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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61183D it is the complementary color #9EE7C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61183D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61183D shade: #661838, #772A4B, #883C5E, #994E71 and #AA6084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61183D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61183D shade: #61183D, #50062A, #3F0017, #2E0004 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61183D shade: #61183D, #611829 and #611818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61183D shade: #61183D, #611851, #5E1861, #4A1861 and #361861

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61183D shade matches the following richer shades: #61183D, #6B0E3D and #75043D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61183D shade: #61183D, #58223D, #4E2C3D, #44363D and #3A403D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61183D shade: #5E1861, #611852, #61183E, #61182A and #611918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61183D shade: #1F0714, #401028, #61183D, #822052 and #A32867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61183D shade: #61183D, #614A18 and #185B61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61183D shade: #61183D, #3E6118 and #183E61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61183D shade: #61183D, #614A18, #18613B and #182F61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61183D shade: #61183D, #616018, #18613B and #181961

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

Complementary color

CMYK 32 / 0 / 16 / 9

HEX #9EE7C2

RGB 158 231 194

HSL 149.59, 0.6%, 0.76%

LAB 86.16, -30.34, 10.85

 

CMYK 0 / 76 / 45 / 60

HEX #661838

RGB 102 24 56

HSL 335.38, 0.62%, 0.25%

LAB 22.87, 37.12, -0.14

 

CMYK 0 / 65 / 37 / 53

HEX #772A4B

RGB 119 42 75

HSL 334.29, 0.48%, 0.32%

LAB 29.63, 37.03, -2.65

 

CMYK 0 / 56 / 31 / 47

HEX #883C5E

RGB 136 60 94

HSL 333.16, 0.39%, 0.38%

LAB 36.51, 36.41, -4.43

 

CMYK 0 / 49 / 26 / 40

HEX #994E71

RGB 153 78 113

HSL 332, 0.32%, 0.45%

LAB 43.38, 35.59, -5.78

 

CMYK 0 / 44 / 22 / 33

HEX #AA6084

RGB 170 96 132

HSL 330.81, 0.3%, 0.52%

LAB 50.19, 34.74, -6.86

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 93 / 48 / 69

HEX #50062A

RGB 80 6 42

HSL 330.81, 0.86%, 0.17%

LAB 15.5, 35.05, -1.58

 

CMYK 0 / 100 / 63 / 75

HEX #3F0017

RGB 63 0 23

HSL 338.1, 1%, 0.12%

LAB 9.94, 30.77, 4.12

 

CMYK 0 / 100 / 91 / 82

HEX #2E0004

RGB 46 0 4

HSL 354.78, 1%, 0.09%

LAB 5.33, 22.82, 6.78

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 75 / 58 / 62

HEX #611829

RGB 97 24 41

HSL 346.03, 0.6%, 0.24%

LAB 21.41, 33.95, 8.06

 

CMYK 0 / 75 / 75 / 62

HEX #611818

RGB 97 24 24

HSL 0, 0.6%, 0.24%

LAB 21.06, 32.73, 19.29

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 75 / 16 / 62

HEX #611851

RGB 97 24 81

HSL 313.15, 0.6%, 0.24%

LAB 22.96, 39.04, -17.15

 

CMYK 3 / 75 / 0 / 62

HEX #5E1861

RGB 94 24 97

HSL 297.53, 0.6%, 0.24%

LAB 23.32, 41.08, -27.25

 

CMYK 24 / 75 / 0 / 62

HEX #4A1861

RGB 74 24 97

HSL 281.1, 0.6%, 0.24%

LAB 19.93, 36.24, -32.87

 

CMYK 44 / 75 / 0 / 62

HEX #361861

RGB 54 24 97

HSL 264.66, 0.6%, 0.24%

LAB 16.99, 31.79, -37.77

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 87 / 43 / 58

HEX #6B0E3D

RGB 107 14 61

HSL 329.68, 0.77%, 0.24%

LAB 22.92, 42.45, -3.41

 

CMYK 0 / 97 / 48 / 54

HEX #75043D

RGB 117 4 61

HSL 329.73, 0.93%, 0.24%

LAB 24.34, 47.25, -1.07

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 61 / 31 / 65

HEX #58223D

RGB 88 34 61

HSL 330, 0.44%, 0.24%

LAB 22.14, 28.26, -4.96

 

