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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EBD2 it is the complementary color #9F142D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EBD2 shade: #65EBCD, #76FDE0, #87FFF3, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EBD2 shade: #60EBD2, #4FD9BF, #3EC7AC, #2DB599 and #1CA386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EBD2 shade: #60EBD2, #60EBAC, #60EB87, #60EB61 and #84EB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EBD2 shade: #60EBD2, #60DEEB, #60B9EB, #6093EB and #606EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EBD2 shade matches the following richer shades: #60EBD2 and #51F9DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EBD2 shade: #60EBD2, #6EDCC9, #7DCEBF, #8BC0B6 and #99B1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EBD2 shade: #60EB87, #60EBAC, #60EBD1, #60DFEB and #60BAEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EBD2 shade: #1BDDBA, #3BE6C8, #60EBD2, #84EFDC and #A9F4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EBD2 shade: #60EBD2, #6260EB and #EB9A60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EBD2 shade: #60EBD2, #D160EB and #EBD160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EBD2 shade: #60EBD2, #6260EB, #EB6079 and #E9EB60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EBD2 shade: #60EBD2, #8C60EB, #EB6079 and #BFEB60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

Complementary color

CMYK 0 / 87 / 72 / 38

HEX #9F142D

RGB 159 20 45

HSL 349.21, 0.78%, 0.35%

LAB 34.11, 54.35, 24.38

 

CMYK 57 / 0 / 13 / 8

HEX #65EBCD

RGB 101 235 205

HSL 166.57, 0.77%, 0.66%

LAB 85.3, -43.79, 3.54

 

CMYK 53 / 0 / 11 / 1

HEX #76FDE0

RGB 118 253 224

HSL 167.11, 0.97%, 0.73%

LAB 91.45, -43.86, 2.63

 

CMYK 47 / 0 / 5 / 0

HEX #87FFF3

RGB 135 255 243

HSL 174, 1%, 0.76%

LAB 93.08, -36.69, -4.76

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 64 / 0 / 12 / 15

HEX #4FD9BF

RGB 79 217 191

HSL 168.7, 0.64%, 0.58%

LAB 79.07, -43.26, 1.84

 

CMYK 69 / 0 / 14 / 22

HEX #3EC7AC

RGB 62 199 172

HSL 168.18, 0.55%, 0.51%

LAB 72.79, -42.84, 2.9

 

CMYK 75 / 0 / 15 / 29

HEX #2DB599

RGB 45 181 153

HSL 167.65, 0.6%, 0.44%

LAB 66.45, -42.2, 4.06

 

CMYK 83 / 0 / 18 / 36

HEX #1CA386

RGB 28 163 134

HSL 167.11, 0.71%, 0.37%

LAB 60.04, -41.25, 5.37

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAC

RGB 96 235 172

HSL 152.81, 0.78%, 0.65%

LAB 84.42, -52.08, 19.52

 

CMYK 59 / 0 / 43 / 8

HEX #60EB87

RGB 96 235 135

HSL 136.83, 0.78%, 0.65%

LAB 83.78, -58.86, 37.49

 

CMYK 59 / 0 / 59 / 8

HEX #60EB61

RGB 96 235 97

HSL 120.43, 0.78%, 0.65%

LAB 83.32, -64.04, 54.79

 

CMYK 44 / 0 / 59 / 8

HEX #84EB60

RGB 132 235 96

HSL 104.46, 0.78%, 0.65%

LAB 84.57, -54.67, 56.99

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 59 / 6 / 0 / 8

HEX #60DEEB

RGB 96 222 235

HSL 185.61, 0.78%, 0.65%

LAB 82.23, -31.02, -16.86

 

CMYK 59 / 21 / 0 / 8

HEX #60B9EB

RGB 96 185 235

HSL 201.58, 0.78%, 0.65%

LAB 71.68, -12.29, -32.97

 

CMYK 59 / 37 / 0 / 8

HEX #6093EB

RGB 96 147 235

HSL 217.99, 0.78%, 0.65%

LAB 61.09, 9.1, -49.54

 

CMYK 59 / 53 / 0 / 8

HEX #606EEB

RGB 96 110 235

HSL 233.96, 0.78%, 0.65%

LAB 51.42, 31.42, -65.01

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 67 / 0 / 12 / 2

HEX #51F9DB

RGB 81 249 219

HSL 169.29, 0.93%, 0.65%

LAB 89.21, -49.73, 1.85

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 50 / 0 / 9 / 14

HEX #6EDCC9

RGB 110 220 201

HSL 169.64, 0.61%, 0.65%

LAB 81.14, -36.15, -0.36

 

