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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #605EE3 it is the complementary color #9FA11C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #605EE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #605EE3 shade: #655EDE, #7670F1, #8782FF, #9894FF and #A9A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #605EE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #605EE3 shade: #605EE3, #4F4CD0, #3E3ABD, #2D28AA and #1C1697

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #605EE3 shade: #605EE2, #845EE2, #A75EE2, #CB5EE2 and #E25ED6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #605EE3 shade: #605EE2 and #5E5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #605EE3 shade matches the following richer shades: #605EE2 and #514FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #605EE3 shade: #605EE2, #6F6DD3, #7E7DC4, #8D8CB4 and #9B9BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #605EE3 shade: #5EA5E2, #5E81E2, #5E5EE2, #815EE2 and #A55EE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #605EE3 shade: #2623CA, #3D3BDC, #605EE2, #8381E8 and #A5A4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #605EE3 shade: #605EE3, #E25EC8 and #93E25E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #605EE3 shade: #605EE3, #E25E5E and #5EE25E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #605EE3 shade: #605EE3, #E25EC8, #E2E25E and #5EE279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #605EE3 shade: #605EE3, #E25EA0, #E2E25E and #5EE2A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

Complementary color

CMYK 1 / 0 / 83 / 37

HEX #9FA11C

RGB 159 161 28

HSL 60.9, 0.7%, 0.37%

LAB 64.12, -15.62, 61.93

 

CMYK 55 / 58 / 0 / 13

HEX #655EDE

RGB 101 94 222

HSL 243.28, 0.66%, 0.62%

LAB 47.03, 37.85, -64.76

 

CMYK 51 / 54 / 0 / 5

HEX #7670F1

RGB 118 112 241

HSL 242.79, 0.82%, 0.69%

LAB 53.8, 36.28, -64.44

 

CMYK 47 / 49 / 0 / 0

HEX #8782FF

RGB 135 130 255

HSL 242.4, 1%, 0.75%

LAB 60.19, 33.43, -61.85

 

CMYK 40 / 42 / 0 / 0

HEX #9894FF

RGB 152 148 255

HSL 242.24, 1%, 0.79%

LAB 65.81, 26.97, -52.83

 

CMYK 34 / 35 / 0 / 0

HEX #A9A6FF

RGB 169 166 255

HSL 242.02, 1%, 0.83%

LAB 71.51, 21.13, -43.77

 

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

CMYK 62 / 63 / 0 / 18

HEX #4F4CD0

RGB 79 76 208

HSL 241.36, 0.58%, 0.56%

LAB 40.22, 40.45, -67.91

 

CMYK 67 / 69 / 0 / 26

HEX #3E3ABD

RGB 62 58 189

HSL 241.83, 0.53%, 0.48%

LAB 33.4, 42.58, -68.05

 

CMYK 74 / 76 / 0 / 33

HEX #2D28AA

RGB 45 40 170

HSL 242.31, 0.62%, 0.41%

LAB 26.67, 44.78, -67.87

 

CMYK 81 / 85 / 0 / 41

HEX #1C1697

RGB 28 22 151

HSL 242.79, 0.75%, 0.34%

LAB 20.26, 46.6, -66.94

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 42 / 58 / 0 / 11

HEX #845EE2

RGB 132 94 226

HSL 257.27, 0.69%, 0.63%

LAB 49.98, 45.28, -62.14

 

CMYK 26 / 58 / 0 / 11

HEX #A75EE2

RGB 167 94 226

HSL 273.18, 0.69%, 0.63%

LAB 53.72, 53.25, -55.93

 

CMYK 10 / 58 / 0 / 11

HEX #CB5EE2

RGB 203 94 226

HSL 289.55, 0.69%, 0.63%

LAB 58.22, 62.01, -48.49

 

CMYK 0 / 58 / 5 / 11

HEX #E25ED6

RGB 226 94 214

HSL 305.45, 0.69%, 0.63%

LAB 60.81, 65.73, -37.45

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 66 / 67 / 0 / 5

HEX #514FF1

RGB 81 79 241

HSL 240.74, 0.85%, 0.63%

LAB 43.79, 49.6, -80.85

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 47 / 48 / 0 / 17

HEX #6F6DD3

RGB 111 109 211

HSL 241.18, 0.54%, 0.63%

LAB 50.71, 27.52, -52.56

 

