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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60D024 it is the complementary color #9F2FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60D024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60D024 shade: #65D01F, #76E232, #87F445, #98FF58 and #A9FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60D024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60D024 shade: #60D024, #4FBE11, #3EAC00, #2D9A00 and #1C8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60D024 shade: #60D024, #8ED024, #BCD024, #D0B524 and #D08624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60D024 shade: #60D024, #32D024, #24D045, #24D073 and #24D0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60D024 shade matches the following richer shades: #60D024 and #5AE310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60D024 shade: #60D024, #66BC38, #6CA84C, #729460 and #788073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60D024 shade: #BCD024, #8ED024, #60D024, #32D024 and #24D044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60D024 shade: #3F8918, #50AD1E, #60D024, #77DD40 and #90E363

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60D024 shade: #60D024, #24D0B6 and #D024A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60D024 shade: #60D024, #2460D0 and #D02460

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60D024 shade: #60D024, #24D0B6, #9424D0 and #D0243E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60D024 shade: #60D024, #24B6D0, #9424D0 and #D03E24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

Complementary color

CMYK 27 / 79 / 0 / 14

HEX #9F2FDB

RGB 159 47 219

HSL 279.07, 0.7%, 0.52%

LAB 44.97, 70.3, -66.12

 

CMYK 51 / 0 / 85 / 18

HEX #65D01F

RGB 101 208 31

HSL 96.27, 0.74%, 0.47%

LAB 74.81, -58.06, 69.22

 

CMYK 48 / 0 / 78 / 11

HEX #76E232

RGB 118 226 50

HSL 96.82, 0.75%, 0.54%

LAB 81, -58.9, 70.18

 

CMYK 45 / 0 / 72 / 4

HEX #87F445

RGB 135 244 69

HSL 97.37, 0.89%, 0.61%

LAB 87.13, -59.47, 70.32

 

CMYK 40 / 0 / 65 / 0

HEX #98FF58

RGB 152 255 88

HSL 97.01, 1%, 0.67%

LAB 91.19, -57.13, 67.8

 

CMYK 34 / 0 / 58 / 0

HEX #A9FF6B

RGB 169 255 107

HSL 94.86, 1%, 0.71%

LAB 92.14, -50.03, 61.32

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 58 / 0 / 91 / 25

HEX #4FBE11

RGB 79 190 17

HSL 98.5, 0.84%, 0.41%

LAB 68.41, -58.06, 66.1

 

CMYK 64 / 0 / 100 / 33

HEX #3EAC00

RGB 62 172 0

HSL 98.37, 1%, 0.34%

LAB 62.11, -56.41, 63

 

CMYK 71 / 0 / 100 / 40

HEX #2D9A00

RGB 45 154 0

HSL 102.47, 1%, 0.3%

LAB 55.75, -54.09, 57.77

 

CMYK 79 / 0 / 100 / 47

HEX #1C8800

RGB 28 136 0

HSL 107.65, 1%, 0.27%

LAB 49.32, -51.29, 52.5

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 32 / 0 / 83 / 18

HEX #8ED024

RGB 142 208 36

HSL 83.02, 0.7%, 0.48%

LAB 76.67, -44.41, 70.4

 

CMYK 10 / 0 / 83 / 18

HEX #BCD024

RGB 188 208 36

HSL 66.98, 0.7%, 0.48%

LAB 79.57, -26.3, 74.05

 

CMYK 0 / 13 / 83 / 18

HEX #D0B524

RGB 208 181 36

HSL 50.58, 0.7%, 0.48%

LAB 73.92, -4.2, 69.89

 

CMYK 0 / 36 / 83 / 18

HEX #D08624

RGB 208 134 36

HSL 34.19, 0.7%, 0.48%

LAB 62.16, 21, 59.78

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 76 / 0 / 83 / 18

HEX #32D024

RGB 50 208 36

HSL 115.12, 0.7%, 0.48%

LAB 73.49, -68.88, 66.35

 

CMYK 83 / 0 / 67 / 18

HEX #24D045

RGB 36 208 69

HSL 131.51, 0.7%, 0.48%

LAB 73.49, -68.15, 55.29

 

CMYK 83 / 0 / 45 / 18

HEX #24D073

RGB 36 208 115

HSL 147.56, 0.7%, 0.48%

LAB 74.01, -61.85, 34.64

 

CMYK 83 / 0 / 23 / 18

HEX #24D0A1

RGB 36 208 161

HSL 163.6, 0.7%, 0.48%

LAB 74.86, -52.29, 11.74

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 60 / 0 / 93 / 11

HEX #5AE310

RGB 90 227 16

HSL 98.96, 0.87%, 0.48%

LAB 80.26, -67.9, 76.2

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 46 / 0 / 70 / 26

HEX #66BC38

RGB 102 188 56

HSL 99.09, 0.54%, 0.48%

LAB 68.81, -48.74, 55.95

 

