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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607BB7 it is the complementary color #9F8448. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607BB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607BB7 shade: #657BB2, #768DC5, #879FD8, #98B1EB and #A9C3FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607BB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607BB7 shade: #607BB7, #4F69A4, #3E5791, #2D457E and #1C336B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607BB7 shade: #607BB7, #6064B7, #7460B7, #8C60B7 and #A360B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607BB7 shade: #607BB7, #6064B7 and #6060B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607BB7 shade matches the following richer shades: #607BB7, #4E74CA, #3B6DDC and #2866EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607BB7 shade: #607BB7, #7382A5, #858992, #989080 and #AA976D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607BB7 shade: #60AAB7, #6093B7, #607CB7, #6065B7 and #7360B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607BB7 shade: #3D5488, #4A66A5, #607BB7, #7D93C4 and #99AAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607BB7 shade: #607BB7, #AD60B7 and #9FB760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607BB7 shade: #607BB7, #B7607C and #7CB760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607BB7 shade: #607BB7, #AD60B7, #B79C60 and #6AB760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607BB7 shade: #607BB7, #B760A7, #B79C60 and #60B770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

Complementary color

CMYK 0 / 17 / 55 / 38

HEX #9F8448

RGB 159 132 72

HSL 41.38, 0.38%, 0.45%

LAB 56.43, 2.6, 35.92

 

CMYK 43 / 31 / 0 / 30

HEX #657BB2

RGB 101 123 178

HSL 222.86, 0.33%, 0.55%

LAB 52, 6.67, -31.65

 

CMYK 40 / 28 / 0 / 23

HEX #768DC5

RGB 118 141 197

HSL 222.53, 0.41%, 0.62%

LAB 58.91, 6.09, -31.65

 

CMYK 38 / 26 / 0 / 15

HEX #879FD8

RGB 135 159 216

HSL 222.22, 0.51%, 0.69%

LAB 65.67, 5.6, -31.69

 

CMYK 35 / 25 / 0 / 8

HEX #98B1EB

RGB 152 177 235

HSL 221.93, 0.67%, 0.76%

LAB 72.31, 5.18, -31.76

 

CMYK 33 / 23 / 0 / 0

HEX #A9C3FE

RGB 169 195 254

HSL 221.65, 0.98%, 0.83%

LAB 78.82, 4.8, -31.87

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 52 / 36 / 0 / 36

HEX #4F69A4

RGB 79 105 164

HSL 221.65, 0.35%, 0.48%

LAB 44.87, 7.71, -34.78

 

CMYK 57 / 40 / 0 / 43

HEX #3E5791

RGB 62 87 145

HSL 221.93, 0.4%, 0.41%

LAB 37.63, 8.77, -34.92

 

CMYK 64 / 45 / 0 / 51

HEX #2D457E

RGB 45 69 126

HSL 222.22, 0.47%, 0.34%

LAB 30.21, 10.18, -35.13

 

CMYK 74 / 52 / 0 / 58

HEX #1C336B

RGB 28 51 107

HSL 222.53, 0.59%, 0.26%

LAB 22.57, 12.14, -35.38

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 48 / 45 / 0 / 28

HEX #6064B7

RGB 96 100 183

HSL 237.24, 0.38%, 0.55%

LAB 45.66, 20.97, -44.57

 

CMYK 37 / 48 / 0 / 28

HEX #7460B7

RGB 116 96 183

HSL 253.79, 0.38%, 0.55%

LAB 46.31, 28.49, -43.44

 

CMYK 23 / 48 / 0 / 28

HEX #8C60B7

RGB 140 96 183

HSL 270.34, 0.38%, 0.55%

LAB 48.71, 35.1, -39.48

 

CMYK 11 / 48 / 0 / 28

HEX #A360B7

RGB 163 96 183

HSL 286.21, 0.38%, 0.55%

LAB 51.35, 41.74, -35.15

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 48 / 45 / 0 / 28

HEX #6064B7

RGB 96 100 183

HSL 237.24, 0.38%, 0.55%

LAB 45.66, 20.97, -44.57

 

CMYK 48 / 48 / 0 / 28

HEX #6060B7

RGB 96 96 183

HSL 240, 0.38%, 0.55%

LAB 44.62, 23.45, -46.24

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 61 / 43 / 0 / 21

HEX #4E74CA

RGB 78 116 202

HSL 221.61, 0.54%, 0.55%

LAB 49.95, 13.38, -48.76

 

CMYK 73 / 50 / 0 / 14

HEX #3B6DDC

RGB 59 109 220

HSL 221.37, 0.7%, 0.55%

LAB 48.3, 21.17, -61.69

 

