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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6093D6 it is the complementary color #9F6C29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6093D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6093D6 shade: #6593D1, #76A5E4, #87B7F7, #98C9FF and #A9DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6093D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6093D6 shade: #6093D6, #4F81C3, #3E6FB0, #2D5D9D and #1C4B8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6093D6 shade: #6093D6, #6073D6, #6D60D6, #8D60D6 and #AC60D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6093D6 shade: #6093D6, #6073D6 and #6060D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6093D6 shade matches the following richer shades: #6093D6, #5091E6 and #408FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6093D6 shade: #6093D6, #7095C6, #8197B6, #919AA5 and #A19C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6093D6 shade: #60D2D6, #60B3D6, #6093D6, #6074D6 and #6C60D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6093D6 shade: #2E69B5, #407DCD, #6093D6, #81A9DE and #A2C0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6093D6 shade: #6093D6, #BA60D6 and #C2D660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6093D6 shade: #6093D6, #D66093 and #93D660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6093D6 shade: #6093D6, #BA60D6, #D6A360 and #7CD660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6093D6 shade: #6093D6, #D660CE, #D6A360 and #60D668

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

Complementary color

CMYK 0 / 32 / 74 / 38

HEX #9F6C29

RGB 159 108 41

HSL 34.07, 0.59%, 0.39%

LAB 49.81, 14.05, 43.98

 

CMYK 52 / 30 / 0 / 18

HEX #6593D1

RGB 101 147 209

HSL 214.44, 0.54%, 0.61%

LAB 60.1, 1.9, -36.61

 

CMYK 48 / 28 / 0 / 11

HEX #76A5E4

RGB 118 165 228

HSL 214.36, 0.67%, 0.68%

LAB 66.8, 1.26, -36.64

 

CMYK 45 / 26 / 0 / 3

HEX #87B7F7

RGB 135 183 247

HSL 214.29, 0.88%, 0.75%

LAB 73.37, 0.72, -36.7

 

CMYK 40 / 21 / 0 / 0

HEX #98C9FF

RGB 152 201 255

HSL 211.46, 1%, 0.8%

LAB 79.42, -2.68, -31.56

 

CMYK 34 / 14 / 0 / 0

HEX #A9DBFF

RGB 169 219 255

HSL 205.12, 1%, 0.83%

LAB 85.16, -7.72, -22.72

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 59 / 34 / 0 / 24

HEX #4F81C3

RGB 79 129 195

HSL 214.14, 0.49%, 0.54%

LAB 53.28, 3.29, -39.48

 

CMYK 65 / 37 / 0 / 31

HEX #3E6FB0

RGB 62 111 176

HSL 214.21, 0.48%, 0.47%

LAB 46.35, 4.47, -39.53

 

CMYK 71 / 41 / 0 / 38

HEX #2D5D9D

RGB 45 93 157

HSL 214.29, 0.55%, 0.4%

LAB 39.28, 6, -39.58

 

CMYK 80 / 46 / 0 / 46

HEX #1C4B8A

RGB 28 75 138

HSL 214.36, 0.66%, 0.33%

LAB 32.07, 8.06, -39.63

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 55 / 46 / 0 / 16

HEX #6073D6

RGB 96 115 214

HSL 230.34, 0.59%, 0.61%

LAB 51.39, 21.54, -53.24

 

CMYK 49 / 55 / 0 / 16

HEX #6D60D6

RGB 109 96 214

HSL 246.61, 0.59%, 0.61%

LAB 47.59, 35.8, -59.29

 

CMYK 34 / 55 / 0 / 16

HEX #8D60D6

RGB 141 96 214

HSL 262.88, 0.59%, 0.61%

LAB 50.55, 43.06, -54.37

 

CMYK 20 / 55 / 0 / 16

HEX #AC60D6

RGB 172 96 214

HSL 278.64, 0.59%, 0.61%

LAB 54.02, 50.8, -48.63

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 55 / 46 / 0 / 16

HEX #6073D6

RGB 96 115 214

HSL 230.34, 0.59%, 0.61%

LAB 51.39, 21.54, -53.24

 

CMYK 55 / 55 / 0 / 16

HEX #6060D6

RGB 96 96 214

HSL 240, 0.59%, 0.61%

LAB 46.59, 33.18, -60.95

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 65 / 37 / 0 / 10

HEX #5091E6

RGB 80 145 230

HSL 214, 0.75%, 0.61%

LAB 59.59, 5.75, -49.19

 

