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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60B819 it is the complementary color #9F47E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60B819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60B819 shade: #65B814, #76CA27, #87DC3A, #98EE4D and #A9FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60B819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60B819 shade: #60B819, #4FA606, #3E9400, #2D8200 and #1C7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60B819 shade: #60B819, #8AB819, #B5B819, #B88F19 and #B86419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60B819 shade: #60B819, #35B819, #19B827, #19B852 and #19B87D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60B819 shade matches the following richer shades: #60B819 and #5EC808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60B819 shade: #60B819, #61A72A, #63963A, #65854B and #67745C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60B819 shade: #B5B819, #8AB819, #60B819, #36B819 and #19B826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60B819 shade: #3A6F0F, #4D9314, #60B819, #72DC1E and #88E43E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60B819 shade: #60B819, #19B890 and #B819A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60B819 shade: #60B819, #1960B8 and #B81960

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60B819 shade: #60B819, #19B890, #7019B8 and #B81940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60B819 shade: #60B819, #19B0B8, #7019B8 and #B82119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

Complementary color

CMYK 31 / 69 / 0 / 10

HEX #9F47E6

RGB 159 71 230

HSL 273.21, 0.76%, 0.59%

LAB 49, 63.41, -65.84

 

CMYK 45 / 0 / 89 / 28

HEX #65B814

RGB 101 184 20

HSL 90.37, 0.8%, 0.4%

LAB 67.35, -49.36, 65.03

 

CMYK 42 / 0 / 81 / 21

HEX #76CA27

RGB 118 202 39

HSL 90.92, 0.68%, 0.47%

LAB 73.7, -50.2, 66.52

 

CMYK 39 / 0 / 74 / 14

HEX #87DC3A

RGB 135 220 58

HSL 91.48, 0.7%, 0.55%

LAB 79.98, -50.77, 66.95

 

CMYK 36 / 0 / 68 / 7

HEX #98EE4D

RGB 152 238 77

HSL 92.05, 0.83%, 0.62%

LAB 86.19, -51.16, 66.72

 

CMYK 34 / 0 / 62 / 0

HEX #A9FF60

RGB 169 255 96

HSL 92.45, 1%, 0.69%

LAB 92.04, -50.99, 65.8

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 52 / 0 / 96 / 35

HEX #4FA606

RGB 79 166 6

HSL 92.63, 0.93%, 0.34%

LAB 60.74, -49.63, 61.31

 

CMYK 58 / 0 / 100 / 42

HEX #3E9400

RGB 62 148 0

HSL 94.86, 1%, 0.29%

LAB 54.24, -47.98, 56.78

 

CMYK 65 / 0 / 100 / 49

HEX #2D8200

RGB 45 130 0

HSL 99.23, 1%, 0.25%

LAB 47.65, -45.93, 51.34

 

CMYK 75 / 0 / 100 / 56

HEX #1C7000

RGB 28 112 0

HSL 105, 1%, 0.22%

LAB 40.95, -43.43, 45.83

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 25 / 0 / 86 / 28

HEX #8AB819

RGB 138 184 25

HSL 77.36, 0.76%, 0.41%

LAB 69.29, -35.76, 66.45

 

CMYK 2 / 0 / 86 / 28

HEX #B5B819

RGB 181 184 25

HSL 61.13, 0.76%, 0.41%

LAB 72.35, -17.79, 70.23

 

CMYK 0 / 22 / 86 / 28

HEX #B88F19

RGB 184 143 25

HSL 44.53, 0.76%, 0.41%

LAB 61.57, 5.18, 61.54

 

CMYK 0 / 46 / 86 / 28

HEX #B86419

RGB 184 100 25

HSL 28.3, 0.76%, 0.41%

LAB 51.12, 28.89, 52.95

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 71 / 0 / 86 / 28

HEX #35B819

RGB 53 184 25

HSL 109.43, 0.76%, 0.41%

LAB 65.83, -61.48, 62.11

 

CMYK 86 / 0 / 79 / 28

HEX #19B827

RGB 25 184 39

HSL 125.28, 0.76%, 0.41%

LAB 65.46, -64.49, 57.89

 

CMYK 86 / 0 / 55 / 28

HEX #19B852

RGB 25 184 82

HSL 141.51, 0.76%, 0.41%

LAB 65.82, -60.01, 40.73

 

CMYK 86 / 0 / 32 / 28

HEX #19B87D

RGB 25 184 125

HSL 157.74, 0.76%, 0.41%

LAB 66.5, -52.15, 19.4

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 42 / 0 / 75 / 35

HEX #61A72A

RGB 97 167 42

HSL 93.6, 0.6%, 0.41%

LAB 61.95, -42.79, 54.14

 

