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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60DA82 it is the complementary color #9F257D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60DA82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60DA82 shade: #65DA7D, #76EC90, #87FEA3, #98FFB6 and #A9FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60DA82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60DA82 shade: #60DA82, #4FC86F, #3EB65C, #2DA449 and #1C9236

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60DA82 shade: #62DA83, #62DA63, #81DA62, #A1DA62 and #C2DA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60DA82 shade: #62DA83, #62DAA3, #62DAC4, #62CFDA and #62AFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60DA82 shade matches the following richer shades: #62DA83, #52E97C and #42F975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60DA82 shade: #62DA83, #71CA8A, #81BA91, #91AB98 and #A09B9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60DA82 shade: #82DA62, #62DA62, #62DA82, #62DAA2 and #62DAC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60DA82 shade: #2CBD54, #40D269, #62DA83, #83E29D and #A4E9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60DA82 shade: #60DA82, #62A2DA and #DA6272

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60DA82 shade: #60DA82, #8262DA and #DA8262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60DA82 shade: #60DA82, #62A2DA, #DA62BA and #DA9A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60DA82 shade: #60DA82, #627EDA, #DA62BA and #DABE62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

Complementary color

CMYK 0 / 77 / 21 / 38

HEX #9F257D

RGB 159 37 125

HSL 316.72, 0.62%, 0.38%

LAB 38.15, 57.18, -21.04

 

CMYK 54 / 0 / 43 / 15

HEX #65DA7D

RGB 101 218 125

HSL 132.31, 0.61%, 0.63%

LAB 78.69, -52.72, 35.92

 

CMYK 50 / 0 / 39 / 7

HEX #76EC90

RGB 118 236 144

HSL 133.22, 0.76%, 0.69%

LAB 84.92, -52.67, 34.62

 

CMYK 47 / 0 / 36 / 0

HEX #87FEA3

RGB 135 254 163

HSL 134.12, 0.98%, 0.76%

LAB 91.09, -52.53, 33.38

 

CMYK 40 / 0 / 29 / 0

HEX #98FFB6

RGB 152 255 182

HSL 137.48, 1%, 0.8%

LAB 92.39, -45.16, 25.69

 

CMYK 34 / 0 / 21 / 0

HEX #A9FFC9

RGB 169 255 201

HSL 142.33, 1%, 0.83%

LAB 93.53, -36.92, 17.71

 

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

CMYK 61 / 0 / 45 / 22

HEX #4FC86F

RGB 79 200 111

HSL 135.87, 0.52%, 0.55%

LAB 72.31, -52.98, 34.64

 

CMYK 66 / 0 / 49 / 29

HEX #3EB65C

RGB 62 182 92

HSL 135, 0.49%, 0.48%

LAB 65.94, -52.65, 36.09

 

CMYK 73 / 0 / 55 / 36

HEX #2DA449

RGB 45 164 73

HSL 134.12, 0.57%, 0.41%

LAB 59.52, -51.98, 37.6

 

CMYK 81 / 0 / 63 / 43

HEX #1C9236

RGB 28 146 54

HSL 133.22, 0.68%, 0.34%

LAB 53.03, -50.78, 39.06

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 55 / 0 / 55 / 15

HEX #62DA63

RGB 98 218 99

HSL 120.5, 0.62%, 0.62%

LAB 78.25, -57.12, 47.96

 

CMYK 41 / 0 / 55 / 15

HEX #81DA62

RGB 129 218 98

HSL 104.5, 0.62%, 0.62%

LAB 79.44, -48.51, 50.12

 

CMYK 26 / 0 / 55 / 15

HEX #A1DA62

RGB 161 218 98

HSL 88.5, 0.62%, 0.62%

LAB 81.07, -37.66, 52.45

 

CMYK 11 / 0 / 55 / 15

HEX #C2DA62

RGB 194 218 98

HSL 72, 0.62%, 0.62%

LAB 83.18, -25.14, 55.42

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 55 / 0 / 25 / 15

HEX #62DAA3

RGB 98 218 163

HSL 152.5, 0.62%, 0.62%

LAB 79.26, -46.45, 17.05

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 55 / 5 / 0 / 15

HEX #62CFDA

RGB 98 207 218

HSL 185.5, 0.62%, 0.62%

LAB 77.45, -28.09, -14.97

 

CMYK 55 / 20 / 0 / 15

HEX #62AFDA

RGB 98 175 218

HSL 201.5, 0.62%, 0.62%

LAB 68.25, -11.67, -28.96

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 65 / 0 / 47 / 9

HEX #52E97C

RGB 82 233 124

HSL 136.69, 0.77%, 0.62%

LAB 82.66, -62.64, 41.38

 