CMYK 74 / 42 / 0 / 4

HEX #408FF6

RGB 64 143 246

HSL 213.96, 0.91%, 0.61%

LAB 59.33, 10.23, -58.49

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 43 / 25 / 0 / 22

HEX #7095C6

RGB 112 149 198

HSL 214.19, 0.43%, 0.61%

LAB 60.8, 0.17, -29.32

 

CMYK 29 / 17 / 0 / 29

HEX #8197B6

RGB 129 151 182

HSL 215.09, 0.27%, 0.61%

LAB 61.81, -0.47, -18.67

 

CMYK 12 / 7 / 0 / 35

HEX #919AA5

RGB 145 154 165

HSL 213, 0.1%, 0.61%

LAB 63.22, -0.93, -6.85

 

CMYK 0 / 3 / 7 / 37

HEX #A19C95

RGB 161 156 149

HSL 35, 0.06%, 0.61%

LAB 64.58, 0.54, 4.3

 

CMYK 55 / 2 / 0 / 16

HEX #60D2D6

RGB 96 210 214

HSL 182.03, 0.59%, 0.61%

LAB 78.13, -31.02, -11.81

 

CMYK 55 / 16 / 0 / 16

HEX #60B3D6

RGB 96 179 214

HSL 197.8, 0.59%, 0.61%

LAB 69.17, -15.4, -25.37

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 55 / 46 / 0 / 16

HEX #6074D6

RGB 96 116 214

HSL 229.83, 0.59%, 0.61%

LAB 51.65, 20.93, -52.82

 

CMYK 50 / 55 / 0 / 16

HEX #6C60D6

RGB 108 96 214

HSL 246.1, 0.59%, 0.61%

LAB 47.51, 35.59, -59.42

 

CMYK 75 / 42 / 0 / 29

HEX #2E69B5

RGB 46 105 181

HSL 213.78, 0.59%, 0.45%

LAB 44.26, 7.53, -45.8

 

CMYK 69 / 39 / 0 / 20

HEX #407DCD

RGB 64 125 205

HSL 214.04, 0.59%, 0.53%

LAB 52.02, 6.49, -47.21

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 42 / 24 / 0 / 13

HEX #81A9DE

RGB 129 169 222

HSL 214.19, 0.58%, 0.69%

LAB 68.25, 0.02, -31.04

 

CMYK 30 / 17 / 0 / 9

HEX #A2C0E7

RGB 162 192 231

HSL 213.91, 0.59%, 0.77%

LAB 76.77, -1.22, -22.7

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 13 / 55 / 0 / 16

HEX #BA60D6

RGB 186 96 214

HSL 285.76, 0.59%, 0.61%

LAB 55.75, 54.41, -45.78

 

CMYK 9 / 0 / 55 / 16

HEX #C2D660

RGB 194 214 96

HSL 70.17, 0.59%, 0.61%

LAB 82.06, -23.38, 55.05

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 0 / 55 / 31 / 16

HEX #D66093

RGB 214 96 147

HSL 334.07, 0.59%, 0.61%

LAB 56.85, 51.67, -5.15

 

CMYK 31 / 0 / 55 / 16

HEX #93D660

RGB 147 214 96

HSL 94.07, 0.59%, 0.61%

LAB 79.12, -41.05, 50.89

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 13 / 55 / 0 / 16

HEX #BA60D6

RGB 186 96 214

HSL 285.76, 0.59%, 0.61%

LAB 55.75, 54.41, -45.78

 

CMYK 0 / 24 / 55 / 16

HEX #D6A360

RGB 214 163 96

HSL 34.07, 0.59%, 0.61%

LAB 70.41, 11.2, 41.75

 

CMYK 42 / 0 / 55 / 16

HEX #7CD660

RGB 124 214 96

HSL 105.76, 0.59%, 0.61%

LAB 78.01, -48.64, 49.3

 

CMYK 55 / 31 / 0 / 16

HEX #6093D6

RGB 96 147 214

HSL 214.07, 0.59%, 0.61%

LAB 60.08, 2.36, -39.47

 

CMYK 0 / 55 / 4 / 16

HEX #D660CE

RGB 214 96 206

HSL 304.07, 0.59%, 0.61%

LAB 59.08, 60.36, -35.74

 

CMYK 0 / 24 / 55 / 16

HEX #D6A360

RGB 214 163 96

HSL 34.07, 0.59%, 0.61%

LAB 70.41, 11.2, 41.75

 

CMYK 55 / 0 / 51 / 16

HEX #60D668

RGB 96 214 104

HSL 124.07, 0.59%, 0.61%

LAB 77.03, -55.45, 44.11

 

Description

Color code: HEX #6093D6 | qconv.com Color code: HEX #6093D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 147 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 147 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 31 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 31% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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