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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #609030 it is the complementary color #9F6FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #609030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #609030 shade: #65902B, #76A23E, #87B451, #98C664 and #A9D877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #609030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #609030 shade: #609030, #4F7E1D, #3E6C0A, #2D5A00 and #1C4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #609030 shade: #609130, #7B9130, #918D30, #917330 and #915930

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #609030 shade: #609130, #469130, #309134, #30914E and #309168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #609030 shade matches the following richer shades: #609130, #60A120, #60B011 and #60C001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #609030 shade: #609130, #608140, #60714F, #60625F and #60526F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #609030 shade: #918E30, #7A9130, #609130, #479130 and #309133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #609030 shade: #37531B, #4C7226, #609130, #75B03A and #8AC44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #609030 shade: #609030, #309174 and #913087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #609030 shade: #609030, #306091 and #913060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #609030 shade: #609030, #309174, #603091 and #91304D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #609030 shade: #609030, #309191, #603091 and #913030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

Complementary color

CMYK 23 / 46 / 0 / 19

HEX #9F6FCF

RGB 159 111 207

HSL 270, 0.5%, 0.62%

LAB 55.32, 37.65, -42.68

 

CMYK 30 / 0 / 70 / 44

HEX #65902B

RGB 101 144 43

HSL 85.54, 0.54%, 0.37%

LAB 54.96, -31.06, 46.78

 

CMYK 27 / 0 / 62 / 36

HEX #76A23E

RGB 118 162 62

HSL 86.4, 0.45%, 0.44%

LAB 61.69, -31.35, 46.07

 

CMYK 25 / 0 / 55 / 29

HEX #87B451

RGB 135 180 81

HSL 87.27, 0.4%, 0.51%

LAB 68.31, -31.49, 45.06

 

CMYK 23 / 0 / 49 / 22

HEX #98C664

RGB 152 198 100

HSL 88.16, 0.46%, 0.58%

LAB 74.81, -31.55, 43.94

 

CMYK 22 / 0 / 45 / 15

HEX #A9D877

RGB 169 216 119

HSL 89.07, 0.55%, 0.66%

LAB 81.22, -31.56, 42.78

 

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

CMYK 37 / 0 / 77 / 51

HEX #4F7E1D

RGB 79 126 29

HSL 89.07, 0.63%, 0.3%

LAB 47.84, -32.22, 44.69

 

CMYK 43 / 0 / 91 / 58

HEX #3E6C0A

RGB 62 108 10

HSL 88.16, 0.83%, 0.23%

LAB 40.85, -31.5, 43.8

 

CMYK 50 / 0 / 100 / 65

HEX #2D5A00

RGB 45 90 0

HSL 90, 1%, 0.18%

LAB 33.71, -30.25, 40.36

 

CMYK 61 / 0 / 100 / 72

HEX #1C4800

RGB 28 72 0

HSL 96.67, 1%, 0.14%

LAB 26.39, -28.38, 34.14

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 15 / 0 / 67 / 43

HEX #7B9130

RGB 123 145 48

HSL 73.61, 0.5%, 0.38%

LAB 56.76, -22.15, 47.01

 

CMYK 0 / 3 / 67 / 43

HEX #918D30

RGB 145 141 48

HSL 57.53, 0.5%, 0.38%

LAB 57.35, -10.4, 48.18

 

CMYK 0 / 21 / 67 / 43

HEX #917330

RGB 145 115 48

HSL 41.44, 0.5%, 0.38%

LAB 50.09, 4.06, 40.47

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 52 / 0 / 67 / 43

HEX #469130

RGB 70 145 48

HSL 106.39, 0.5%, 0.38%

LAB 53.78, -41.94, 42.94

 

CMYK 67 / 0 / 64 / 43

HEX #309134

RGB 48 145 52

HSL 122.47, 0.5%, 0.38%

LAB 53.09, -47.21, 40.17

 

CMYK 67 / 0 / 46 / 43

HEX #30914E

RGB 48 145 78

HSL 138.56, 0.5%, 0.38%

LAB 53.42, -43.46, 27.47

 

CMYK 67 / 0 / 28 / 43

HEX #309168

RGB 48 145 104

HSL 154.64, 0.5%, 0.38%

LAB 53.9, -38.22, 13.69

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 40 / 0 / 80 / 37

HEX #60A120

RGB 96 161 32

HSL 90.23, 0.67%, 0.38%

LAB 59.96, -41.2, 55.51

 

CMYK 45 / 0 / 90 / 31

HEX #60B011

RGB 96 176 17

HSL 90.19, 0.82%, 0.38%

LAB 64.63, -47.92, 63.18

 

