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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607887 it is the complementary color #9F8778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607887 shade: #657882, #768A95, #879CA8, #98AEBB and #A9C0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607887 shade: #607887, #4F6674, #3E5461, #2D424E and #1C303B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607887 shade: #5F7786, #5F6C86, #5F6286, #665F86 and #715F86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607887 shade: #5F7786, #5F6C86, #5F6286 and #5F5F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607887 shade matches the following richer shades: #5F7786, #4C7B98, #3A7FAB, #2784BD and #1488D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607887 shade: #5F7786, #717273, #846E61, #966A4E and #A9663B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607887 shade: #5F8680, #5F8186, #5F7786, #5F6C86 and #5F6286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607887 shade: #3C4C55, #4E616E, #5F7786, #738C9B and #8B9FAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607887 shade: #607887, #765F86 and #86855F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607887 shade: #607887, #865F77 and #77865F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607887 shade: #607887, #765F86, #866E5F and #6F865F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607887 shade: #607887, #815F86, #866E5F and #63865F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

Complementary color

CMYK 0 / 15 / 25 / 38

HEX #9F8778

RGB 159 135 120

HSL 23.08, 0.17%, 0.55%

LAB 58.09, 6.68, 11.44

 

CMYK 22 / 8 / 0 / 49

HEX #657882

RGB 101 120 130

HSL 200.69, 0.13%, 0.45%

LAB 49.27, -4.6, -7.79

 

CMYK 21 / 7 / 0 / 42

HEX #768A95

RGB 118 138 149

HSL 201.29, 0.13%, 0.52%

LAB 56.29, -4.65, -8.27

 

CMYK 20 / 7 / 0 / 34

HEX #879CA8

RGB 135 156 168

HSL 201.82, 0.16%, 0.59%

LAB 63.14, -4.71, -8.73

 

CMYK 19 / 7 / 0 / 27

HEX #98AEBB

RGB 152 174 187

HSL 202.29, 0.2%, 0.66%

LAB 69.85, -4.78, -9.2

 

CMYK 18 / 7 / 0 / 19

HEX #A9C0CE

RGB 169 192 206

HSL 202.7, 0.27%, 0.74%

LAB 76.43, -4.84, -9.65

 

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

CMYK 32 / 12 / 0 / 55

HEX #4F6674

RGB 79 102 116

HSL 202.7, 0.19%, 0.38%

LAB 41.89, -4.9, -10.64

 

CMYK 36 / 13 / 0 / 62

HEX #3E5461

RGB 62 84 97

HSL 202.29, 0.22%, 0.31%

LAB 34.45, -4.79, -10.25

 

CMYK 42 / 15 / 0 / 69

HEX #2D424E

RGB 45 66 78

HSL 201.82, 0.27%, 0.24%

LAB 26.75, -4.65, -9.86

 

CMYK 53 / 19 / 0 / 77

HEX #1C303B

RGB 28 48 59

HSL 201.29, 0.36%, 0.17%

LAB 18.7, -4.42, -9.48

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 29 / 19 / 0 / 47

HEX #5F6C86

RGB 95 108 134

HSL 220, 0.17%, 0.45%

LAB 45.47, 1.51, -15.94

 

CMYK 29 / 27 / 0 / 47

HEX #5F6286

RGB 95 98 134

HSL 235.38, 0.17%, 0.45%

LAB 42.6, 7.6, -20.35

 

CMYK 24 / 29 / 0 / 47

HEX #665F86

RGB 102 95 134

HSL 250.77, 0.17%, 0.45%

LAB 42.35, 11.74, -20.67

 

CMYK 16 / 29 / 0 / 47

HEX #715F86

RGB 113 95 134

HSL 267.69, 0.17%, 0.45%

LAB 43.38, 15.46, -19

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 29 / 19 / 0 / 47

HEX #5F6C86

RGB 95 108 134

HSL 220, 0.17%, 0.45%

LAB 45.47, 1.51, -15.94

 

CMYK 29 / 27 / 0 / 47

HEX #5F6286

RGB 95 98 134

HSL 235.38, 0.17%, 0.45%

LAB 42.6, 7.6, -20.35

 

CMYK 29 / 29 / 0 / 47

HEX #5F5F86

RGB 95 95 134

HSL 240, 0.17%, 0.45%

LAB 41.75, 9.45, -21.65

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 50 / 19 / 0 / 40

HEX #4C7B98

RGB 76 123 152

HSL 202.89, 0.33%, 0.45%

LAB 49.46, -7.63, -20.59

 

CMYK 66 / 26 / 0 / 33

HEX #3A7FAB

RGB 58 127 171

HSL 203.36, 0.49%, 0.45%

LAB 50.71, -7.58, -29.78

 

CMYK 79 / 30 / 0 / 26

HEX #2784BD

RGB 39 132 189

HSL 202.8, 0.66%, 0.45%

LAB 52.52, -6.76, -37.35

 

