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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61043F it is the complementary color #9EFBC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61043F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61043F shade: #66043A, #77164D, #882860, #993A73 and #AA4C86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61043F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61043F shade: #61043F, #50002C, #3F0019, #2E0006 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61043F shade: #61043F, #610426, #61040C and #610404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61043F shade: #61043F, #610458, #510461, #380461 and #1F0461

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61043F shade matches the following richer shades: #61043F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61043F shade: #61043F, #590C3D, #51143B, #491C38 and #402536

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61043F shade: #500461, #61045A, #610441, #610428 and #61040F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61043F shade: #12000C, #3A0225, #61043F, #890559 and #B10773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61043F shade: #61043F, #613704 and #04615D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61043F shade: #61043F, #416104 and #044161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61043F shade: #61043F, #613704, #046124 and #042E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61043F shade: #61043F, #615304, #046124 and #041261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

Complementary color

CMYK 37 / 0 / 24 / 2

HEX #9EFBC0

RGB 158 251 192

HSL 141.94, 0.92%, 0.8%

LAB 91.72, -39.92, 19.71

 

CMYK 0 / 96 / 43 / 60

HEX #66043A

RGB 102 4 58

HSL 326.94, 0.92%, 0.21%

LAB 20.89, 43.18, -4.46

 

CMYK 0 / 82 / 35 / 53

HEX #77164D

RGB 119 22 77

HSL 325.98, 0.69%, 0.28%

LAB 26.82, 45.27, -8.17

 

CMYK 0 / 71 / 29 / 47

HEX #882860

RGB 136 40 96

HSL 325, 0.55%, 0.35%

LAB 33.13, 46.01, -10.77

 

CMYK 0 / 62 / 25 / 40

HEX #993A73

RGB 153 58 115

HSL 324, 0.45%, 0.41%

LAB 39.64, 45.93, -12.63

 

CMYK 0 / 55 / 21 / 33

HEX #AA4C86

RGB 170 76 134

HSL 322.98, 0.38%, 0.48%

LAB 46.23, 45.45, -14.02

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 100 / 45 / 69

HEX #50002C

RGB 80 0 44

HSL 327, 1%, 0.16%

LAB 14.88, 37.29, -3.96

 

CMYK 0 / 100 / 60 / 75

HEX #3F0019

RGB 63 0 25

HSL 336.19, 1%, 0.12%

LAB 10.01, 30.94, 2.68

 

CMYK 0 / 100 / 87 / 82

HEX #2E0006

RGB 46 0 6

HSL 352.17, 1%, 0.09%

LAB 5.37, 23.01, 6.02

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 96 / 61 / 62

HEX #610426

RGB 97 4 38

HSL 338.06, 0.92%, 0.2%

LAB 19.09, 40.05, 6.97

 

CMYK 0 / 96 / 88 / 62

HEX #61040C

RGB 97 4 12

HSL 354.84, 0.92%, 0.2%

LAB 18.6, 38.68, 23.57

 

CMYK 0 / 96 / 96 / 62

HEX #610404

RGB 97 4 4

HSL 0, 0.92%, 0.2%

LAB 18.53, 38.46, 26.79

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 96 / 9 / 62

HEX #610458

RGB 97 4 88

HSL 305.81, 0.92%, 0.2%

LAB 21.33, 45.99, -24.41

 

CMYK 16 / 96 / 0 / 62

HEX #510461

RGB 81 4 97

HSL 289.68, 0.92%, 0.2%

LAB 18.8, 44.51, -34.64

 

CMYK 42 / 96 / 0 / 62

HEX #380461

RGB 56 4 97

HSL 273.55, 0.92%, 0.2%

LAB 14.35, 40.64, -42.09

 

CMYK 68 / 96 / 0 / 62

HEX #1F0461

RGB 31 4 97

HSL 257.42, 0.92%, 0.2%

LAB 10.86, 38.03, -47.97

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 87 / 31 / 65

HEX #590C3D

RGB 89 12 61

HSL 321.82, 0.76%, 0.2%

LAB 18.9, 38.07, -9.84

 

CMYK 0 / 75 / 27 / 68

HEX #51143B

RGB 81 20 59

HSL 321.64, 0.6%, 0.2%

LAB 18.21, 32.51, -9.64

 