CMYK 50 / 0 / 99 / 25

HEX #60C001

RGB 96 192 1

HSL 90.16, 0.99%, 0.38%

LAB 69.6, -54.37, 69.28

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 26 / 0 / 50 / 49

HEX #608140

RGB 96 129 64

HSL 90.46, 0.34%, 0.38%

LAB 50.17, -23.68, 31.32

 

CMYK 15 / 0 / 30 / 56

HEX #60714F

RGB 96 113 79

HSL 90, 0.18%, 0.38%

LAB 45.44, -13.04, 16.84

 

CMYK 2 / 0 / 3 / 62

HEX #60625F

RGB 96 98 95

HSL 100, 0.02%, 0.38%

LAB 41.29, -1.41, 1.43

 

CMYK 14 / 26 / 0 / 56

HEX #60526F

RGB 96 82 111

HSL 268.97, 0.15%, 0.38%

LAB 37.24, 12.01, -14.49

 

CMYK 0 / 2 / 67 / 43

HEX #918E30

RGB 145 142 48

HSL 58.14, 0.5%, 0.38%

LAB 57.64, -10.94, 48.47

 

CMYK 16 / 0 / 67 / 43

HEX #7A9130

RGB 122 145 48

HSL 74.23, 0.5%, 0.38%

LAB 56.69, -22.57, 46.91

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 51 / 0 / 67 / 43

HEX #479130

RGB 71 145 48

HSL 105.77, 0.5%, 0.38%

LAB 53.82, -41.64, 43

 

CMYK 67 / 0 / 65 / 43

HEX #309133

RGB 48 145 51

HSL 121.86, 0.5%, 0.38%

LAB 53.08, -47.33, 40.62

 

CMYK 34 / 0 / 67 / 67

HEX #37531B

RGB 55 83 27

HSL 90, 0.51%, 0.22%

LAB 31.98, -21.16, 28.7

 

CMYK 33 / 0 / 67 / 55

HEX #4C7226

RGB 76 114 38

HSL 90, 0.5%, 0.3%

LAB 43.82, -27.03, 36.71

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 34 / 0 / 67 / 31

HEX #75B03A

RGB 117 176 58

HSL 90, 0.5%, 0.46%

LAB 65.86, -38.45, 52.3

 

CMYK 30 / 0 / 60 / 23

HEX #8AC44F

RGB 138 196 79

HSL 89.74, 0.5%, 0.54%

LAB 73.19, -37.92, 51.63

 

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

CMYK 67 / 0 / 20 / 43

HEX #309174

RGB 48 145 116

HSL 162.06, 0.5%, 0.38%

LAB 54.18, -35.34, 7.24

 

CMYK 0 / 67 / 7 / 43

HEX #913087

RGB 145 48 135

HSL 306.19, 0.5%, 0.38%

LAB 37.63, 51.13, -28.22

 

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

CMYK 67 / 34 / 0 / 43

HEX #306091

RGB 48 96 145

HSL 210.31, 0.5%, 0.38%

LAB 39.65, 0.16, -31.79

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

CMYK 67 / 0 / 20 / 43

HEX #309174

RGB 48 145 116

HSL 162.06, 0.5%, 0.38%

LAB 54.18, -35.34, 7.24

 

CMYK 34 / 67 / 0 / 43

HEX #603091

RGB 96 48 145

HSL 269.69, 0.5%, 0.38%

LAB 30.98, 41.08, -45.4

 

CMYK 0 / 67 / 47 / 43

HEX #91304D

RGB 145 48 77

HSL 342.06, 0.5%, 0.38%

LAB 35.34, 43.23, 4.92

 

CMYK 33 / 0 / 67 / 44

HEX #609030

RGB 96 144 48

HSL 90, 0.5%, 0.38%

LAB 54.71, -32.6, 44.31

 

CMYK 67 / 0 / 0 / 43

HEX #309191

RGB 48 145 145

HSL 180, 0.5%, 0.38%

LAB 54.99, -27.34, -8.24

 

CMYK 34 / 67 / 0 / 43

HEX #603091

RGB 96 48 145

HSL 269.69, 0.5%, 0.38%

LAB 30.98, 41.08, -45.4

 

CMYK 0 / 67 / 67 / 43

HEX #913030

RGB 145 48 48

HSL 0, 0.5%, 0.38%

LAB 34.7, 40.86, 22.58

 

Description

Color code: HEX #609030 | qconv.com Color code: HEX #609030 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 144 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 144 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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