CMYK 34 / 0 / 61 / 41

HEX #63963A

RGB 99 150 58

HSL 93.26, 0.44%, 0.41%

LAB 56.85, -33.32, 42.2

 

CMYK 24 / 0 / 44 / 48

HEX #65854B

RGB 101 133 75

HSL 93.1, 0.28%, 0.41%

LAB 51.89, -22.3, 27.63

 

CMYK 11 / 0 / 21 / 55

HEX #67745C

RGB 103 116 92

HSL 92.5, 0.12%, 0.41%

LAB 47.17, -9.66, 11.66

 

CMYK 2 / 0 / 86 / 28

HEX #B5B819

RGB 181 184 25

HSL 61.13, 0.76%, 0.41%

LAB 72.35, -17.79, 70.23

 

CMYK 25 / 0 / 86 / 28

HEX #8AB819

RGB 138 184 25

HSL 77.36, 0.76%, 0.41%

LAB 69.29, -35.76, 66.45

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 71 / 0 / 86 / 28

HEX #36B819

RGB 54 184 25

HSL 109.06, 0.76%, 0.41%

LAB 65.85, -61.3, 62.13

 

CMYK 86 / 0 / 79 / 28

HEX #19B826

RGB 25 184 38

HSL 124.91, 0.76%, 0.41%

LAB 65.46, -64.56, 58.19

 

CMYK 48 / 0 / 86 / 56

HEX #3A6F0F

RGB 58 111 15

HSL 93.13, 0.76%, 0.25%

LAB 41.69, -34.07, 43.16

 

CMYK 48 / 0 / 86 / 42

HEX #4D9314

RGB 77 147 20

HSL 93.07, 0.76%, 0.33%

LAB 54.55, -42.44, 53.6

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 48 / 0 / 86 / 14

HEX #72DC1E

RGB 114 220 30

HSL 93.47, 0.76%, 0.49%

LAB 78.96, -58.71, 73.22

 

CMYK 40 / 0 / 73 / 11

HEX #88E43E

RGB 136 228 62

HSL 93.25, 0.75%, 0.57%

LAB 82.42, -53.4, 68.02

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 86 / 0 / 22 / 28

HEX #19B890

RGB 25 184 144

HSL 164.91, 0.76%, 0.41%

LAB 66.9, -47.68, 9.63

 

CMYK 0 / 86 / 13 / 28

HEX #B819A0

RGB 184 25 160

HSL 309.06, 0.76%, 0.41%

LAB 43.39, 70.47, -33.88

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 86 / 48 / 0 / 28

HEX #1960B8

RGB 25 96 184

HSL 213.21, 0.76%, 0.41%

LAB 41.27, 12.31, -52.38

 

CMYK 0 / 86 / 48 / 28

HEX #B81960

RGB 184 25 96

HSL 333.21, 0.76%, 0.41%

LAB 40.78, 63.28, 1.59

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 86 / 0 / 22 / 28

HEX #19B890

RGB 25 184 144

HSL 164.91, 0.76%, 0.41%

LAB 66.9, -47.68, 9.63

 

CMYK 39 / 86 / 0 / 28

HEX #7019B8

RGB 112 25 184

HSL 272.83, 0.76%, 0.41%

LAB 33.14, 62.44, -65.34

 

CMYK 0 / 86 / 65 / 28

HEX #B81940

RGB 184 25 64

HSL 345.28, 0.76%, 0.41%

LAB 40.01, 61.05, 20.82

 

CMYK 48 / 0 / 86 / 28

HEX #60B819

RGB 96 184 25

HSL 93.21, 0.76%, 0.41%

LAB 67.16, -50.78, 63.78

 

CMYK 86 / 4 / 0 / 28

HEX #19B0B8

RGB 25 176 184

HSL 183.02, 0.76%, 0.41%

LAB 65.53, -32.87, -14.5

 

CMYK 39 / 86 / 0 / 28

HEX #7019B8

RGB 112 25 184

HSL 272.83, 0.76%, 0.41%

LAB 33.14, 62.44, -65.34

 

CMYK 0 / 82 / 86 / 28

HEX #B82119

RGB 184 33 25

HSL 3.02, 0.76%, 0.41%

LAB 40.16, 57.71, 43.79

 

Description

Color code: HEX #60B819 | qconv.com Color code: HEX #60B819 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 184 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 184 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 86 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 86% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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