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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EBA1 it is the complementary color #9F145E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EBA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EBA1 shade: #65EB9C, #76FDAF, #87FFC2, #98FFD5 and #A9FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EBA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EBA1 shade: #60EBA1, #4FD98E, #3EC77B, #2DB568 and #1CA355

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EBA1 shade: #60EBA1, #60EB7B, #6AEB60, #8FEB60 and #B5EB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EBA1 shade: #60EBA1, #60EBC6, #60EAEB, #60C4EB and #609FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EBA1 shade matches the following richer shades: #60EBA1 and #51F9A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EBA1 shade: #60EBA1, #6EDCA2, #7DCEA3, #8BC0A4 and #99B1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EBA1 shade: #69EB60, #60EB7B, #60EBA1, #60EBC6 and #60EBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EBA1 shade: #1BDD76, #3BE68B, #60EBA1, #84EFB6 and #A9F4CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EBA1 shade: #60EBA1, #608EEB and #EB6960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EBA1 shade: #60EBA1, #A160EB and #EBA160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EBA1 shade: #60EBA1, #608EEB, #EB60AA and #EBBC60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EBA1 shade: #60EBA1, #6064EB, #EB60AA and #EBE660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

Complementary color

CMYK 0 / 87 / 41 / 38

HEX #9F145E

RGB 159 20 94

HSL 328.06, 0.78%, 0.35%

LAB 35.36, 57.93, -5.69

 

CMYK 57 / 0 / 34 / 8

HEX #65EB9C

RGB 101 235 156

HSL 144.63, 0.77%, 0.66%

LAB 84.27, -54.17, 27.57

 

CMYK 53 / 0 / 31 / 1

HEX #76FDAF

RGB 118 253 175

HSL 145.33, 0.97%, 0.73%

LAB 90.41, -54.15, 26.34

 

CMYK 47 / 0 / 24 / 0

HEX #87FFC2

RGB 135 255 194

HSL 149.5, 1%, 0.76%

LAB 91.94, -47.36, 18.86

 

CMYK 40 / 0 / 16 / 0

HEX #98FFD5

RGB 152 255 213

HSL 155.53, 1%, 0.8%

LAB 93.01, -39.26, 10.72

 

CMYK 34 / 0 / 9 / 0

HEX #A9FFE8

RGB 169 255 232

HSL 163.95, 1%, 0.83%

LAB 94.22, -30.78, 2.76

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 64 / 0 / 35 / 15

HEX #4FD98E

RGB 79 217 142

HSL 147.39, 0.64%, 0.58%

LAB 78.02, -54.11, 26.24

 

CMYK 69 / 0 / 38 / 22

HEX #3EC77B

RGB 62 199 123

HSL 146.72, 0.55%, 0.51%

LAB 71.76, -53.76, 27.66

 

CMYK 75 / 0 / 43 / 29

HEX #2DB568

RGB 45 181 104

HSL 146.03, 0.6%, 0.44%

LAB 65.44, -53.12, 29.21

 

CMYK 83 / 0 / 48 / 36

HEX #1CA355

RGB 28 163 85

HSL 145.33, 0.71%, 0.37%

LAB 59.06, -52.06, 30.88

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 0 / 48 / 8

HEX #60EB7B

RGB 96 235 123

HSL 131.65, 0.78%, 0.65%

LAB 83.62, -60.7, 43.14

 

CMYK 55 / 0 / 59 / 8

HEX #6AEB60

RGB 106 235 96

HSL 115.68, 0.78%, 0.65%

LAB 83.61, -61.79, 55.65

 

CMYK 39 / 0 / 59 / 8

HEX #8FEB60

RGB 143 235 96

HSL 99.71, 0.78%, 0.65%

LAB 85.05, -51.28, 57.67

 

CMYK 23 / 0 / 59 / 8

HEX #B5EB60

RGB 181 235 96

HSL 83.31, 0.78%, 0.65%

LAB 87.04, -38.16, 60.45

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 0 / 16 / 8

HEX #60EBC6

RGB 96 235 198

HSL 164.03, 0.78%, 0.65%

LAB 84.99, -46.38, 6.75

 

CMYK 59 / 0 / 0 / 8

HEX #60EAEB

RGB 96 234 235

HSL 180.43, 0.78%, 0.65%

LAB 85.67, -36.66, -11.7

 

CMYK 59 / 17 / 0 / 8

HEX #60C4EB

RGB 96 196 235

HSL 196.83, 0.78%, 0.65%

LAB 74.8, -18.08, -28.15

 