CMYK 36 / 36 / 0 / 23

HEX #7E7DC4

RGB 126 125 196

HSL 240.85, 0.38%, 0.63%

LAB 55.16, 17.43, -36.89

 

CMYK 22 / 22 / 0 / 29

HEX #8D8CB4

RGB 141 140 180

HSL 241.5, 0.21%, 0.63%

LAB 59.63, 9.07, -20.78

 

CMYK 6 / 6 / 0 / 35

HEX #9B9BA5

RGB 155 155 165

HSL 240, 0.05%, 0.63%

LAB 64.26, 1.98, -5.21

 

CMYK 58 / 27 / 0 / 11

HEX #5EA5E2

RGB 94 165 226

HSL 207.73, 0.69%, 0.63%

LAB 65.58, -4.52, -37.53

 

CMYK 58 / 43 / 0 / 11

HEX #5E81E2

RGB 94 129 226

HSL 224.09, 0.69%, 0.63%

LAB 55.66, 16.52, -53.18

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 43 / 58 / 0 / 11

HEX #815EE2

RGB 129 94 226

HSL 255.91, 0.69%, 0.63%

LAB 49.69, 44.64, -62.61

 

CMYK 27 / 58 / 0 / 11

HEX #A55EE2

RGB 165 94 226

HSL 272.27, 0.69%, 0.63%

LAB 53.49, 52.78, -56.31

 

CMYK 81 / 83 / 0 / 21

HEX #2623CA

RGB 38 35 202

HSL 241.08, 0.7%, 0.46%

LAB 29.1, 56.85, -82.83

 

CMYK 72 / 73 / 0 / 14

HEX #3D3BDC

RGB 61 59 220

HSL 240.75, 0.7%, 0.55%

LAB 36.53, 51.97, -80.92

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 44 / 44 / 0 / 9

HEX #8381E8

RGB 131 129 232

HSL 241.17, 0.69%, 0.71%

LAB 58.37, 26.46, -52.06

 

CMYK 31 / 31 / 0 / 6

HEX #A5A4EF

RGB 165 164 239

HSL 240.8, 0.7%, 0.79%

LAB 70.02, 17.09, -37.41

 

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

CMYK 0 / 58 / 12 / 11

HEX #E25EC8

RGB 226 94 200

HSL 311.82, 0.69%, 0.63%

LAB 60.2, 63.53, -30.47

 

CMYK 35 / 0 / 58 / 11

HEX #93E25E

RGB 147 226 94

HSL 95.91, 0.69%, 0.63%

LAB 82.6, -46.42, 55.8

 

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 58 / 0 / 58 / 11

HEX #5EE25E

RGB 94 226 94

HSL 120, 0.69%, 0.63%

LAB 80.51, -61.62, 52.85

 

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

CMYK 0 / 58 / 12 / 11

HEX #E25EC8

RGB 226 94 200

HSL 311.82, 0.69%, 0.63%

LAB 60.2, 63.53, -30.47

 

CMYK 0 / 0 / 58 / 11

HEX #E2E25E

RGB 226 226 94

HSL 60, 0.69%, 0.63%

LAB 87.66, -16.53, 62.86

 

CMYK 58 / 0 / 46 / 11

HEX #5EE279

RGB 94 226 121

HSL 132.27, 0.69%, 0.63%

LAB 80.82, -58.06, 40.58

 

CMYK 58 / 59 / 0 / 11

HEX #605EE3

RGB 96 94 227

HSL 240.9, 0.7%, 0.63%

LAB 47.02, 38.52, -67.63

 

CMYK 0 / 58 / 29 / 11

HEX #E25EA0

RGB 226 94 160

HSL 330, 0.69%, 0.63%

LAB 58.71, 57.95, -9.77

 

CMYK 0 / 0 / 58 / 11

HEX #E2E25E

RGB 226 226 94

HSL 60, 0.69%, 0.63%

LAB 87.66, -16.53, 62.86

 

CMYK 58 / 0 / 29 / 11

HEX #5EE2A0

RGB 94 226 160

HSL 150, 0.69%, 0.63%

LAB 81.46, -51.24, 21.65

 

Description

Color code: HEX #605EE3 | qconv.com Color code: HEX #605EE3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 94 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 94 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 59 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 59% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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