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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EE01 it is the complementary color #9F11FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EE01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EE01 shade: #65EE00, #76FF0F, #87FF22, #98FF35 and #A9FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EE01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EE01 shade: #60EE01, #4FDC00, #3ECA00, #2DB800 and #1CA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EE01 shade: #60EE01, #A0EE01, #E0EE01, #EEBC01 and #EE7C01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EE01 shade: #60EE01, #20EE01, #01EE22, #01EE62 and #01EEA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EE01 shade matches the following richer shades: #60EE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EE01 shade: #60EE01, #64DB14, #68C727, #6BB43B and #6FA04E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EE01 shade: #E2EE01, #A3EE01, #64EE01, #24EE01 and #01EE1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EE01 shade: #3F9C00, #4FC500, #60EE01, #75FD1B and #8EFE44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EE01 shade: #60EE01, #01EEBB and #EE01C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EE01 shade: #60EE01, #0164EE and #EE0164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EE01 shade: #60EE01, #01EEBB, #8B01EE and #EE0134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EE01 shade: #60EE01, #01DAEE, #8B01EE and #EE1401

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

Complementary color

CMYK 37 / 93 / 0 / 0

HEX #9F11FE

RGB 159 17 254

HSL 275.95, 0.99%, 0.53%

LAB 45.53, 84, -84.98

 

CMYK 58 / 0 / 100 / 7

HEX #65EE00

RGB 101 238 0

HSL 94.54, 1%, 0.47%

LAB 83.92, -69.13, 80.73

 

CMYK 54 / 0 / 94 / 0

HEX #76FF0F

RGB 118 255 15

HSL 94.25, 1%, 0.53%

LAB 89.58, -70.32, 84.26

 

CMYK 47 / 0 / 87 / 0

HEX #87FF22

RGB 135 255 34

HSL 92.58, 1%, 0.57%

LAB 90.22, -65.18, 82.42

 

CMYK 40 / 0 / 79 / 0

HEX #98FF35

RGB 152 255 53

HSL 90.59, 1%, 0.6%

LAB 90.99, -59.27, 79.12

 

CMYK 34 / 0 / 72 / 0

HEX #A9FF48

RGB 169 255 72

HSL 88.2, 1%, 0.64%

LAB 91.87, -52.68, 74.53

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 64 / 0 / 100 / 14

HEX #4FDC00

RGB 79 220 0

HSL 98.45, 1%, 0.43%

LAB 77.79, -68.35, 75.62

 

CMYK 69 / 0 / 100 / 21

HEX #3ECA00

RGB 62 202 0

HSL 101.58, 1%, 0.4%

LAB 71.73, -66.11, 70.64

 

CMYK 76 / 0 / 100 / 28

HEX #2DB800

RGB 45 184 0

HSL 105.33, 1%, 0.36%

LAB 65.62, -63.51, 65.63

 

CMYK 83 / 0 / 100 / 35

HEX #1CA600

RGB 28 166 0

HSL 109.88, 1%, 0.33%

LAB 59.45, -60.44, 60.6

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 33 / 0 / 100 / 7

HEX #A0EE01

RGB 160 238 1

HSL 79.75, 0.99%, 0.47%

LAB 86.32, -51.1, 83.55

 

CMYK 6 / 0 / 100 / 7

HEX #E0EE01

RGB 224 238 1

HSL 63.54, 0.99%, 0.47%

LAB 90.32, -26.24, 88.34

 

CMYK 0 / 21 / 100 / 7

HEX #EEBC01

RGB 238 188 1

HSL 47.34, 0.99%, 0.47%

LAB 78.55, 4.66, 80.4

 

CMYK 0 / 48 / 100 / 7

HEX #EE7C01

RGB 238 124 1

HSL 31.14, 0.99%, 0.47%

LAB 63.83, 38.16, 70.71

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 87 / 0 / 100 / 7

HEX #20EE01

RGB 32 238 1

HSL 112.15, 0.99%, 0.47%

LAB 82.62, -80.28, 79.07

 

CMYK 100 / 0 / 86 / 7

HEX #01EE22

RGB 1 238 34

HSL 128.35, 0.99%, 0.47%

LAB 82.52, -80.96, 74.75

 

CMYK 100 / 0 / 59 / 7

HEX #01EE62

RGB 1 238 98

HSL 144.56, 0.99%, 0.47%

LAB 82.93, -75.76, 53.57

 

CMYK 100 / 0 / 32 / 7

HEX #01EEA2

RGB 1 238 162

HSL 160.76, 0.99%, 0.47%

LAB 83.84, -64.92, 23.68

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 54 / 0 / 91 / 14

HEX #64DB14

RGB 100 219 20

HSL 95.88, 0.83%, 0.47%

LAB 78.12, -62.6, 74.03

 