CMYK 39 / 0 / 7 / 19

HEX #7DCEBF

RGB 125 206 191

HSL 168.89, 0.45%, 0.65%

LAB 77.44, -28.27, -0.35

 

CMYK 28 / 0 / 5 / 25

HEX #8BC0B6

RGB 139 192 182

HSL 168.68, 0.3%, 0.65%

LAB 73.91, -19.4, -0.55

 

CMYK 14 / 0 / 2 / 31

HEX #99B1AD

RGB 153 177 173

HSL 170, 0.13%, 0.65%

LAB 70.34, -9.05, -0.75

 

CMYK 59 / 0 / 43 / 8

HEX #60EB87

RGB 96 235 135

HSL 136.83, 0.78%, 0.65%

LAB 83.78, -58.86, 37.49

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAC

RGB 96 235 172

HSL 152.81, 0.78%, 0.65%

LAB 84.42, -52.08, 19.52

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD1

RGB 96 235 209

HSL 168.78, 0.78%, 0.65%

LAB 85.25, -43.76, 1.36

 

CMYK 59 / 5 / 0 / 8

HEX #60DFEB

RGB 96 223 235

HSL 185.18, 0.78%, 0.65%

LAB 82.52, -31.5, -16.43

 

CMYK 59 / 21 / 0 / 8

HEX #60BAEB

RGB 96 186 235

HSL 201.15, 0.78%, 0.65%

LAB 71.96, -12.83, -32.53

 

CMYK 88 / 0 / 16 / 13

HEX #1BDDBA

RGB 27 221 186

HSL 169.18, 0.78%, 0.49%

LAB 79.32, -51.91, 4.77

 

CMYK 74 / 0 / 13 / 10

HEX #3BE6C8

RGB 59 230 200

HSL 169.47, 0.77%, 0.57%

LAB 82.75, -49.32, 2.36

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 45 / 0 / 8 / 6

HEX #84EFDC

RGB 132 239 220

HSL 169.35, 0.77%, 0.73%

LAB 87.88, -35.42, -0.44

 

CMYK 31 / 0 / 6 / 4

HEX #A9F4E6

RGB 169 244 230

HSL 168.8, 0.77%, 0.81%

LAB 91.17, -25.98, -0.65

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 58 / 59 / 0 / 8

HEX #6260EB

RGB 98 96 235

HSL 240.86, 0.78%, 0.65%

LAB 48.21, 40.2, -70.21

 

CMYK 0 / 34 / 59 / 8

HEX #EB9A60

RGB 235 154 96

HSL 25.04, 0.78%, 0.65%

LAB 70.61, 24.67, 42.54

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 11 / 59 / 0 / 8

HEX #D160EB

RGB 209 96 235

HSL 288.78, 0.78%, 0.65%

LAB 59.82, 64.27, -50.94

 

CMYK 0 / 11 / 59 / 8

HEX #EBD160

RGB 235 209 96

HSL 48.78, 0.78%, 0.65%

LAB 84.02, -4.19, 58.16

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 58 / 59 / 0 / 8

HEX #6260EB

RGB 98 96 235

HSL 240.86, 0.78%, 0.65%

LAB 48.21, 40.2, -70.21

 

CMYK 0 / 59 / 49 / 8

HEX #EB6079

RGB 235 96 121

HSL 349.21, 0.78%, 0.65%

LAB 59.35, 55.73, 14.05

 

CMYK 1 / 0 / 59 / 8

HEX #E9EB60

RGB 233 235 96

HSL 60.86, 0.78%, 0.65%

LAB 90.59, -17.97, 65.37

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD2

RGB 96 235 210

HSL 169.21, 0.78%, 0.65%

LAB 85.28, -43.52, 0.87

 

CMYK 40 / 59 / 0 / 8

HEX #8C60EB

RGB 140 96 235

HSL 258.99, 0.78%, 0.65%

LAB 51.77, 48.3, -64.28

 

CMYK 0 / 59 / 49 / 8

HEX #EB6079

RGB 235 96 121

HSL 349.21, 0.78%, 0.65%

LAB 59.35, 55.73, 14.05

 

CMYK 19 / 0 / 59 / 8

HEX #BFEB60

RGB 191 235 96

HSL 78.99, 0.78%, 0.65%

LAB 87.65, -34.43, 61.3

 

Description

Color code: HEX #60EBD2 | qconv.com Color code: HEX #60EBD2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 235 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 235 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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