CMYK 0 / 62 / 23 / 71

HEX #491C38

RGB 73 28 56

HSL 322.67, 0.45%, 0.2%

LAB 18.06, 25.28, -7.9

 

CMYK 0 / 42 / 16 / 75

HEX #402536

RGB 64 37 54

HSL 322.22, 0.27%, 0.2%

LAB 18.71, 15.8, -5.66

 

CMYK 18 / 96 / 0 / 62

HEX #500461

RGB 80 4 97

HSL 289.03, 0.92%, 0.2%

LAB 18.61, 44.34, -34.96

 

CMYK 0 / 96 / 7 / 62

HEX #61045A

RGB 97 4 90

HSL 304.52, 0.92%, 0.2%

LAB 21.46, 46.31, -25.55

 

CMYK 0 / 96 / 33 / 62

HEX #610441

RGB 97 4 65

HSL 320.65, 0.92%, 0.2%

LAB 20.08, 42.75, -10.67

 

CMYK 0 / 96 / 59 / 62

HEX #610428

RGB 97 4 40

HSL 336.77, 0.92%, 0.2%

LAB 19.15, 40.2, 5.62

 

CMYK 0 / 96 / 85 / 62

HEX #61040F

RGB 97 4 15

HSL 352.9, 0.92%, 0.2%

LAB 18.64, 38.78, 22.13

 

CMYK 0 / 100 / 33 / 93

HEX #12000C

RGB 18 0 12

HSL 320, 1%, 0.04%

LAB 1.4, 6.9, -2.75

 

CMYK 0 / 97 / 36 / 77

HEX #3A0225

RGB 58 2 37

HSL 322.5, 0.93%, 0.12%

LAB 9.61, 29.91, -7.23

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 96 / 35 / 46

HEX #890559

RGB 137 5 89

HSL 321.82, 0.93%, 0.28%

LAB 29.78, 54.7, -11.29

 

CMYK 0 / 96 / 35 / 31

HEX #B10773

RGB 177 7 115

HSL 321.88, 0.92%, 0.36%

LAB 39.13, 66.07, -12.99

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 43 / 96 / 62

HEX #613704

RGB 97 55 4

HSL 32.9, 0.92%, 0.2%

LAB 27.52, 14.93, 35.99

 

CMYK 96 / 0 / 4 / 62

HEX #04615D

RGB 4 97 93

HSL 177.42, 0.92%, 0.2%

LAB 36.68, -24.71, -4.61

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 33 / 0 / 96 / 62

HEX #416104

RGB 65 97 4

HSL 80.65, 0.92%, 0.2%

LAB 37.27, -25.37, 42.42

 

CMYK 96 / 33 / 0 / 62

HEX #044161

RGB 4 65 97

HSL 200.65, 0.92%, 0.2%

LAB 25.77, -4.72, -23.85

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 43 / 96 / 62

HEX #613704

RGB 97 55 4

HSL 32.9, 0.92%, 0.2%

LAB 27.52, 14.93, 35.99

 

CMYK 96 / 0 / 63 / 62

HEX #046124

RGB 4 97 36

HSL 140.65, 0.92%, 0.2%

LAB 35.41, -38.79, 27.53

 

CMYK 96 / 53 / 0 / 62

HEX #042E61

RGB 4 46 97

HSL 212.9, 0.92%, 0.2%

LAB 19.4, 8.59, -34.02

 

CMYK 0 / 96 / 35 / 62

HEX #61043F

RGB 97 4 63

HSL 321.94, 0.92%, 0.2%

LAB 19.99, 42.5, -9.42

 

CMYK 0 / 14 / 96 / 62

HEX #615304

RGB 97 83 4

HSL 50.97, 0.92%, 0.2%

LAB 35.47, -2.33, 42.15

 

CMYK 96 / 0 / 63 / 62

HEX #046124

RGB 4 97 36

HSL 140.65, 0.92%, 0.2%

LAB 35.41, -38.79, 27.53

 

CMYK 96 / 81 / 0 / 62

HEX #041261

RGB 4 18 97

HSL 230.97, 0.92%, 0.2%

LAB 11.42, 28.97, -47.08

 

Description

Color code: HEX #61043F | qconv.com Color code: HEX #61043F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 4 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 4 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 35 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 35% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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