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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60AD49 it is the complementary color #9F52B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60AD49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60AD49 shade: #65AD44, #76BF57, #87D16A, #98E37D and #A9F590

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60AD49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60AD49 shade: #60AD49, #4F9B36, #3E8923, #2D7710 and #1C6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60AD49 shade: #5FAC48, #7AAC48, #95AC48, #ACA848 and #AC8D48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60AD49 shade: #5FAC48, #48AC4C, #48AC67, #48AC82 and #48AC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60AD49 shade matches the following richer shades: #5FAC48, #54C034, #49D420 and #3FE70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60AD49 shade: #5FAC48, #69985C, #74846F, #7F7183 and #8A5D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60AD49 shade: #95AC48, #7AAC48, #5FAC48, #48AC4B and #48AC66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60AD49 shade: #3F722F, #4F8F3C, #5FAC48, #76BC61 and #8FC97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60AD49 shade: #60AD49, #48ACA9 and #AC4887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60AD49 shade: #60AD49, #485FAC and #AC485F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60AD49 shade: #60AD49, #48ACA9, #9548AC and #AC484B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60AD49 shade: #60AD49, #4891AC, #9548AC and #AC6248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

Complementary color

CMYK 13 / 55 / 0 / 29

HEX #9F52B6

RGB 159 82 182

HSL 286.2, 0.41%, 0.52%

LAB 47.99, 47.77, -39.9

 

CMYK 42 / 0 / 61 / 32

HEX #65AD44

RGB 101 173 68

HSL 101.14, 0.44%, 0.47%

LAB 64.22, -41.81, 45.94

 

CMYK 38 / 0 / 54 / 25

HEX #76BF57

RGB 118 191 87

HSL 102.12, 0.45%, 0.55%

LAB 70.73, -41.86, 44.85

 

CMYK 35 / 0 / 49 / 18

HEX #87D16A

RGB 135 209 106

HSL 103.11, 0.53%, 0.62%

LAB 77.16, -41.82, 43.67

 

CMYK 33 / 0 / 45 / 11

HEX #98E37D

RGB 152 227 125

HSL 104.12, 0.65%, 0.69%

LAB 83.49, -41.7, 42.48

 

CMYK 31 / 0 / 41 / 4

HEX #A9F590

RGB 169 245 144

HSL 105.15, 0.83%, 0.76%

LAB 89.74, -41.56, 41.31

 

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

CMYK 49 / 0 / 65 / 39

HEX #4F9B36

RGB 79 155 54

HSL 105.15, 0.48%, 0.41%

LAB 57.44, -42.71, 44.39

 

CMYK 55 / 0 / 74 / 46

HEX #3E8923

RGB 62 137 35

HSL 104.12, 0.59%, 0.34%

LAB 50.73, -42.24, 45.03

 

CMYK 62 / 0 / 87 / 53

HEX #2D7710

RGB 45 119 16

HSL 103.11, 0.76%, 0.26%

LAB 43.93, -41.29, 44.7

 

CMYK 72 / 0 / 100 / 60

HEX #1C6500

RGB 28 101 0

HSL 103.37, 1%, 0.2%

LAB 37.03, -39.59, 42.71

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 29 / 0 / 58 / 33

HEX #7AAC48

RGB 122 172 72

HSL 90, 0.41%, 0.48%

LAB 65.05, -33.55, 45.33

 

CMYK 13 / 0 / 58 / 33

HEX #95AC48

RGB 149 172 72

HSL 73.8, 0.41%, 0.48%

LAB 66.8, -22.94, 47.78

 

CMYK 0 / 2 / 58 / 33

HEX #ACA848

RGB 172 168 72

HSL 57.6, 0.41%, 0.48%

LAB 67.46, -11.23, 49.02

 

CMYK 0 / 18 / 58 / 33

HEX #AC8D48

RGB 172 141 72

HSL 41.4, 0.41%, 0.48%

LAB 60.15, 3.31, 40.66

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 58 / 0 / 56 / 33

HEX #48AC4C

RGB 72 172 76

HSL 122.4, 0.41%, 0.48%

LAB 62.85, -48.9, 40.29

 

CMYK 58 / 0 / 40 / 33

HEX #48AC67

RGB 72 172 103

HSL 138.6, 0.41%, 0.48%

LAB 63.23, -44.74, 26.97

 

CMYK 58 / 0 / 24 / 33

HEX #48AC82

RGB 72 172 130

HSL 154.8, 0.41%, 0.48%

LAB 63.75, -39.31, 13.01

 

CMYK 58 / 0 / 9 / 33

HEX #48AC9D

RGB 72 172 157

HSL 171, 0.41%, 0.48%

LAB 64.42, -32.76, -1.03

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 56 / 0 / 73 / 25

HEX #54C034

RGB 84 192 52

HSL 106.29, 0.57%, 0.48%

LAB 69.35, -55.74, 57.77

 

