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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #608D2E it is the complementary color #9F72D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #608D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #608D2E shade: #658D29, #769F3C, #87B14F, #98C362 and #A9D575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #608D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #608D2E shade: #608D2E, #4F7B1B, #3E6908, #2D5700 and #1C4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #608D2E shade: #608E2E, #7A8E2E, #8E882E, #8E6E2E and #8E542E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #608D2E shade: #608E2E, #468E2E, #2E8E2F, #2E8E49 and #2E8E63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #608D2E shade matches the following richer shades: #608E2E, #619D1E, #62AD0F and #63BC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #608D2E shade: #608E2E, #607F3D, #5F6F4C, #5E605C and #5D516B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #608D2E shade: #8E882E, #7B8E2E, #618E2E, #478E2E and #2E8E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #608D2E shade: #36501A, #4B6F24, #608E2E, #76AD38 and #8AC44A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #608D2E shade: #608D2E, #2E8E6E and #8E2E88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #608D2E shade: #608D2E, #2E618E and #8E2E61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #608D2E shade: #608D2E, #2E8E6E, #5B2E8E and #8E2E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #608D2E shade: #608D2E, #2E8E8B, #5B2E8E and #8E2E31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

Complementary color

CMYK 24 / 45 / 0 / 18

HEX #9F72D1

RGB 159 114 209

HSL 268.42, 0.51%, 0.63%

LAB 56.1, 36.43, -42.6

 

CMYK 28 / 0 / 71 / 45

HEX #658D29

RGB 101 141 41

HSL 84, 0.55%, 0.36%

LAB 54, -29.79, 46.61

 

CMYK 26 / 0 / 62 / 38

HEX #769F3C

RGB 118 159 60

HSL 84.85, 0.45%, 0.43%

LAB 60.76, -30.1, 45.95

 

CMYK 24 / 0 / 55 / 31

HEX #87B14F

RGB 135 177 79

HSL 85.71, 0.39%, 0.5%

LAB 67.4, -30.28, 44.95

 

CMYK 22 / 0 / 50 / 24

HEX #98C362

RGB 152 195 98

HSL 86.6, 0.45%, 0.57%

LAB 73.93, -30.36, 43.83

 

CMYK 21 / 0 / 45 / 16

HEX #A9D575

RGB 169 213 117

HSL 87.5, 0.53%, 0.65%

LAB 80.35, -30.39, 42.68

 

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

CMYK 36 / 0 / 78 / 52

HEX #4F7B1B

RGB 79 123 27

HSL 87.5, 0.64%, 0.29%

LAB 46.85, -30.96, 44.45

 

CMYK 41 / 0 / 92 / 59

HEX #3E6908

RGB 62 105 8

HSL 86.6, 0.86%, 0.22%

LAB 39.82, -30.22, 43.41

 

CMYK 48 / 0 / 100 / 66

HEX #2D5700

RGB 45 87 0

HSL 88.97, 1%, 0.17%

LAB 32.64, -28.92, 39.53

 

CMYK 59 / 0 / 100 / 73

HEX #1C4500

RGB 28 69 0

HSL 95.65, 1%, 0.14%

LAB 25.27, -27.1, 33.1

 

CMYK 32 / 0 / 68 / 44

HEX #608E2E

RGB 96 142 46

HSL 88.75, 0.51%, 0.37%

LAB 54.06, -31.84, 44.49

 

CMYK 14 / 0 / 68 / 44

HEX #7A8E2E

RGB 122 142 46

HSL 72.5, 0.51%, 0.37%

LAB 55.77, -21.19, 46.81

 

CMYK 0 / 4 / 68 / 44

HEX #8E882E

RGB 142 136 46

HSL 56.25, 0.51%, 0.37%

LAB 55.64, -9.17, 47.19

 

CMYK 0 / 23 / 68 / 44

HEX #8E6E2E

RGB 142 110 46

HSL 40, 0.51%, 0.37%

LAB 48.39, 5.42, 39.5

 

CMYK 0 / 41 / 68 / 44

HEX #8E542E

RGB 142 84 46

HSL 23.75, 0.51%, 0.37%

LAB 41.67, 20.53, 31.99

 

CMYK 32 / 0 / 68 / 44

HEX #608E2E

RGB 96 142 46

HSL 88.75, 0.51%, 0.37%

LAB 54.06, -31.84, 44.49

 

CMYK 51 / 0 / 68 / 44

HEX #468E2E

RGB 70 142 46

HSL 105, 0.51%, 0.37%

LAB 52.78, -40.9, 42.74

 

CMYK 68 / 0 / 67 / 44

HEX #2E8E2F

RGB 46 142 47

HSL 120.63, 0.51%, 0.37%

LAB 51.99, -47.09, 41.2

 

CMYK 68 / 0 / 49 / 44

HEX #2E8E49

RGB 46 142 73

HSL 136.88, 0.51%, 0.37%

LAB 52.3, -43.53, 28.7

 

CMYK 68 / 0 / 30 / 44

HEX #2E8E63

RGB 46 142 99

HSL 153.13, 0.51%, 0.37%

LAB 52.76, -38.42, 14.95

 

CMYK 32 / 0 / 68 / 44

HEX #608E2E

RGB 96 142 46

HSL 88.75, 0.51%, 0.37%

LAB 54.06, -31.84, 44.49

 

CMYK 38 / 0 / 81 / 38

HEX #619D1E

RGB 97 157 30

HSL 88.35, 0.68%, 0.37%

LAB 58.74, -39.23, 55.01

 