CMYK 59 / 32 / 0 / 8

HEX #609FEB

RGB 96 159 235

HSL 212.81, 0.78%, 0.65%

LAB 64.39, 2.12, -44.34

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 67 / 0 / 36 / 2

HEX #51F9A0

RGB 81 249 160

HSL 148.21, 0.93%, 0.65%

LAB 87.99, -62.57, 30.46

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 50 / 0 / 26 / 14

HEX #6EDCA2

RGB 110 220 162

HSL 148.36, 0.61%, 0.65%

LAB 80.24, -44.74, 19

 

CMYK 39 / 0 / 21 / 19

HEX #7DCEA3

RGB 125 206 163

HSL 148.15, 0.45%, 0.65%

LAB 76.77, -34.32, 13.71

 

CMYK 28 / 0 / 15 / 25

HEX #8BC0A4

RGB 139 192 164

HSL 148.3, 0.3%, 0.65%

LAB 73.46, -23.18, 8.58

 

CMYK 14 / 0 / 7 / 31

HEX #99B1A4

RGB 153 177 164

HSL 147.5, 0.13%, 0.65%

LAB 70.1, -10.85, 3.86

 

CMYK 55 / 0 / 59 / 8

HEX #69EB60

RGB 105 235 96

HSL 116.12, 0.78%, 0.65%

LAB 83.58, -62.04, 55.6

 

CMYK 59 / 0 / 48 / 8

HEX #60EB7B

RGB 96 235 123

HSL 131.65, 0.78%, 0.65%

LAB 83.62, -60.7, 43.14

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 0 / 16 / 8

HEX #60EBC6

RGB 96 235 198

HSL 164.03, 0.78%, 0.65%

LAB 84.99, -46.38, 6.75

 

CMYK 59 / 0 / 0 / 8

HEX #60EBEB

RGB 96 235 235

HSL 180, 0.78%, 0.65%

LAB 85.96, -37.12, -11.28

 

CMYK 88 / 0 / 47 / 13

HEX #1BDD76

RGB 27 221 118

HSL 148.14, 0.78%, 0.49%

LAB 78.02, -66.45, 38.26

 

CMYK 74 / 0 / 40 / 10

HEX #3BE68B

RGB 59 230 139

HSL 148.07, 0.77%, 0.57%

LAB 81.5, -62.71, 32.35

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 45 / 0 / 24 / 6

HEX #84EFB6

RGB 132 239 182

HSL 148.04, 0.77%, 0.73%

LAB 87, -43.54, 18.12

 

CMYK 31 / 0 / 16 / 4

HEX #A9F4CC

RGB 169 244 204

HSL 148, 0.77%, 0.81%

LAB 90.55, -31.27, 11.97

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 40 / 0 / 8

HEX #608EEB

RGB 96 142 235

HSL 220.14, 0.78%, 0.65%

LAB 59.74, 12.05, -51.69

 

CMYK 0 / 55 / 59 / 8

HEX #EB6960

RGB 235 105 96

HSL 3.88, 0.78%, 0.65%

LAB 60.44, 49.62, 29.88

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 31 / 59 / 0 / 8

HEX #A160EB

RGB 161 96 235

HSL 268.06, 0.78%, 0.65%

LAB 53.96, 52.93, -60.63

 

CMYK 0 / 31 / 59 / 8

HEX #EBA160

RGB 235 161 96

HSL 28.06, 0.78%, 0.65%

LAB 72.23, 20.95, 44.48

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 40 / 0 / 8

HEX #608EEB

RGB 96 142 235

HSL 220.14, 0.78%, 0.65%

LAB 59.74, 12.05, -51.69

 

CMYK 0 / 59 / 28 / 8

HEX #EB60AA

RGB 235 96 170

HSL 328.06, 0.78%, 0.65%

LAB 60.72, 61.02, -12.39

 

CMYK 0 / 20 / 59 / 8

HEX #EBBC60

RGB 235 188 96

HSL 39.71, 0.78%, 0.65%

LAB 78.74, 6.67, 52.14

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA1

RGB 96 235 161

HSL 148.06, 0.78%, 0.65%

LAB 84.21, -54.27, 24.91

 

CMYK 59 / 57 / 0 / 8

HEX #6064EB

RGB 96 100 235

HSL 238.27, 0.78%, 0.65%

LAB 49.01, 37.47, -68.92

 

CMYK 0 / 59 / 28 / 8

HEX #EB60AA

RGB 235 96 170

HSL 328.06, 0.78%, 0.65%

LAB 60.72, 61.02, -12.39

 

CMYK 0 / 2 / 59 / 8

HEX #EBE660

RGB 235 230 96

HSL 57.84, 0.78%, 0.65%

LAB 89.44, -14.72, 64.16

 

Description

Color code: HEX #60EBA1 | qconv.com Color code: HEX #60EBA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 235 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 235 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 31 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 31% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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