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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60DCB9 it is the complementary color #9F2346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60DCB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60DCB9 shade: #65DCB4, #76EEC7, #87FFDA, #98FFED and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60DCB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60DCB9 shade: #60DCB9, #4FCAA6, #3EB893, #2DA680 and #1C946D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60DCB9 shade: #60DCB9, #60DC97, #60DC76, #6BDC60 and #8CDC60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60DCB9 shade: #60DCB9, #60DCDA, #60BCDC, #609ADC and #6079DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60DCB9 shade matches the following richer shades: #60DCB9, #50EBBF and #40FBC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60DCB9 shade: #60DCB9, #6FCCB2, #7FBCAB, #8FADA4 and #9E9D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60DCB9 shade: #60DC76, #60DC97, #60DCB8, #60DCDA and #60BDDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60DCB9 shade: #2ABF95, #3ED4AA, #60DCB9, #81E3C7 and #A3EAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60DCB9 shade: #60DCB9, #606ADC and #DC8760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60DCB9 shade: #60DCB9, #B860DC and #DCB860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60DCB9 shade: #60DCB9, #606ADC, #DC6083 and #DCD160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60DCB9 shade: #60DCB9, #7A60DC, #DC6083 and #C1DC60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

Complementary color

CMYK 0 / 78 / 56 / 38

HEX #9F2346

RGB 159 35 70

HSL 343.06, 0.64%, 0.38%

LAB 36.01, 51.91, 10.76

 

CMYK 54 / 0 / 18 / 14

HEX #65DCB4

RGB 101 220 180

HSL 159.83, 0.63%, 0.63%

LAB 80.32, -42.99, 9.57

 

CMYK 50 / 0 / 16 / 7

HEX #76EEC7

RGB 118 238 199

HSL 160.5, 0.78%, 0.7%

LAB 86.57, -42.94, 8.58

 

CMYK 47 / 0 / 15 / 0

HEX #87FFDA

RGB 135 255 218

HSL 161.5, 1%, 0.76%

LAB 92.46, -42.4, 7.26

 

CMYK 40 / 0 / 7 / 0

HEX #98FFED

RGB 152 255 237

HSL 169.51, 1%, 0.8%

LAB 93.58, -34.11, -0.83

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 61 / 0 / 18 / 21

HEX #4FCAA6

RGB 79 202 166

HSL 162.44, 0.54%, 0.55%

LAB 73.97, -42.78, 7.89

 

CMYK 66 / 0 / 20 / 28

HEX #3EB893

RGB 62 184 147

HSL 161.8, 0.5%, 0.48%

LAB 67.58, -42.53, 9.04

 

CMYK 73 / 0 / 23 / 35

HEX #2DA680

RGB 45 166 128

HSL 161.16, 0.57%, 0.41%

LAB 61.12, -42.06, 10.32

 

CMYK 81 / 0 / 26 / 42

HEX #1C946D

RGB 28 148 109

HSL 160.5, 0.68%, 0.35%

LAB 54.59, -41.27, 11.76

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 56 / 0 / 31 / 14

HEX #60DC97

RGB 96 220 151

HSL 146.61, 0.64%, 0.62%

LAB 79.56, -50.13, 23.74

 

CMYK 56 / 0 / 46 / 14

HEX #60DC76

RGB 96 220 118

HSL 130.65, 0.64%, 0.62%

LAB 79.03, -55.77, 39.8

 

CMYK 51 / 0 / 56 / 14

HEX #6BDC60

RGB 107 220 96

HSL 114.68, 0.64%, 0.62%

LAB 79.13, -55.92, 50.46

 

CMYK 36 / 0 / 56 / 14

HEX #8CDC60

RGB 140 220 96

HSL 98.71, 0.64%, 0.62%

LAB 80.52, -46.02, 52.43

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 56 / 0 / 1 / 14

HEX #60DCDA

RGB 96 220 218

HSL 179.03, 0.64%, 0.62%

LAB 81.15, -34.68, -9.45

 

CMYK 56 / 15 / 0 / 14

HEX #60BCDC

RGB 96 188 220

HSL 195.48, 0.64%, 0.62%

LAB 71.97, -18.36, -24.36

 

CMYK 56 / 30 / 0 / 14

HEX #609ADC

RGB 96 154 220

HSL 211.94, 0.64%, 0.62%

LAB 62.31, 0.22, -39.31

 

CMYK 56 / 45 / 0 / 14

HEX #6079DC

RGB 96 121 220

HSL 227.9, 0.64%, 0.62%

LAB 53.31, 19.81, -53.55

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 66 / 0 / 19 / 8

HEX #50EBBF

RGB 80 235 191

HSL 162.97, 0.79%, 0.62%

LAB 84.42, -50.76, 9.56

 