CMYK 48 / 0 / 80 / 22

HEX #68C727

RGB 104 199 39

HSL 95.63, 0.67%, 0.47%

LAB 72.19, -53.48, 64.91

 

CMYK 41 / 0 / 67 / 29

HEX #6BB43B

RGB 107 180 59

HSL 96.2, 0.51%, 0.47%

LAB 66.58, -43.6, 52.51

 

CMYK 31 / 0 / 51 / 37

HEX #6FA04E

RGB 111 160 78

HSL 95.85, 0.34%, 0.47%

LAB 60.84, -31.37, 37.3

 

CMYK 5 / 0 / 100 / 7

HEX #E2EE01

RGB 226 238 1

HSL 63.04, 0.99%, 0.47%

LAB 90.47, -25.42, 88.52

 

CMYK 32 / 0 / 100 / 7

HEX #A3EE01

RGB 163 238 1

HSL 78.99, 0.99%, 0.47%

LAB 86.47, -50.03, 83.74

 

CMYK 58 / 0 / 100 / 7

HEX #64EE01

RGB 100 238 1

HSL 94.94, 0.99%, 0.47%

LAB 83.89, -69.36, 80.61

 

CMYK 85 / 0 / 100 / 7

HEX #24EE01

RGB 36 238 1

HSL 111.14, 0.99%, 0.47%

LAB 82.66, -79.95, 79.11

 

CMYK 100 / 0 / 88 / 7

HEX #01EE1C

RGB 1 238 28

HSL 126.84, 0.99%, 0.47%

LAB 82.51, -81.18, 75.86

 

CMYK 60 / 0 / 100 / 39

HEX #3F9C00

RGB 63 156 0

HSL 95.77, 1%, 0.31%

LAB 56.91, -50.61, 58.9

 

CMYK 60 / 0 / 100 / 23

HEX #4FC500

RGB 79 197 0

HSL 95.94, 1%, 0.39%

LAB 70.59, -60.8, 69.92

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 54 / 0 / 89 / 1

HEX #75FD1B

RGB 117 253 27

HSL 96.11, 0.98%, 0.55%

LAB 88.98, -69.66, 82.27

 

CMYK 44 / 0 / 73 / 0

HEX #8EFE44

RGB 142 254 68

HSL 96.13, 0.99%, 0.63%

LAB 90.35, -61.21, 73.93

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 100 / 0 / 21 / 7

HEX #01EEBB

RGB 1 238 187

HSL 167.09, 0.99%, 0.47%

LAB 84.35, -59.24, 11.43

 

CMYK 0 / 100 / 18 / 7

HEX #EE01C2

RGB 238 1 194

HSL 311.14, 0.99%, 0.47%

LAB 54.13, 87.45, -36.35

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 100 / 58 / 0 / 7

HEX #0164EE

RGB 1 100 238

HSL 214.94, 0.99%, 0.47%

LAB 46.03, 30.02, -75.59

 

CMYK 0 / 100 / 58 / 7

HEX #EE0164

RGB 238 1 100

HSL 334.94, 0.99%, 0.47%

LAB 50.83, 78.91, 14.84

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 100 / 0 / 21 / 7

HEX #01EEBB

RGB 1 238 187

HSL 167.09, 0.99%, 0.47%

LAB 84.35, -59.24, 11.43

 

CMYK 42 / 100 / 0 / 7

HEX #8B01EE

RGB 139 1 238

HSL 274.94, 0.99%, 0.47%

LAB 40.71, 80.52, -84.02

 

CMYK 0 / 100 / 78 / 7

HEX #EE0134

RGB 238 1 52

HSL 347.09, 0.99%, 0.47%

LAB 50.03, 76.77, 42.63

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

CMYK 100 / 8 / 0 / 7

HEX #01DAEE

RGB 1 218 238

HSL 185.06, 0.99%, 0.47%

LAB 79.8, -36.62, -22.27

 

CMYK 42 / 100 / 0 / 7

HEX #8B01EE

RGB 139 1 238

HSL 274.94, 0.99%, 0.47%

LAB 40.71, 80.52, -84.02

 

CMYK 0 / 92 / 100 / 7

HEX #EE1401

RGB 238 20 1

HSL 4.81, 0.99%, 0.47%

LAB 50.31, 74.31, 63.74

 

Description

Color code: HEX #60EE01 | qconv.com Color code: HEX #60EE01 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 238 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 238 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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