CMYK 90 / 35 / 0 / 18

HEX #1488D0

RGB 20 136 208

HSL 202.98, 0.82%, 0.45%

LAB 54.36, -3.51, -45.27

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 2 / 1 / 0 / 55

HEX #717273

RGB 113 114 115

HSL 210, 0.01%, 0.45%

LAB 47.99, -0.17, -0.69

 

CMYK 0 / 17 / 27 / 48

HEX #846E61

RGB 132 110 97

HSL 22.29, 0.15%, 0.45%

LAB 48.16, 6.53, 10.48

 

CMYK 0 / 29 / 48 / 41

HEX #966A4E

RGB 150 106 78

HSL 23.33, 0.32%, 0.45%

LAB 48.69, 14.07, 22.68

 

CMYK 0 / 40 / 65 / 34

HEX #A9663B

RGB 169 102 59

HSL 23.45, 0.48%, 0.45%

LAB 49.8, 22.91, 35.26

 

CMYK 29 / 0 / 4 / 47

HEX #5F8680

RGB 95 134 128

HSL 170.77, 0.17%, 0.45%

LAB 52.99, -14.9, -1.15

 

CMYK 29 / 4 / 0 / 47

HEX #5F8186

RGB 95 129 134

HSL 187.69, 0.17%, 0.45%

LAB 51.67, -10.68, -6.6

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 29 / 19 / 0 / 47

HEX #5F6C86

RGB 95 108 134

HSL 220, 0.17%, 0.45%

LAB 45.47, 1.51, -15.94

 

CMYK 29 / 27 / 0 / 47

HEX #5F6286

RGB 95 98 134

HSL 235.38, 0.17%, 0.45%

LAB 42.6, 7.6, -20.35

 

CMYK 29 / 11 / 0 / 67

HEX #3C4C55

RGB 60 76 85

HSL 201.6, 0.17%, 0.28%

LAB 31.31, -3.89, -7.39

 

CMYK 29 / 12 / 0 / 57

HEX #4E616E

RGB 78 97 110

HSL 204.38, 0.17%, 0.37%

LAB 40.07, -3.85, -9.72

 

CMYK 29 / 11 / 0 / 47

HEX #5F7786

RGB 95 119 134

HSL 203.08, 0.17%, 0.45%

LAB 48.7, -4.99, -11.05

 

CMYK 26 / 10 / 0 / 39

HEX #738C9B

RGB 115 140 155

HSL 202.5, 0.17%, 0.53%

LAB 56.85, -5.32, -10.9

 

CMYK 19 / 8 / 0 / 33

HEX #8B9FAC

RGB 139 159 172

HSL 203.64, 0.17%, 0.61%

LAB 64.37, -4.16, -9.11

 

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

CMYK 12 / 29 / 0 / 47

HEX #765F86

RGB 118 95 134

HSL 275.38, 0.17%, 0.45%

LAB 43.88, 17.19, -18.19

 

CMYK 0 / 1 / 29 / 47

HEX #86855F

RGB 134 133 95

HSL 58.46, 0.17%, 0.45%

LAB 54.73, -6.07, 20.68

 

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

CMYK 0 / 29 / 11 / 47

HEX #865F77

RGB 134 95 119

HSL 323.08, 0.17%, 0.45%

LAB 45.06, 19.92, -7.18

 

CMYK 11 / 0 / 29 / 47

HEX #77865F

RGB 119 134 95

HSL 83.08, 0.17%, 0.45%

LAB 53.81, -12.73, 19.24

 

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

CMYK 12 / 29 / 0 / 47

HEX #765F86

RGB 118 95 134

HSL 275.38, 0.17%, 0.45%

LAB 43.88, 17.19, -18.19

 

CMYK 0 / 18 / 29 / 47

HEX #866E5F

RGB 134 110 95

HSL 23.08, 0.17%, 0.45%

LAB 48.32, 7.07, 11.92

 

CMYK 17 / 0 / 29 / 47

HEX #6F865F

RGB 111 134 95

HSL 95.38, 0.17%, 0.45%

LAB 53.23, -15.88, 18.35

 

CMYK 29 / 11 / 0 / 47

HEX #607887

RGB 96 120 135

HSL 203.08, 0.17%, 0.45%

LAB 49.09, -4.99, -11.04

 

CMYK 4 / 29 / 0 / 47

HEX #815F86

RGB 129 95 134

HSL 292.31, 0.17%, 0.45%

LAB 45.04, 21.05, -16.31

 

CMYK 0 / 18 / 29 / 47

HEX #866E5F

RGB 134 110 95

HSL 23.08, 0.17%, 0.45%

LAB 48.32, 7.07, 11.92

 

CMYK 26 / 0 / 29 / 47

HEX #63865F

RGB 99 134 95

HSL 113.85, 0.17%, 0.45%

LAB 52.43, -20.41, 17.14

 

Description

Color code: HEX #607887 | qconv.com Color code: HEX #607887 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 120 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 120 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 11 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 11% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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