CMYK 43 / 0 / 91 / 32

HEX #62AD0F

RGB 98 173 15

HSL 88.48, 0.84%, 0.37%

LAB 63.77, -46.11, 62.84

 

CMYK 47 / 0 / 100 / 26

HEX #63BC00

RGB 99 188 0

HSL 88.4, 1%, 0.37%

LAB 68.47, -51.96, 68.56

 

CMYK 32 / 0 / 68 / 44

HEX #608E2E

RGB 96 142 46

HSL 88.75, 0.51%, 0.37%

LAB 54.06, -31.84, 44.49

 

CMYK 24 / 0 / 52 / 50

HEX #607F3D

RGB 96 127 61

HSL 88.18, 0.35%, 0.37%

LAB 49.5, -23.03, 32.09

 

CMYK 14 / 0 / 32 / 56

HEX #5F6F4C

RGB 95 111 76

HSL 87.43, 0.19%, 0.37%

LAB 44.69, -12.83, 17.57

 

CMYK 2 / 0 / 4 / 62

HEX #5E605C

RGB 94 96 92

HSL 90, 0.02%, 0.37%

LAB 40.44, -1.62, 2

 

CMYK 13 / 24 / 0 / 58

HEX #5D516B

RGB 93 81 107

HSL 267.69, 0.14%, 0.37%

LAB 36.51, 10.59, -13.15

 

CMYK 0 / 4 / 68 / 44

HEX #8E882E

RGB 142 136 46

HSL 56.25, 0.51%, 0.37%

LAB 55.64, -9.17, 47.19

 

CMYK 13 / 0 / 68 / 44

HEX #7B8E2E

RGB 123 142 46

HSL 71.88, 0.51%, 0.37%

LAB 55.84, -20.76, 46.91

 

CMYK 32 / 0 / 68 / 44

HEX #618E2E

RGB 97 142 46

HSL 88.13, 0.51%, 0.37%

LAB 54.12, -31.45, 44.56

 

CMYK 50 / 0 / 68 / 44

HEX #478E2E

RGB 71 142 46

HSL 104.38, 0.51%, 0.37%

LAB 52.82, -40.59, 42.79

 

CMYK 68 / 0 / 68 / 44

HEX #2E8E2E

RGB 46 142 46

HSL 120, 0.51%, 0.37%

LAB 51.98, -47.2, 41.63

 

CMYK 33 / 0 / 68 / 69

HEX #36501A

RGB 54 80 26

HSL 88.89, 0.51%, 0.21%

LAB 30.87, -20.12, 27.96

 

CMYK 32 / 0 / 68 / 56

HEX #4B6F24

RGB 75 111 36

HSL 88.8, 0.51%, 0.29%

LAB 42.75, -26.15, 36.47

 

CMYK 32 / 0 / 68 / 44

HEX #608E2E

RGB 96 142 46

HSL 88.75, 0.51%, 0.37%

LAB 54.06, -31.84, 44.49

 

CMYK 32 / 0 / 68 / 32

HEX #76AD38

RGB 118 173 56

HSL 88.21, 0.51%, 0.45%

LAB 64.98, -36.9, 52.21

 

CMYK 30 / 0 / 62 / 23

HEX #8AC44A

RGB 138 196 74

HSL 88.52, 0.51%, 0.53%

LAB 73.14, -38.37, 53.77

 

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

CMYK 68 / 0 / 23 / 44

HEX #2E8E6E

RGB 46 142 110

HSL 160, 0.51%, 0.37%

LAB 53.01, -35.83, 9.01

 

CMYK 0 / 68 / 4 / 44

HEX #8E2E88

RGB 142 46 136

HSL 303.75, 0.51%, 0.37%

LAB 36.9, 51.35, -30.03

 

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

CMYK 68 / 32 / 0 / 44

HEX #2E618E

RGB 46 97 142

HSL 208.13, 0.51%, 0.37%

LAB 39.72, -1.92, -29.87

 

CMYK 0 / 68 / 32 / 44

HEX #8E2E61

RGB 142 46 97

HSL 328.13, 0.51%, 0.37%

LAB 35.14, 45.44, -8.28

 

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

CMYK 68 / 0 / 23 / 44

HEX #2E8E6E

RGB 46 142 110

HSL 160, 0.51%, 0.37%

LAB 53.01, -35.83, 9.01

 

CMYK 36 / 68 / 0 / 44

HEX #5B2E8E

RGB 91 46 142

HSL 268.13, 0.51%, 0.37%

LAB 29.74, 40.24, -45.59

 

CMYK 0 / 68 / 45 / 44

HEX #8E2E4E

RGB 142 46 78

HSL 340, 0.51%, 0.37%

LAB 34.51, 43.22, 3.01

 

CMYK 32 / 0 / 67 / 45

HEX #608D2E

RGB 96 141 46

HSL 88.42, 0.51%, 0.37%

LAB 53.74, -31.37, 44.15

 

CMYK 68 / 0 / 2 / 44

HEX #2E8E8B

RGB 46 142 139

HSL 178.13, 0.51%, 0.37%

LAB 53.8, -27.95, -6.55

 

CMYK 36 / 68 / 0 / 44

HEX #5B2E8E

RGB 91 46 142

HSL 268.13, 0.51%, 0.37%

LAB 29.74, 40.24, -45.59

 

CMYK 0 / 68 / 65 / 44

HEX #8E2E31

RGB 142 46 49

HSL 358.13, 0.51%, 0.37%

LAB 33.83, 40.75, 20.74

 

Description

Color code: HEX #608D2E | qconv.com Color code: HEX #608D2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 141 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 141 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 67 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 67% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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