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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60AE04 it is the complementary color #9F51FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60AE04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60AE04 shade: #65AE00, #76C012, #87D225, #98E438 and #A9F64B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60AE04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60AE04 shade: #60AE04, #4F9C00, #3E8A00, #2D7800 and #1C6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60AE04 shade: #60AE03, #8EAE03, #AEA103, #AE7203 and #AE4403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60AE04 shade: #60AE03, #32AE03, #03AE03, #03AE31 and #03AE5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60AE04 shade matches the following richer shades: #60AE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60AE04 shade: #60AE03, #5FA012, #5D9220, #5C832E and #5B753D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60AE04 shade: #AEA003, #8FAE03, #61AE03, #34AE03 and #06AE03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60AE04 shade: #335E01, #4A8602, #60AE03, #76D704 and #8CFA0A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60AE04 shade: #60AE04, #03AE72 and #AE03A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60AE04 shade: #60AE04, #0361AE and #AE0361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60AE04 shade: #60AE04, #03AE72, #5003AE and #AE033F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60AE04 shade: #60AE04, #03AEA6, #5003AE and #AE030C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

Complementary color

CMYK 37 / 68 / 0 / 2

HEX #9F51FB

RGB 159 81 251

HSL 267.53, 0.96%, 0.65%

LAB 52.09, 63.72, -72.6

 

CMYK 42 / 0 / 100 / 32

HEX #65AE00

RGB 101 174 0

HSL 85.17, 1%, 0.34%

LAB 64.19, -45.79, 65.25

 

CMYK 39 / 0 / 91 / 25

HEX #76C012

RGB 118 192 18

HSL 85.52, 0.83%, 0.41%

LAB 70.59, -46.88, 68.39

 

CMYK 36 / 0 / 82 / 18

HEX #87D225

RGB 135 210 37

HSL 86.01, 0.7%, 0.48%

LAB 76.91, -47.72, 70.23

 

CMYK 33 / 0 / 75 / 11

HEX #98E438

RGB 152 228 56

HSL 86.51, 0.76%, 0.56%

LAB 83.15, -48.34, 70.94

 

CMYK 31 / 0 / 70 / 4

HEX #A9F64B

RGB 169 246 75

HSL 87.02, 0.9%, 0.63%

LAB 89.32, -48.78, 70.94

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 49 / 0 / 100 / 39

HEX #4F9C00

RGB 79 156 0

HSL 89.62, 1%, 0.31%

LAB 57.5, -45.94, 59.62

 

CMYK 55 / 0 / 100 / 46

HEX #3E8A00

RGB 62 138 0

HSL 93.04, 1%, 0.27%

LAB 50.92, -44.24, 54.16

 

CMYK 63 / 0 / 100 / 53

HEX #2D7800

RGB 45 120 0

HSL 97.5, 1%, 0.24%

LAB 44.22, -42.3, 48.63

 

CMYK 73 / 0 / 100 / 60

HEX #1C6600

RGB 28 102 0

HSL 103.53, 1%, 0.2%

LAB 37.39, -39.95, 43

 

CMYK 45 / 0 / 98 / 32

HEX #60AE03

RGB 96 174 3

HSL 87.37, 0.97%, 0.35%

LAB 63.97, -47.42, 64.59

 

CMYK 18 / 0 / 98 / 32

HEX #8EAE03

RGB 142 174 3

HSL 71.23, 0.97%, 0.35%

LAB 66.54, -29.94, 67.7

 

CMYK 0 / 7 / 98 / 32

HEX #AEA103

RGB 174 161 3

HSL 55.44, 0.97%, 0.35%

LAB 65.35, -9.41, 67.93

 

CMYK 0 / 34 / 98 / 32

HEX #AE7203

RGB 174 114 3

HSL 38.95, 0.97%, 0.35%

LAB 52.99, 16.39, 59.16

 

CMYK 0 / 61 / 98 / 32

HEX #AE4403

RGB 174 68 3

HSL 22.81, 0.97%, 0.35%

LAB 42.97, 40.9, 52.77

 

CMYK 45 / 0 / 98 / 32

HEX #60AE03

RGB 96 174 3

HSL 87.37, 0.97%, 0.35%

LAB 63.97, -47.42, 64.59

 

CMYK 71 / 0 / 98 / 32

HEX #32AE03

RGB 50 174 3

HSL 103.51, 0.97%, 0.35%

LAB 62.47, -59.5, 62.76

 

CMYK 98 / 0 / 98 / 32

HEX #03AE03

RGB 3 174 3

HSL 120, 0.97%, 0.35%

LAB 61.91, -64.48, 62.08

 

CMYK 98 / 0 / 72 / 32

HEX #03AE31

RGB 3 174 49

HSL 136.14, 0.97%, 0.35%

LAB 62.09, -62.11, 51

 

CMYK 98 / 0 / 45 / 32

HEX #03AE5F

RGB 3 174 95

HSL 152.28, 0.97%, 0.35%

LAB 62.61, -55.79, 30.16

 

