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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607419 it is the complementary color #9F8BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607419 shade: #657414, #768627, #87983A, #98AA4D and #A9BC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607419 shade: #607419, #4F6206, #3E5000, #2D3E00 and #1C2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607419 shade: #617518, #757118, #755818, #753F18 and #752618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607419 shade: #617518, #487518, #2F7518, #18751B and #187534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607419 shade matches the following richer shades: #617518, #67810D and #6E8C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607419 shade: #617518, #5A6A24, #545E30, #4D533B and #474747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607419 shade: #755818, #757118, #617518, #487518 and #307518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607419 shade: #29310A, #455311, #617518, #7D9720 and #99B927

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607419 shade: #607419, #18753F and #641875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607419 shade: #607419, #186175 and #751861

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607419 shade: #607419, #18753F, #2D1875 and #75184F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607419 shade: #607419, #18755B, #2D1875 and #751833

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

Complementary color

CMYK 31 / 40 / 0 / 10

HEX #9F8BE6

RGB 159 139 230

HSL 253.19, 0.65%, 0.72%

LAB 62.97, 27.36, -43.53

 

CMYK 13 / 0 / 83 / 55

HEX #657414

RGB 101 116 20

HSL 69.38, 0.71%, 0.27%

LAB 46.05, -18.47, 46.6

 

CMYK 12 / 0 / 71 / 47

HEX #768627

RGB 118 134 39

HSL 70.11, 0.55%, 0.34%

LAB 53, -19.28, 46.78

 

CMYK 11 / 0 / 62 / 40

HEX #87983A

RGB 135 152 58

HSL 70.85, 0.45%, 0.41%

LAB 59.81, -19.85, 46.14

 

CMYK 11 / 0 / 55 / 33

HEX #98AA4D

RGB 152 170 77

HSL 71.61, 0.38%, 0.48%

LAB 66.49, -20.26, 45.15

 

CMYK 10 / 0 / 49 / 26

HEX #A9BC60

RGB 169 188 96

HSL 72.39, 0.41%, 0.56%

LAB 73.05, -20.56, 44.02

 

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

CMYK 19 / 0 / 94 / 62

HEX #4F6206

RGB 79 98 6

HSL 72.39, 0.88%, 0.2%

LAB 38.57, -19.57, 43.33

 

CMYK 23 / 0 / 100 / 69

HEX #3E5000

RGB 62 80 0

HSL 73.5, 1%, 0.16%

LAB 31.26, -18.17, 38.92

 

CMYK 27 / 0 / 100 / 76

HEX #2D3E00

RGB 45 62 0

HSL 76.45, 1%, 0.12%

LAB 23.68, -16.53, 31.89

 

CMYK 36 / 0 / 100 / 83

HEX #1C2C00

RGB 28 44 0

HSL 81.82, 1%, 0.09%

LAB 15.74, -14.84, 22.52

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 0 / 3 / 79 / 54

HEX #757118

RGB 117 113 24

HSL 57.42, 0.66%, 0.28%

LAB 46.52, -9.22, 46.21

 

CMYK 0 / 25 / 79 / 54

HEX #755818

RGB 117 88 24

HSL 41.29, 0.66%, 0.28%

LAB 39.29, 5.28, 39.45

 

CMYK 0 / 46 / 79 / 54

HEX #753F18

RGB 117 63 24

HSL 25.16, 0.66%, 0.28%

LAB 32.71, 20.28, 32.99

 

CMYK 0 / 68 / 79 / 54

HEX #752618

RGB 117 38 24

HSL 9.03, 0.66%, 0.28%

LAB 27.39, 33.85, 27.49

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 38 / 0 / 79 / 54

HEX #487518

RGB 72 117 24

HSL 89.03, 0.66%, 0.28%

LAB 44.47, -31.09, 43.1

 

CMYK 60 / 0 / 79 / 54

HEX #2F7518

RGB 47 117 24

HSL 105.16, 0.66%, 0.28%

LAB 43.35, -39.48, 41.63

 

CMYK 79 / 0 / 77 / 54

HEX #18751B

RGB 24 117 27

HSL 121.94, 0.66%, 0.28%

LAB 42.76, -44.32, 39.72

 

CMYK 79 / 0 / 56 / 54

HEX #187534

RGB 24 117 52

HSL 138.06, 0.66%, 0.28%

LAB 43.01, -41.26, 28.25

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 20 / 0 / 90 / 49

HEX #67810D

RGB 103 129 13

HSL 73.45, 0.82%, 0.28%

LAB 50.23, -24.5, 52.08

 

