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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EE1F it is the complementary color #9F11E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EE1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EE1F shade: #65EE1A, #76FF2D, #87FF40, #98FF53 and #A9FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EE1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EE1F shade: #60EE1F, #4FDC0C, #3ECA00, #2DB800 and #1CA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EE1F shade: #60EE20, #98EE20, #CFEE20, #EED420 and #EE9D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EE1F shade: #60EE20, #29EE20, #20EE4E, #20EE86 and #20EEBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EE1F shade matches the following richer shades: #60EE20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EE1F shade: #60EE20, #68DA33, #6FC746, #76B45A and #7DA06D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EE1F shade: #CFEE20, #98EE20, #61EE20, #2AEE20 and #20EE4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EE1F shade: #3FAE0D, #4DD510, #60EE20, #7CF146 and #97F36C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EE1F shade: #60EE1F, #20EED6 and #EE20B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EE1F shade: #60EE1F, #2061EE and #EE2061

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EE1F shade: #60EE1F, #20EED6, #AC20EE and #EE2038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EE1F shade: #60EE1F, #20C8EE, #AC20EE and #EE4520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

Complementary color

CMYK 29 / 92 / 0 / 12

HEX #9F11E0

RGB 159 17 224

HSL 281.16, 0.86%, 0.47%

LAB 42.99, 78.22, -72.19

 

CMYK 58 / 0 / 89 / 7

HEX #65EE1A

RGB 101 238 26

HSL 98.77, 0.86%, 0.52%

LAB 83.96, -68.67, 78.01

 

CMYK 54 / 0 / 82 / 0

HEX #76FF2D

RGB 118 255 45

HSL 99.14, 1%, 0.59%

LAB 89.66, -69.49, 79.42

 

CMYK 47 / 0 / 75 / 0

HEX #87FF40

RGB 135 255 64

HSL 97.7, 1%, 0.63%

LAB 90.34, -63.88, 75.1

 

CMYK 40 / 0 / 67 / 0

HEX #98FF53

RGB 152 255 83

HSL 95.93, 1%, 0.66%

LAB 91.15, -57.51, 69.66

 

CMYK 34 / 0 / 60 / 0

HEX #A9FF66

RGB 169 255 102

HSL 93.73, 1%, 0.7%

LAB 92.09, -50.48, 63.39

 

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

CMYK 64 / 0 / 95 / 14

HEX #4FDC0C

RGB 79 220 12

HSL 100.67, 0.9%, 0.45%

LAB 77.8, -68.16, 74.5

 

CMYK 69 / 0 / 100 / 21

HEX #3ECA00

RGB 62 202 0

HSL 101.58, 1%, 0.4%

LAB 71.73, -66.11, 70.64

 

CMYK 76 / 0 / 100 / 28

HEX #2DB800

RGB 45 184 0

HSL 105.33, 1%, 0.36%

LAB 65.62, -63.51, 65.63

 

CMYK 83 / 0 / 100 / 35

HEX #1CA600

RGB 28 166 0

HSL 109.88, 1%, 0.33%

LAB 59.45, -60.44, 60.6

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 13 / 0 / 87 / 7

HEX #CFEE20

RGB 207 238 32

HSL 69.03, 0.86%, 0.53%

LAB 89.17, -32.73, 83.43

 

CMYK 0 / 11 / 87 / 7

HEX #EED420

RGB 238 212 32

HSL 52.43, 0.86%, 0.53%

LAB 84.67, -7.26, 80.79

 

CMYK 0 / 34 / 87 / 7

HEX #EE9D20

RGB 238 157 32

HSL 36.41, 0.86%, 0.53%

LAB 71.14, 21.39, 69.97

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 83 / 0 / 87 / 7

HEX #29EE20

RGB 41 238 32

HSL 117.38, 0.86%, 0.53%

LAB 82.77, -78.79, 75.46

 

CMYK 87 / 0 / 67 / 7

HEX #20EE4E

RGB 32 238 78

HSL 133.4, 0.86%, 0.53%

LAB 82.92, -76.56, 61.89

 

CMYK 87 / 0 / 44 / 7

HEX #20EE86

RGB 32 238 134

HSL 149.71, 0.86%, 0.53%

LAB 83.54, -69.04, 37.43

 

CMYK 87 / 0 / 21 / 7

HEX #20EEBD

RGB 32 238 189

HSL 165.73, 0.86%, 0.53%

LAB 84.55, -57.61, 10.69

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 52 / 0 / 77 / 15

HEX #68DA33

RGB 104 218 51

HSL 100.96, 0.69%, 0.53%

LAB 78.07, -59.89, 66.91

 

