245, 0.2%, 0.53%

LAB 48.9, 12.66, -25.33

 

CMYK 21 / 22 / 0 / 31

HEX #8B88AF

RGB 139 136 175

HSL 244.62, 0.2%, 0.61%

LAB 58.22, 9.54, -20.1

 

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

CMYK 0 / 34 / 9 / 46

HEX #895B7C

RGB 137 91 124

HSL 316.96, 0.2%, 0.45%

LAB 44.6, 24.31, -10.87

 

CMYK 23 / 0 / 34 / 46

HEX #6A895B

RGB 106 137 91

HSL 100.43, 0.2%, 0.45%

LAB 53.72, -20.03, 21.21

 

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

CMYK 0 / 31 / 34 / 46

HEX #895F5B

RGB 137 95 91

HSL 5.22, 0.2%, 0.45%

LAB 44.6, 16.56, 9.16

 

CMYK 34 / 0 / 31 / 46

HEX #5B895F

RGB 91 137 95

HSL 125.22, 0.2%, 0.45%

LAB 52.89, -24.78, 17.68

 

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

CMYK 0 / 34 / 9 / 46

HEX #895B7C

RGB 137 91 124

HSL 316.96, 0.2%, 0.45%

LAB 44.6, 24.31, -10.87

 

CMYK 3 / 0 / 34 / 46

HEX #85895B

RGB 133 137 91

HSL 65.22, 0.2%, 0.45%

LAB 55.72, -9.25, 24.22

 

CMYK 34 / 0 / 24 / 46

HEX #5B8968

RGB 91 137 104

HSL 136.96, 0.2%, 0.45%

LAB 53.08, -23.05, 12.81

 

CMYK 30 / 33 / 0 / 46

HEX #605C89

RGB 96 92 137

HSL 245.33, 0.2%, 0.45%

LAB 41.13, 12.45, -24.42

 

CMYK 0 / 34 / 20 / 46

HEX #895B6E

RGB 137 91 110

HSL 335.22, 0.2%, 0.45%

LAB 44.13, 21.84, -3.07

 

CMYK 3 / 0 / 34 / 46

HEX #85895B

RGB 133 137 91

HSL 65.22, 0.2%, 0.45%

LAB 55.72, -9.25, 24.22

 

CMYK 34 / 0 / 14 / 46

HEX #5B8976

RGB 91 137 118

HSL 155.22, 0.2%, 0.45%

LAB 53.41, -20.09, 5.22

 

Description

Color code: HEX #605C89 | qconv.com Color code: HEX #605C89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 92 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 92 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 33 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 33% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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