CMYK 21 / 0 / 99 / 45

HEX #6E8C01

RGB 110 140 1

HSL 72.95, 0.99%, 0.28%

LAB 54.1, -27.17, 57.55

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 15 / 0 / 66 / 58

HEX #5A6A24

RGB 90 106 36

HSL 73.71, 0.49%, 0.28%

LAB 42.17, -17.16, 36.14

 

CMYK 11 / 0 / 49 / 63

HEX #545E30

RGB 84 94 48

HSL 73.04, 0.32%, 0.28%

LAB 38.03, -12.01, 24.97

 

CMYK 7 / 0 / 29 / 67

HEX #4D533B

RGB 77 83 59

HSL 75, 0.17%, 0.28%

LAB 34.15, -7.14, 13.3

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 0 / 25 / 79 / 54

HEX #755818

RGB 117 88 24

HSL 41.29, 0.66%, 0.28%

LAB 39.29, 5.28, 39.45

 

CMYK 0 / 3 / 79 / 54

HEX #757118

RGB 117 113 24

HSL 57.42, 0.66%, 0.28%

LAB 46.52, -9.22, 46.21

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 38 / 0 / 79 / 54

HEX #487518

RGB 72 117 24

HSL 89.03, 0.66%, 0.28%

LAB 44.47, -31.09, 43.1

 

CMYK 59 / 0 / 79 / 54

HEX #307518

RGB 48 117 24

HSL 104.52, 0.66%, 0.28%

LAB 43.38, -39.2, 41.68

 

CMYK 16 / 0 / 80 / 81

HEX #29310A

RGB 41 49 10

HSL 72.31, 0.66%, 0.12%

LAB 18.76, -10.24, 22.36

 

CMYK 17 / 0 / 80 / 67

HEX #455311

RGB 69 83 17

HSL 72.73, 0.66%, 0.2%

LAB 32.9, -15.66, 34.54

 

CMYK 17 / 0 / 79 / 54

HEX #617518

RGB 97 117 24

HSL 72.9, 0.66%, 0.28%

LAB 46.08, -20.62, 45.2

 

CMYK 17 / 0 / 79 / 41

HEX #7D9720

RGB 125 151 32

HSL 73.11, 0.65%, 0.36%

LAB 58.6, -25.23, 54.88

 

CMYK 17 / 0 / 79 / 27

HEX #99B927

RGB 153 185 39

HSL 73.15, 0.65%, 0.44%

LAB 70.61, -29.68, 64.43

 

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

CMYK 79 / 0 / 46 / 54

HEX #18753F

RGB 24 117 63

HSL 145.16, 0.66%, 0.28%

LAB 43.18, -39.33, 22.43

 

CMYK 15 / 79 / 0 / 54

HEX #641875

RGB 100 24 117

HSL 289.03, 0.66%, 0.28%

LAB 25.7, 46.38, -36.34

 

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

CMYK 79 / 17 / 0 / 54

HEX #186175

RGB 24 97 117

HSL 192.9, 0.66%, 0.28%

LAB 37.89, -14.44, -17.56

 

CMYK 0 / 79 / 17 / 54

HEX #751861

RGB 117 24 97

HSL 312.9, 0.66%, 0.28%

LAB 27.57, 46.83, -20.27

 

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

CMYK 79 / 0 / 46 / 54

HEX #18753F

RGB 24 117 63

HSL 145.16, 0.66%, 0.28%

LAB 43.18, -39.33, 22.43

 

CMYK 62 / 79 / 0 / 54

HEX #2D1875

RGB 45 24 117

HSL 253.55, 0.66%, 0.28%

LAB 17.9, 36.36, -49.39

 

CMYK 0 / 79 / 32 / 54

HEX #75184F

RGB 117 24 79

HSL 324.52, 0.66%, 0.28%

LAB 26.73, 44.32, -9.68

 

CMYK 17 / 0 / 78 / 55

HEX #607419

RGB 96 116 25

HSL 73.19, 0.65%, 0.28%

LAB 45.7, -20.49, 44.46

 

CMYK 79 / 0 / 22 / 54

HEX #18755B

RGB 24 117 91

HSL 163.23, 0.66%, 0.28%

LAB 43.76, -32.88, 6.93

 

CMYK 62 / 79 / 0 / 54

HEX #2D1875

RGB 45 24 117

HSL 253.55, 0.66%, 0.28%

LAB 17.9, 36.36, -49.39

 

CMYK 0 / 79 / 56 / 54

HEX #751833

RGB 117 24 51

HSL 342.58, 0.66%, 0.28%

LAB 25.79, 41.36, 7.86

 

Description

Color code: HEX #607419 | qconv.com Color code: HEX #607419 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 116 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 116 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 78 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 78% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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