CMYK 44 / 0 / 65 / 22

HEX #6FC746

RGB 111 199 70

HSL 100.93, 0.54%, 0.53%

LAB 72.67, -49.18, 54.56

 

CMYK 34 / 0 / 50 / 29

HEX #76B45A

RGB 118 180 90

HSL 101.33, 0.38%, 0.53%

LAB 67.45, -36.64, 39.43

 

CMYK 22 / 0 / 32 / 37

HEX #7DA06D

RGB 125 160 109

HSL 101.18, 0.21%, 0.53%

LAB 62.17, -21.86, 22.78

 

CMYK 13 / 0 / 87 / 7

HEX #CFEE20

RGB 207 238 32

HSL 69.03, 0.86%, 0.53%

LAB 89.17, -32.73, 83.43

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 59 / 0 / 87 / 7

HEX #61EE20

RGB 97 238 32

HSL 101.07, 0.86%, 0.53%

LAB 83.86, -69.45, 76.83

 

CMYK 82 / 0 / 87 / 7

HEX #2AEE20

RGB 42 238 32

HSL 117.09, 0.86%, 0.53%

LAB 82.78, -78.69, 75.47

 

CMYK 87 / 0 / 68 / 7

HEX #20EE4C

RGB 32 238 76

HSL 132.82, 0.86%, 0.53%

LAB 82.9, -76.75, 62.64

 

CMYK 64 / 0 / 93 / 32

HEX #3FAE0D

RGB 63 174 13

HSL 101.37, 0.86%, 0.37%

LAB 62.81, -56.56, 61.84

 

CMYK 64 / 0 / 92 / 16

HEX #4DD510

RGB 77 213 16

HSL 101.42, 0.86%, 0.45%

LAB 75.58, -66.26, 72.19

 

CMYK 60 / 0 / 87 / 7

HEX #60EE20

RGB 96 238 32

HSL 101.36, 0.86%, 0.53%

LAB 83.83, -69.68, 76.79

 

CMYK 49 / 0 / 71 / 5

HEX #7CF146

RGB 124 241 70

HSL 101.05, 0.86%, 0.61%

LAB 85.83, -61.5, 68.51

 

CMYK 38 / 0 / 56 / 5

HEX #97F36C

RGB 151 243 108

HSL 100.89, 0.85%, 0.69%

LAB 87.85, -50.81, 55.72

 

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

CMYK 87 / 0 / 10 / 7

HEX #20EED6

RGB 32 238 214

HSL 173.01, 0.86%, 0.53%

LAB 85.15, -51.26, -1.54

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

CMYK 87 / 59 / 0 / 7

HEX #2061EE

RGB 32 97 238

HSL 221.07, 0.86%, 0.53%

LAB 45.67, 33.05, -76.16

 

CMYK 0 / 87 / 59 / 7

HEX #EE2061

RGB 238 32 97

HSL 341.07, 0.86%, 0.53%

LAB 51.92, 75.37, 18.16

 

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

CMYK 87 / 0 / 10 / 7

HEX #20EED6

RGB 32 238 214

HSL 173.01, 0.86%, 0.53%

LAB 85.15, -51.26, -1.54

 

CMYK 28 / 87 / 0 / 7

HEX #AC20EE

RGB 172 32 238

HSL 280.78, 0.86%, 0.53%

LAB 46.94, 79.98, -73.61

 

CMYK 0 / 87 / 76 / 7

HEX #EE2038

RGB 238 32 56

HSL 353.01, 0.86%, 0.53%

LAB 51.26, 73.47, 41.68

 

CMYK 60 / 0 / 87 / 7

HEX #60EE1F

RGB 96 238 31

HSL 101.16, 0.86%, 0.53%

LAB 83.83, -69.72, 76.98

 

CMYK 87 / 16 / 0 / 7

HEX #20C8EE

RGB 32 200 238

HSL 191.07, 0.86%, 0.53%

LAB 74.69, -26.88, -30.06

 

CMYK 28 / 87 / 0 / 7

HEX #AC20EE

RGB 172 32 238

HSL 280.78, 0.86%, 0.53%

LAB 46.94, 79.98, -73.61

 

CMYK 0 / 71 / 87 / 7

HEX #EE4520

RGB 238 69 32

HSL 10.78, 0.86%, 0.53%

LAB 54.59, 62.92, 56.74

 

Description

Color code: HEX #60EE1F | qconv.com Color code: HEX #60EE1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 238 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 238 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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