CMYK 75 / 0 / 21 / 2

HEX #40FBC6

RGB 64 251 198

HSL 162.99, 0.96%, 0.62%

LAB 89, -57.74, 12.39

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 46 / 0 / 13 / 20

HEX #6FCCB2

RGB 111 204 178

HSL 163.23, 0.48%, 0.62%

LAB 75.93, -33.89, 4.39

 

CMYK 32 / 0 / 9 / 26

HEX #7FBCAB

RGB 127 188 171

HSL 163.28, 0.31%, 0.62%

LAB 71.84, -23.38, 2.35

 

CMYK 17 / 0 / 5 / 32

HEX #8FADA4

RGB 143 173 164

HSL 162, 0.15%, 0.62%

LAB 68.32, -12.12, 1.19

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 56 / 0 / 46 / 14

HEX #60DC76

RGB 96 220 118

HSL 130.65, 0.64%, 0.62%

LAB 79.03, -55.77, 39.8

 

CMYK 56 / 0 / 31 / 14

HEX #60DC97

RGB 96 220 151

HSL 146.61, 0.64%, 0.62%

LAB 79.56, -50.13, 23.74

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 56 / 0 / 1 / 14

HEX #60DCDA

RGB 96 220 218

HSL 179.03, 0.64%, 0.62%

LAB 81.15, -34.68, -9.45

 

CMYK 56 / 14 / 0 / 14

HEX #60BDDC

RGB 96 189 220

HSL 195, 0.64%, 0.62%

LAB 72.26, -18.88, -23.92

 

CMYK 78 / 0 / 22 / 25

HEX #2ABF95

RGB 42 191 149

HSL 163.09, 0.64%, 0.46%

LAB 69.42, -47.77, 10.5

 

CMYK 71 / 0 / 20 / 17

HEX #3ED4AA

RGB 62 212 170

HSL 163.2, 0.64%, 0.54%

LAB 76.69, -48.85, 9.57

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 43 / 0 / 12 / 11

HEX #81E3C7

RGB 129 227 199

HSL 162.86, 0.64%, 0.7%

LAB 83.82, -35.36, 4.69

 

CMYK 30 / 0 / 9 / 8

HEX #A3EAD6

RGB 163 234 214

HSL 163.1, 0.63%, 0.78%

LAB 87.72, -26.26, 2.65

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 56 / 52 / 0 / 14

HEX #606ADC

RGB 96 106 220

HSL 235.16, 0.64%, 0.62%

LAB 49.45, 29, -59.74

 

CMYK 0 / 39 / 56 / 14

HEX #DC8760

RGB 220 135 96

HSL 18.87, 0.64%, 0.62%

LAB 64.47, 28.73, 34.57

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 16 / 56 / 0 / 14

HEX #B860DC

RGB 184 96 220

HSL 282.58, 0.64%, 0.62%

LAB 55.81, 55.12, -49.09

 

CMYK 0 / 16 / 56 / 14

HEX #DCB860

RGB 220 184 96

HSL 42.58, 0.64%, 0.62%

LAB 76.28, 2.53, 48.9

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 56 / 52 / 0 / 14

HEX #606ADC

RGB 96 106 220

HSL 235.16, 0.64%, 0.62%

LAB 49.45, 29, -59.74

 

CMYK 0 / 56 / 40 / 14

HEX #DC6083

RGB 220 96 131

HSL 343.06, 0.64%, 0.62%

LAB 57.29, 51.78, 4.97

 

CMYK 0 / 5 / 56 / 14

HEX #DCD160

RGB 220 209 96

HSL 54.68, 0.64%, 0.62%

LAB 82.73, -10.37, 56.35

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB9

RGB 96 220 185

HSL 163.06, 0.64%, 0.62%

LAB 80.28, -42.9, 6.84

 

CMYK 45 / 56 / 0 / 14

HEX #7A60DC

RGB 122 96 220

HSL 252.58, 0.64%, 0.62%

LAB 49.09, 40.32, -60.22

 

CMYK 0 / 56 / 40 / 14

HEX #DC6083

RGB 220 96 131

HSL 343.06, 0.64%, 0.62%

LAB 57.29, 51.78, 4.97

 

CMYK 12 / 0 / 56 / 14

HEX #C1DC60

RGB 193 220 96

HSL 73.06, 0.64%, 0.62%

LAB 83.64, -26.65, 56.83

 

Description

Color code: HEX #60DCB9 | qconv.com Color code: HEX #60DCB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 220 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 220 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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