CMYK 73 / 0 / 53 / 2

HEX #42F975

RGB 66 249 117

HSL 136.72, 0.94%, 0.62%

LAB 87.09, -71.76, 50.1

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 44 / 0 / 32 / 21

HEX #71CA8A

RGB 113 202 138

HSL 136.85, 0.46%, 0.62%

LAB 74.56, -40.66, 23.85

 

CMYK 31 / 0 / 22 / 27

HEX #81BA91

RGB 129 186 145

HSL 136.84, 0.29%, 0.62%

LAB 70.75, -27.11, 14.97

 

CMYK 15 / 0 / 11 / 33

HEX #91AB98

RGB 145 171 152

HSL 136.15, 0.13%, 0.62%

LAB 67.59, -12.78, 6.79

 

CMYK 0 / 3 / 1 / 37

HEX #A09B9F

RGB 160 155 159

HSL 312, 0.03%, 0.62%

LAB 64.5, 2.57, -1.45

 

CMYK 40 / 0 / 55 / 15

HEX #82DA62

RGB 130 218 98

HSL 104, 0.62%, 0.62%

LAB 79.48, -48.19, 50.19

 

CMYK 55 / 0 / 55 / 15

HEX #62DA62

RGB 98 218 98

HSL 120, 0.62%, 0.62%

LAB 78.24, -57.24, 48.41

 

CMYK 55 / 0 / 40 / 15

HEX #62DA82

RGB 98 218 130

HSL 136, 0.62%, 0.62%

LAB 78.67, -52.63, 33.35

 

CMYK 55 / 0 / 26 / 15

HEX #62DAA2

RGB 98 218 162

HSL 152, 0.62%, 0.62%

LAB 79.24, -46.66, 17.55

 

CMYK 55 / 0 / 11 / 15

HEX #62DAC2

RGB 98 218 194

HSL 168, 0.62%, 0.62%

LAB 79.97, -39.47, 1.62

 

CMYK 77 / 0 / 56 / 26

HEX #2CBD54

RGB 44 189 84

HSL 136.55, 0.62%, 0.46%

LAB 67.7, -59.3, 42.09

 

CMYK 70 / 0 / 50 / 18

HEX #40D269

RGB 64 210 105

HSL 136.85, 0.62%, 0.54%

LAB 74.95, -60.5, 40.88

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 42 / 0 / 31 / 11

HEX #83E29D

RGB 131 226 157

HSL 136.42, 0.62%, 0.7%

LAB 82.73, -42.78, 25.15

 

CMYK 30 / 0 / 21 / 9

HEX #A4E9B8

RGB 164 233 184

HSL 137.39, 0.61%, 0.78%

LAB 86.82, -31.37, 17.04

 

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

CMYK 55 / 26 / 0 / 15

HEX #62A2DA

RGB 98 162 218

HSL 208, 0.62%, 0.62%

LAB 64.56, -4.52, -34.68

 

CMYK 0 / 55 / 48 / 15

HEX #DA6272

RGB 218 98 114

HSL 352, 0.62%, 0.62%

LAB 56.93, 48.45, 14.37

 

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

CMYK 40 / 55 / 0 / 15

HEX #8262DA

RGB 130 98 218

HSL 256, 0.62%, 0.62%

LAB 50.15, 40.4, -57.35

 

CMYK 0 / 40 / 55 / 15

HEX #DA8262

RGB 218 130 98

HSL 16, 0.62%, 0.62%

LAB 63.14, 30.75, 31.74

 

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

CMYK 55 / 26 / 0 / 15

HEX #62A2DA

RGB 98 162 218

HSL 208, 0.62%, 0.62%

LAB 64.56, -4.52, -34.68

 

CMYK 0 / 55 / 15 / 15

HEX #DA62BA

RGB 218 98 186

HSL 316, 0.62%, 0.62%

LAB 59.15, 57.37, -24.2

 

CMYK 0 / 29 / 55 / 15

HEX #DA9A62

RGB 218 154 98

HSL 28, 0.62%, 0.62%

LAB 68.68, 17.87, 38.7

 

CMYK 56 / 0 / 40 / 15

HEX #60DA82

RGB 96 218 130

HSL 136.72, 0.62%, 0.62%

LAB 78.6, -53.09, 33.25

 

CMYK 55 / 42 / 0 / 15

HEX #627EDA

RGB 98 126 218

HSL 226, 0.62%, 0.62%

LAB 54.64, 16.54, -50.3

 

CMYK 0 / 55 / 15 / 15

HEX #DA62BA

RGB 218 98 186

HSL 316, 0.62%, 0.62%

LAB 59.15, 57.37, -24.2

 

CMYK 0 / 13 / 55 / 15

HEX #DABE62

RGB 218 190 98

HSL 46, 0.62%, 0.62%

LAB 77.65, -1.29, 49.5

 

Description

Color code: HEX #60DA82 | qconv.com Color code: HEX #60DA82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 218 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 218 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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