CMYK 36 / 0 / 55 / 34

HEX #6CA84C

RGB 108 168 76

HSL 99.13, 0.38%, 0.48%

LAB 63.11, -36.37, 40.97

 

CMYK 23 / 0 / 35 / 42

HEX #729460

RGB 114 148 96

HSL 99.23, 0.21%, 0.48%

LAB 57.66, -21.88, 23.76

 

CMYK 6 / 0 / 10 / 50

HEX #788073

RGB 120 128 115

HSL 96.92, 0.05%, 0.48%

LAB 52.59, -5.55, 6.04

 

CMYK 10 / 0 / 83 / 18

HEX #BCD024

RGB 188 208 36

HSL 66.98, 0.7%, 0.48%

LAB 79.57, -26.3, 74.05

 

CMYK 32 / 0 / 83 / 18

HEX #8ED024

RGB 142 208 36

HSL 83.02, 0.7%, 0.48%

LAB 76.67, -44.41, 70.4

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 76 / 0 / 83 / 18

HEX #32D024

RGB 50 208 36

HSL 115.12, 0.7%, 0.48%

LAB 73.49, -68.88, 66.35

 

CMYK 83 / 0 / 67 / 18

HEX #24D044

RGB 36 208 68

HSL 131.16, 0.7%, 0.48%

LAB 73.48, -68.25, 55.68

 

CMYK 54 / 0 / 82 / 46

HEX #3F8918

RGB 63 137 24

HSL 99.29, 0.7%, 0.32%

LAB 50.7, -42.67, 48.82

 

CMYK 54 / 0 / 83 / 32

HEX #50AD1E

RGB 80 173 30

HSL 99.02, 0.7%, 0.4%

LAB 63.08, -51.18, 58.71

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 46 / 0 / 71 / 13

HEX #77DD40

RGB 119 221 64

HSL 98.98, 0.7%, 0.56%

LAB 79.62, -55.85, 64.28

 

CMYK 37 / 0 / 56 / 11

HEX #90E363

RGB 144 227 99

HSL 98.91, 0.7%, 0.64%

LAB 82.79, -47.34, 53.77

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 83 / 0 / 13 / 18

HEX #24D0B6

RGB 36 208 182

HSL 170.93, 0.7%, 0.48%

LAB 75.37, -46.98, 1.18

 

CMYK 0 / 83 / 21 / 18

HEX #D024A5

RGB 208 36 165

HSL 315, 0.7%, 0.48%

LAB 48.75, 73.88, -28.18

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 83 / 54 / 0 / 18

HEX #2460D0

RGB 36 96 208

HSL 219.07, 0.7%, 0.48%

LAB 43.2, 22.58, -63.14

 

CMYK 0 / 83 / 54 / 18

HEX #D02460

RGB 208 36 96

HSL 339.07, 0.7%, 0.48%

LAB 46.33, 66.98, 10.15

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 83 / 0 / 13 / 18

HEX #24D0B6

RGB 36 208 182

HSL 170.93, 0.7%, 0.48%

LAB 75.37, -46.98, 1.18

 

CMYK 29 / 83 / 0 / 18

HEX #9424D0

RGB 148 36 208

HSL 279.07, 0.7%, 0.48%

LAB 41.39, 69.65, -65.68

 

CMYK 0 / 83 / 70 / 18

HEX #D0243E

RGB 208 36 62

HSL 350.93, 0.7%, 0.48%

LAB 45.66, 64.97, 30.18

 

CMYK 54 / 0 / 83 / 18

HEX #60D024

RGB 96 208 36

HSL 99.07, 0.7%, 0.48%

LAB 74.65, -59.25, 67.84

 

CMYK 83 / 13 / 0 / 18

HEX #24B6D0

RGB 36 182 208

HSL 189.07, 0.7%, 0.48%

LAB 68.3, -27.39, -23.54

 

CMYK 29 / 83 / 0 / 18

HEX #9424D0

RGB 148 36 208

HSL 279.07, 0.7%, 0.48%

LAB 41.39, 69.65, -65.68

 

CMYK 0 / 70 / 83 / 18

HEX #D03E24

RGB 208 62 36

HSL 9.07, 0.7%, 0.48%

LAB 48.24, 56.02, 47.36

 

Description

Color code: HEX #60D024 | qconv.com Color code: HEX #60D024 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 208 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 208 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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