CMYK 83 / 57 / 0 / 6

HEX #2866EF

RGB 40 102 239

HSL 221.31, 0.86%, 0.55%

LAB 47.22, 30.77, -74.19

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 30 / 21 / 0 / 35

HEX #7382A5

RGB 115 130 165

HSL 222, 0.22%, 0.55%

LAB 54.37, 2.94, -20.41

 

CMYK 9 / 6 / 0 / 43

HEX #858992

RGB 133 137 146

HSL 221.54, 0.06%, 0.55%

LAB 57.03, 0.4, -5.31

 

CMYK 0 / 5 / 16 / 40

HEX #989080

RGB 152 144 128

HSL 40, 0.1%, 0.55%

LAB 60.05, 0.14, 9.56

 

CMYK 0 / 11 / 36 / 33

HEX #AA976D

RGB 170 151 109

HSL 41.31, 0.26%, 0.55%

LAB 63.16, 0.73, 24.73

 

CMYK 48 / 7 / 0 / 28

HEX #60AAB7

RGB 96 170 183

HSL 188.97, 0.38%, 0.55%

LAB 65.48, -19.52, -13.85

 

CMYK 48 / 20 / 0 / 28

HEX #6093B7

RGB 96 147 183

HSL 204.83, 0.38%, 0.55%

LAB 58.76, -7.09, -24.06

 

CMYK 48 / 32 / 0 / 28

HEX #607CB7

RGB 96 124 183

HSL 220.69, 0.38%, 0.55%

LAB 52.2, 6.28, -34.25

 

CMYK 48 / 45 / 0 / 28

HEX #6065B7

RGB 96 101 183

HSL 236.55, 0.38%, 0.55%

LAB 45.92, 20.35, -44.15

 

CMYK 37 / 48 / 0 / 28

HEX #7360B7

RGB 115 96 183

HSL 253.1, 0.38%, 0.55%

LAB 46.22, 28.23, -43.59

 

CMYK 55 / 38 / 0 / 47

HEX #3D5488

RGB 61 84 136

HSL 221.6, 0.38%, 0.39%

LAB 36.2, 7.37, -31.73

 

CMYK 55 / 38 / 0 / 35

HEX #4A66A5

RGB 74 102 165

HSL 221.54, 0.38%, 0.47%

LAB 43.76, 8.74, -37.13

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 36 / 25 / 0 / 23

HEX #7D93C4

RGB 125 147 196

HSL 221.41, 0.38%, 0.63%

LAB 60.97, 4.28, -27.86

 

CMYK 27 / 19 / 0 / 18

HEX #99AAD1

RGB 153 170 209

HSL 221.79, 0.38%, 0.71%

LAB 69.56, 2.82, -21.76

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 5 / 48 / 0 / 28

HEX #AD60B7

RGB 173 96 183

HSL 293.1, 0.38%, 0.55%

LAB 52.59, 44.67, -33.12

 

CMYK 13 / 0 / 48 / 28

HEX #9FB760

RGB 159 183 96

HSL 76.55, 0.38%, 0.55%

LAB 70.93, -22.05, 41.28

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 0 / 48 / 32 / 28

HEX #B7607C

RGB 183 96 124

HSL 340.69, 0.38%, 0.55%

LAB 51.71, 38.24, 0.34

 

CMYK 32 / 0 / 48 / 28

HEX #7CB760

RGB 124 183 96

HSL 100.69, 0.38%, 0.55%

LAB 68.75, -35.17, 38.11

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 5 / 48 / 0 / 28

HEX #AD60B7

RGB 173 96 183

HSL 293.1, 0.38%, 0.55%

LAB 52.59, 44.67, -33.12

 

CMYK 0 / 15 / 48 / 28

HEX #B79C60

RGB 183 156 96

HSL 41.38, 0.38%, 0.55%

LAB 65.51, 1.97, 35

 

CMYK 42 / 0 / 48 / 28

HEX #6AB760

RGB 106 183 96

HSL 113.1, 0.38%, 0.55%

LAB 67.85, -41.13, 36.8

 

CMYK 48 / 33 / 0 / 28

HEX #607BB7

RGB 96 123 183

HSL 221.38, 0.38%, 0.55%

LAB 51.92, 6.88, -34.69

 

CMYK 0 / 48 / 9 / 28

HEX #B760A7

RGB 183 96 167

HSL 311.03, 0.38%, 0.55%

LAB 53.19, 44.76, -22.78

 

CMYK 0 / 15 / 48 / 28

HEX #B79C60

RGB 183 156 96

HSL 41.38, 0.38%, 0.55%

LAB 65.51, 1.97, 35

 

CMYK 48 / 0 / 39 / 28

HEX #60B770

RGB 96 183 112

HSL 131.03, 0.38%, 0.55%

LAB 67.67, -41.64, 28.21

 

Description

Color code: HEX #607BB7 | qconv.com Color code: HEX #607BB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 123 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 123 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 33 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 33% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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