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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60D18B it is the complementary color #9F2E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60D18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60D18B shade: #65D186, #76E399, #87F5AC, #98FFBF and #A9FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60D18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60D18B shade: #60D18B, #4FBF78, #3EAD65, #2D9B52 and #1C893F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60D18B shade: #60D18B, #60D16D, #72D160, #90D160 and #AFD160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60D18B shade: #60D18B, #60D1A9, #60D1C8, #60BBD1 and #609DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60D18B shade matches the following richer shades: #60D18B, #50E187 and #3FF283

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60D18B shade: #60D18B, #71C08F, #81B093, #929F97 and #A28F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60D18B shade: #73D160, #60D16C, #60D18A, #60D1A7 and #60D1C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60D18B shade: #32AD61, #40C774, #60D18B, #80DAA2 and #A0E3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60D18B shade: #60D18B, #6091D1 and #D16064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60D18B shade: #60D18B, #8A60D1 and #D18A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60D18B shade: #60D18B, #6091D1, #D160A7 and #D1A060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60D18B shade: #60D18B, #606FD1, #D160A7 and #D1C260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

Complementary color

CMYK 0 / 71 / 27 / 38

HEX #9F2E74

RGB 159 46 116

HSL 322.83, 0.55%, 0.4%

LAB 38.87, 52.86, -14.33

 

CMYK 52 / 0 / 36 / 18

HEX #65D186

RGB 101 209 134

HSL 138.33, 0.54%, 0.61%

LAB 76.12, -47.55, 27.96

 

CMYK 48 / 0 / 33 / 11

HEX #76E399

RGB 118 227 153

HSL 139.27, 0.66%, 0.68%

LAB 82.43, -47.42, 26.72

 

CMYK 45 / 0 / 30 / 4

HEX #87F5AC

RGB 135 245 172

HSL 140.18, 0.85%, 0.75%

LAB 88.65, -47.23, 25.56

 

CMYK 40 / 0 / 25 / 0

HEX #98FFBF

RGB 152 255 191

HSL 142.72, 1%, 0.8%

LAB 92.56, -43.54, 21.35

 

CMYK 34 / 0 / 18 / 0

HEX #A9FFD2

RGB 169 255 210

HSL 148.6, 1%, 0.83%

LAB 93.71, -35.22, 13.37

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 59 / 0 / 37 / 25

HEX #4FBF78

RGB 79 191 120

HSL 141.96, 0.47%, 0.53%

LAB 69.67, -47.86, 26.53

 

CMYK 64 / 0 / 42 / 32

HEX #3EAD65

RGB 62 173 101

HSL 141.08, 0.47%, 0.46%

LAB 63.22, -47.68, 27.96

 

CMYK 71 / 0 / 47 / 39

HEX #2D9B52

RGB 45 155 82

HSL 140.18, 0.55%, 0.39%

LAB 56.69, -47.24, 29.5

 

CMYK 80 / 0 / 54 / 46

HEX #1C893F

RGB 28 137 63

HSL 139.27, 0.66%, 0.32%

LAB 50.09, -46.34, 31.14

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 54 / 0 / 48 / 18

HEX #60D16D

RGB 96 209 109

HSL 126.9, 0.55%, 0.6%

LAB 75.57, -52.82, 39.88

 

CMYK 45 / 0 / 54 / 18

HEX #72D160

RGB 114 209 96

HSL 110.44, 0.55%, 0.6%

LAB 76.08, -49.62, 46.92

 

CMYK 31 / 0 / 54 / 18

HEX #90D160

RGB 144 209 96

HSL 94.51, 0.55%, 0.6%

LAB 77.5, -39.89, 48.95

 

CMYK 16 / 0 / 54 / 18

HEX #AFD160

RGB 175 209 96

HSL 78.05, 0.55%, 0.6%

LAB 79.36, -28.43, 51.6

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 54 / 0 / 19 / 18

HEX #60D1A9

RGB 96 209 169

HSL 158.76, 0.55%, 0.6%

LAB 76.65, -41.7, 10.18

 

CMYK 54 / 0 / 4 / 18

HEX #60D1C8

RGB 96 209 200

HSL 175.22, 0.55%, 0.6%

LAB 77.43, -34.23, -5.32

 

CMYK 54 / 11 / 0 / 18

HEX #60BBD1

RGB 96 187 209

HSL 191.68, 0.55%, 0.6%

LAB 71.3, -21.02, -19.38

 

CMYK 54 / 25 / 0 / 18

HEX #609DD1

RGB 96 157 209

HSL 207.61, 0.55%, 0.6%

LAB 62.68, -4.91, -32.62

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 64 / 0 / 40 / 12

HEX #50E187

RGB 80 225 135

HSL 142.76, 0.71%, 0.6%

LAB 80.35, -58.27, 32.93

 