CMYK 66 / 0 / 85 / 17

HEX #49D420

RGB 73 212 32

HSL 106.33, 0.74%, 0.48%

LAB 75.21, -66.28, 69.02

 

CMYK 73 / 0 / 95 / 9

HEX #3FE70C

RGB 63 231 12

HSL 106.03, 0.9%, 0.48%

LAB 80.87, -74.51, 76.87

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 31 / 0 / 39 / 40

HEX #69985C

RGB 105 152 92

HSL 107, 0.25%, 0.48%

LAB 58.26, -27.79, 26.63

 

CMYK 12 / 0 / 16 / 48

HEX #74846F

RGB 116 132 111

HSL 105.71, 0.09%, 0.48%

LAB 53.34, -10.06, 9.4

 

CMYK 3 / 14 / 0 / 49

HEX #7F7183

RGB 127 113 131

HSL 286.67, 0.07%, 0.48%

LAB 49.45, 8.98, -7.89

 

CMYK 9 / 38 / 0 / 41

HEX #8A5D97

RGB 138 93 151

HSL 286.55, 0.24%, 0.48%

LAB 46.27, 28.91, -24.51

 

CMYK 13 / 0 / 58 / 33

HEX #95AC48

RGB 149 172 72

HSL 73.8, 0.41%, 0.48%

LAB 66.8, -22.94, 47.78

 

CMYK 29 / 0 / 58 / 33

HEX #7AAC48

RGB 122 172 72

HSL 90, 0.41%, 0.48%

LAB 65.05, -33.55, 45.33

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 58 / 0 / 56 / 33

HEX #48AC4B

RGB 72 172 75

HSL 121.8, 0.41%, 0.48%

LAB 62.84, -49.03, 40.76

 

CMYK 58 / 0 / 41 / 33

HEX #48AC66

RGB 72 172 102

HSL 138, 0.41%, 0.48%

LAB 63.21, -44.92, 27.48

 

CMYK 45 / 0 / 59 / 55

HEX #3F722F

RGB 63 114 47

HSL 105.67, 0.42%, 0.32%

LAB 43.21, -30.9, 31.41

 

CMYK 45 / 0 / 58 / 44

HEX #4F8F3C

RGB 79 143 60

HSL 106.27, 0.41%, 0.4%

LAB 53.64, -36.96, 37.28

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 37 / 0 / 48 / 26

HEX #76BC61

RGB 118 188 97

HSL 106.15, 0.4%, 0.56%

LAB 69.95, -39.33, 39.03

 

CMYK 29 / 0 / 37 / 21

HEX #8FC97E

RGB 143 201 126

HSL 106.4, 0.41%, 0.64%

LAB 75.53, -32.81, 31.65

 

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

CMYK 58 / 0 / 2 / 33

HEX #48ACA9

RGB 72 172 169

HSL 178.2, 0.41%, 0.48%

LAB 64.76, -29.53, -7.21

 

CMYK 0 / 58 / 22 / 33

HEX #AC4887

RGB 172 72 135

HSL 322.2, 0.41%, 0.48%

LAB 45.85, 48.15, -15.18

 

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

CMYK 58 / 45 / 0 / 33

HEX #485FAC

RGB 72 95 172

HSL 226.2, 0.41%, 0.48%

LAB 42.06, 15.11, -43.96

 

CMYK 0 / 58 / 45 / 33

HEX #AC485F

RGB 172 72 95

HSL 346.2, 0.41%, 0.48%

LAB 44.56, 43.11, 7.36

 

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

CMYK 58 / 0 / 2 / 33

HEX #48ACA9

RGB 72 172 169

HSL 178.2, 0.41%, 0.48%

LAB 64.76, -29.53, -7.21

 

CMYK 13 / 58 / 0 / 33

HEX #9548AC

RGB 149 72 172

HSL 286.2, 0.41%, 0.48%

LAB 44.24, 48.09, -40.05

 

CMYK 0 / 58 / 56 / 33

HEX #AC484B

RGB 172 72 75

HSL 358.2, 0.41%, 0.48%

LAB 44.11, 41.25, 18.98

 

CMYK 45 / 0 / 58 / 32

HEX #60AD49

RGB 96 173 73

HSL 106.2, 0.41%, 0.48%

LAB 64.04, -42.89, 43.36

 

CMYK 58 / 16 / 0 / 33

HEX #4891AC

RGB 72 145 172

HSL 196.2, 0.41%, 0.48%

LAB 56.69, -14.72, -21.08

 

CMYK 13 / 58 / 0 / 33

HEX #9548AC

RGB 149 72 172

HSL 286.2, 0.41%, 0.48%

LAB 44.24, 48.09, -40.05

 

CMYK 0 / 43 / 58 / 33

HEX #AC6248

RGB 172 98 72

HSL 15.6, 0.41%, 0.48%

LAB 49.46, 27.36, 27.69

 

Description

Color code: HEX #60AD49 | qconv.com Color code: HEX #60AD49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 173 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 173 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 58 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 58% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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