CMYK 45 / 0 / 98 / 32

HEX #60AE03

RGB 96 174 3

HSL 87.37, 0.97%, 0.35%

LAB 63.97, -47.42, 64.59

 

CMYK 45 / 0 / 98 / 32

HEX #60AE03

RGB 96 174 3

HSL 87.37, 0.97%, 0.35%

LAB 63.97, -47.42, 64.59

 

CMYK 41 / 0 / 89 / 37

HEX #5FA012

RGB 95 160 18

HSL 87.46, 0.8%, 0.35%

LAB 59.54, -41.71, 58.69

 

CMYK 36 / 0 / 78 / 43

HEX #5D9220

RGB 93 146 32

HSL 87.89, 0.64%, 0.35%

LAB 55.06, -35.77, 50.85

 

CMYK 30 / 0 / 65 / 49

HEX #5C832E

RGB 92 131 46

HSL 87.53, 0.48%, 0.35%

LAB 50.34, -28.18, 40.41

 

CMYK 22 / 0 / 48 / 54

HEX #5B753D

RGB 91 117 61

HSL 87.86, 0.31%, 0.35%

LAB 46.02, -19.9, 27.75

 

CMYK 0 / 8 / 98 / 32

HEX #AEA003

RGB 174 160 3

HSL 55.09, 0.97%, 0.35%

LAB 65.08, -8.88, 67.73

 

CMYK 18 / 0 / 98 / 32

HEX #8FAE03

RGB 143 174 3

HSL 70.88, 0.97%, 0.35%

LAB 66.61, -29.52, 67.78

 

CMYK 44 / 0 / 98 / 32

HEX #61AE03

RGB 97 174 3

HSL 87.02, 0.97%, 0.35%

LAB 64.01, -47.09, 64.65

 

CMYK 70 / 0 / 98 / 32

HEX #34AE03

RGB 52 174 3

HSL 102.81, 0.97%, 0.35%

LAB 62.52, -59.12, 62.82

 

CMYK 97 / 0 / 98 / 32

HEX #06AE03

RGB 6 174 3

HSL 118.95, 0.97%, 0.35%

LAB 61.93, -64.33, 62.1

 

CMYK 46 / 0 / 99 / 63

HEX #335E01

RGB 51 94 1

HSL 87.74, 0.98%, 0.19%

LAB 35.42, -29.75, 41.51

 

CMYK 45 / 0 / 99 / 47

HEX #4A8602

RGB 74 134 2

HSL 87.27, 0.97%, 0.27%

LAB 50.11, -38.66, 53.36

 

CMYK 45 / 0 / 98 / 32

HEX #60AE03

RGB 96 174 3

HSL 87.37, 0.97%, 0.35%

LAB 63.97, -47.42, 64.59

 

CMYK 45 / 0 / 98 / 16

HEX #76D704

RGB 118 215 4

HSL 87.58, 0.96%, 0.43%

LAB 77.56, -56.17, 75.61

 

CMYK 44 / 0 / 96 / 2

HEX #8CFA0A

RGB 140 250 10

HSL 87.5, 0.96%, 0.51%

LAB 88.91, -62.33, 84.48

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 98 / 0 / 34 / 32

HEX #03AE72

RGB 3 174 114

HSL 158.95, 0.97%, 0.35%

LAB 62.93, -51.98, 20.46

 

CMYK 0 / 98 / 5 / 32

HEX #AE03A6

RGB 174 3 166

HSL 302.81, 0.97%, 0.35%

LAB 40.92, 72.29, -41.51

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 98 / 44 / 0 / 32

HEX #0361AE

RGB 3 97 174

HSL 207.02, 0.97%, 0.35%

LAB 40.61, 6.48, -47.58

 

CMYK 0 / 98 / 44 / 32

HEX #AE0361

RGB 174 3 97

HSL 327.02, 0.97%, 0.35%

LAB 37.71, 64.12, -3.79

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 98 / 0 / 34 / 32

HEX #03AE72

RGB 3 174 114

HSL 158.95, 0.97%, 0.35%

LAB 62.93, -51.98, 20.46

 

CMYK 54 / 98 / 0 / 32

HEX #5003AE

RGB 80 3 174

HSL 267.02, 0.97%, 0.35%

LAB 26.23, 61.47, -70.89

 

CMYK 0 / 98 / 64 / 32

HEX #AE033F

RGB 174 3 63

HSL 338.95, 0.97%, 0.35%

LAB 36.79, 61.64, 16.84

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 98 / 0 / 5 / 32

HEX #03AEA6

RGB 3 174 166

HSL 177.19, 0.97%, 0.35%

LAB 64.2, -38.42, -6.49

 

CMYK 54 / 98 / 0 / 32

HEX #5003AE

RGB 80 3 174

HSL 267.02, 0.97%, 0.35%

LAB 26.23, 61.47, -70.89

 

CMYK 0 / 98 / 93 / 32

HEX #AE030C

RGB 174 3 12

HSL 356.84, 0.97%, 0.35%

LAB 36.16, 59.93, 45.7

 

Description

Color code: HEX #60AE04 | qconv.com Color code: HEX #60AE04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 174 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 174 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 98 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 98% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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