CMYK 74 / 0 / 46 / 5

HEX #3FF283

RGB 63 242 131

HSL 142.79, 0.87%, 0.6%

LAB 85.1, -67.75, 40.99

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 41 / 0 / 26 / 25

HEX #71C08F

RGB 113 192 143

HSL 142.78, 0.39%, 0.6%

LAB 71.69, -35.2, 17.23

 

CMYK 27 / 0 / 16 / 31

HEX #81B093

RGB 129 176 147

HSL 142.98, 0.23%, 0.6%

LAB 67.89, -21.75, 9.85

 

CMYK 8 / 0 / 5 / 38

HEX #929F97

RGB 146 159 151

HSL 143.08, 0.06%, 0.6%

LAB 64.28, -6.2, 2.58

 

CMYK 0 / 12 / 4 / 36

HEX #A28F9B

RGB 162 143 155

HSL 322.11, 0.09%, 0.6%

LAB 61.39, 9.26, -3.74

 

CMYK 45 / 0 / 54 / 18

HEX #73D160

RGB 115 209 96

HSL 109.91, 0.55%, 0.6%

LAB 76.12, -49.32, 46.98

 

CMYK 54 / 0 / 48 / 18

HEX #60D16C

RGB 96 209 108

HSL 126.37, 0.55%, 0.6%

LAB 75.56, -52.96, 40.36

 

CMYK 54 / 0 / 34 / 18

HEX #60D18A

RGB 96 209 138

HSL 142.3, 0.55%, 0.6%

LAB 76.02, -48.04, 25.71

 

CMYK 54 / 0 / 20 / 18

HEX #60D1A7

RGB 96 209 167

HSL 157.7, 0.55%, 0.6%

LAB 76.6, -42.15, 11.18

 

CMYK 54 / 0 / 6 / 18

HEX #60D1C5

RGB 96 209 197

HSL 173.63, 0.55%, 0.6%

LAB 77.35, -35, -3.83

 

CMYK 71 / 0 / 44 / 32

HEX #32AD61

RGB 50 173 97

HSL 142.93, 0.55%, 0.44%

LAB 62.87, -50.62, 29.56

 

CMYK 68 / 0 / 42 / 22

HEX #40C774

RGB 64 199 116

HSL 143.11, 0.55%, 0.52%

LAB 71.69, -54.69, 31.21

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 41 / 0 / 26 / 15

HEX #80DAA2

RGB 128 218 162

HSL 142.67, 0.55%, 0.68%

LAB 80.37, -39.16, 19.29

 

CMYK 30 / 0 / 18 / 11

HEX #A0E3BA

RGB 160 227 186

HSL 143.28, 0.54%, 0.76%

LAB 84.97, -29.39, 13.37

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 54 / 31 / 0 / 18

HEX #6091D1

RGB 96 145 209

HSL 213.98, 0.55%, 0.6%

LAB 59.29, 1.95, -37.9

 

CMYK 0 / 54 / 52 / 18

HEX #D16064

RGB 209 96 100

HSL 357.88, 0.55%, 0.6%

LAB 54.91, 44.99, 19.57

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 34 / 54 / 0 / 18

HEX #8A60D1

RGB 138 96 209

HSL 262.3, 0.55%, 0.6%

LAB 49.94, 41.05, -52.51

 

CMYK 0 / 34 / 54 / 18

HEX #D18A60

RGB 209 138 96

HSL 22.3, 0.55%, 0.6%

LAB 63.82, 22.66, 33.46

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 54 / 31 / 0 / 18

HEX #6091D1

RGB 96 145 209

HSL 213.98, 0.55%, 0.6%

LAB 59.29, 1.95, -37.9

 

CMYK 0 / 54 / 20 / 18

HEX #D160A7

RGB 209 96 167

HSL 322.3, 0.55%, 0.6%

LAB 56.79, 52.8, -16.96

 

CMYK 0 / 23 / 54 / 18

HEX #D1A060

RGB 209 160 96

HSL 33.98, 0.55%, 0.6%

LAB 69.14, 10.73, 40.08

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 54 / 47 / 0 / 18

HEX #606FD1

RGB 96 111 209

HSL 232.04, 0.55%, 0.6%

LAB 50.05, 22.38, -52.54

 

CMYK 0 / 54 / 20 / 18

HEX #D160A7

RGB 209 96 167

HSL 322.3, 0.55%, 0.6%

LAB 56.79, 52.8, -16.96

 

CMYK 0 / 7 / 54 / 18

HEX #D1C260

RGB 209 194 96

HSL 52.04, 0.55%, 0.6%

LAB 77.87, -7.26, 50.51

 

Description

Color code: HEX #60D18B | qconv.com Color code: HEX #60D18B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 209 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 209 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 33% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - デザイる2
Link: http://prime-time.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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