CMYK 0 / 44 / 22 / 69

HEX #4E2C3D

RGB 78 44 61

HSL 330, 0.28%, 0.24%

LAB 22.85, 18.42, -4.06

 

CMYK 0 / 21 / 10 / 73

HEX #44363D

RGB 68 54 61

HSL 330, 0.11%, 0.24%

LAB 24.34, 7.63, -2.01

 

CMYK 9 / 0 / 5 / 75

HEX #3A403D

RGB 58 64 61

HSL 150, 0.05%, 0.24%

LAB 26.46, -3.19, 0.98

 

CMYK 3 / 75 / 0 / 62

HEX #5E1861

RGB 94 24 97

HSL 297.53, 0.6%, 0.24%

LAB 23.32, 41.08, -27.25

 

CMYK 0 / 75 / 15 / 62

HEX #611852

RGB 97 24 82

HSL 312.33, 0.6%, 0.24%

LAB 23.01, 39.2, -17.74

 

CMYK 0 / 75 / 36 / 62

HEX #61183E

RGB 97 24 62

HSL 328.77, 0.6%, 0.24%

LAB 22.1, 36.26, -5.54

 

CMYK 0 / 75 / 57 / 62

HEX #61182A

RGB 97 24 42

HSL 345.21, 0.6%, 0.24%

LAB 21.44, 34.04, 7.4

 

CMYK 0 / 74 / 75 / 62

HEX #611918

RGB 97 25 24

HSL 0.82, 0.6%, 0.24%

LAB 21.22, 32.3, 19.48

 

CMYK 0 / 77 / 35 / 88

HEX #1F0714

RGB 31 7 20

HSL 327.5, 0.63%, 0.07%

LAB 4.46, 12.21, -2.56

 

CMYK 0 / 75 / 38 / 75

HEX #401028

RGB 64 16 40

HSL 330, 0.6%, 0.16%

LAB 13.31, 25.88, -3.75

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 75 / 37 / 49

HEX #822052

RGB 130 32 82

HSL 329.39, 0.6%, 0.32%

LAB 30.37, 45.59, -5.94

 

CMYK 0 / 75 / 37 / 36

HEX #A32867

RGB 163 40 103

HSL 329.27, 0.61%, 0.4%

LAB 38.35, 54.53, -6.89

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 24 / 75 / 62

HEX #614A18

RGB 97 74 24

HSL 41.1, 0.6%, 0.24%

LAB 32.93, 3.97, 32.35

 

CMYK 75 / 6 / 0 / 62

HEX #185B61

RGB 24 91 97

HSL 184.93, 0.6%, 0.24%

LAB 35.08, -18.09, -9.46

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 36 / 0 / 75 / 62

HEX #3E6118

RGB 62 97 24

HSL 88.77, 0.6%, 0.24%

LAB 37.19, -25.56, 35.73

 

CMYK 75 / 36 / 0 / 62

HEX #183E61

RGB 24 62 97

HSL 208.77, 0.6%, 0.24%

LAB 25.27, -0.31, -24.62

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 24 / 75 / 62

HEX #614A18

RGB 97 74 24

HSL 41.1, 0.6%, 0.24%

LAB 32.93, 3.97, 32.35

 

CMYK 75 / 0 / 39 / 62

HEX #18613B

RGB 24 97 59

HSL 148.77, 0.6%, 0.24%

LAB 36.1, -31.86, 15.45

 

CMYK 75 / 52 / 0 / 62

HEX #182F61

RGB 24 47 97

HSL 221.1, 0.6%, 0.24%

LAB 20.4, 10.24, -32.37

 

CMYK 0 / 75 / 37 / 62

HEX #61183D

RGB 97 24 61

HSL 329.59, 0.6%, 0.24%

LAB 22.06, 36.13, -4.91

 

CMYK 0 / 1 / 75 / 62

HEX #616018

RGB 97 96 24

HSL 59.18, 0.6%, 0.24%

LAB 39.54, -9.16, 38.96

 

CMYK 75 / 0 / 39 / 62

HEX #18613B

RGB 24 97 59

HSL 148.77, 0.6%, 0.24%

LAB 36.1, -31.86, 15.45

 

CMYK 75 / 74 / 0 / 62

HEX #181961

RGB 24 25 97

HSL 239.18, 0.6%, 0.24%

LAB 14.13, 26.04, -42.58

 

Description

Color code: HEX #61183D | qconv.com Color code: HEX #61183D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 24 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 24 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 37 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 37% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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