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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #611954 it is the complementary color #9EE6AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #611954. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #611954 shade: #66194F, #772B62, #883D75, #994F88 and #AA619B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #611954. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #611954 shade: #611954, #500741, #3F002E, #2E001B and #1D0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #611954 shade: #611954, #611940, #61192D, #611919 and #611919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #611954 shade: #611954, #5A1961, #471961, #331961 and #201961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #611954 shade matches the following richer shades: #611954, #6B0F5A and #750560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #611954 shade: #611954, #57224D, #4D2C47, #433641 and #39403A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #611954 shade: #461961, #5A1961, #611955, #611942 and #61192E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #611954 shade: #1F081B, #401037, #611954, #822170 and #A22A8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #611954 shade: #611954, #613319 and #196150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #611954 shade: #611954, #556119 and #195561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #611954 shade: #611954, #613319, #196125 and #194661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #611954 shade: #611954, #614919, #196125 and #193161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

Complementary color

CMYK 31 / 0 / 26 / 10

HEX #9EE6AB

RGB 158 230 171

HSL 130.83, 0.59%, 0.76%

LAB 85.4, -34.14, 21.78

 

CMYK 0 / 75 / 23 / 60

HEX #66194F

RGB 102 25 79

HSL 317.92, 0.61%, 0.25%

LAB 23.95, 39.74, -14.2

 

CMYK 0 / 64 / 18 / 53

HEX #772B62

RGB 119 43 98

HSL 316.58, 0.47%, 0.32%

LAB 30.72, 39.89, -16.01

 

CMYK 0 / 55 / 14 / 47

HEX #883D75

RGB 136 61 117

HSL 315.2, 0.38%, 0.39%

LAB 37.58, 39.44, -17.26

 

CMYK 0 / 48 / 11 / 40

HEX #994F88

RGB 153 79 136

HSL 313.78, 0.32%, 0.45%

LAB 44.44, 38.75, -18.18

 

CMYK 0 / 43 / 9 / 33

HEX #AA619B

RGB 170 97 155

HSL 312.33, 0.3%, 0.52%

LAB 51.22, 37.99, -18.92

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 91 / 19 / 69

HEX #500741

RGB 80 7 65

HSL 312.33, 0.84%, 0.17%

LAB 16.7, 37.76, -16.21

 

CMYK 0 / 100 / 27 / 75

HEX #3F002E

RGB 63 0 46

HSL 316.19, 1%, 0.12%

LAB 10.95, 33.38, -11.8

 

CMYK 0 / 100 / 41 / 82

HEX #2E001B

RGB 46 0 27

HSL 324.78, 1%, 0.09%

LAB 5.96, 25.66, -5.3

 

CMYK 0 / 100 / 72 / 89

HEX #1D0008

RGB 29 0 8

HSL 343.45, 1%, 0.06%

LAB 2.52, 11.7, 0.7

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 74 / 34 / 62

HEX #611940

RGB 97 25 64

HSL 327.5, 0.59%, 0.24%

LAB 22.33, 36.1, -6.57

 

CMYK 0 / 74 / 54 / 62

HEX #61192D

RGB 97 25 45

HSL 343.33, 0.59%, 0.24%

LAB 21.68, 33.9, 5.64

 

CMYK 0 / 74 / 74 / 62

HEX #611919

RGB 97 25 25

HSL 0, 0.59%, 0.24%

LAB 21.23, 32.35, 18.83

 

CMYK 0 / 74 / 74 / 62

HEX #611919

RGB 97 25 25

HSL 0, 0.59%, 0.24%

LAB 21.23, 32.35, 18.83

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 7 / 74 / 0 / 62

HEX #5A1961

RGB 90 25 97

HSL 294.17, 0.59%, 0.24%

LAB 22.76, 39.68, -28.18

 

CMYK 27 / 74 / 0 / 62

HEX #471961

RGB 71 25 97

HSL 278.33, 0.59%, 0.24%

LAB 19.63, 35.06, -33.38

 

CMYK 47 / 74 / 0 / 62

HEX #331961

RGB 51 25 97

HSL 261.67, 0.59%, 0.24%

LAB 16.81, 30.61, -38.09

 

CMYK 67 / 74 / 0 / 62

HEX #201961

RGB 32 25 97

HSL 245.83, 0.59%, 0.24%

LAB 14.76, 27.16, -41.51

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 86 / 16 / 58

HEX #6B0F5A

RGB 107 15 90

HSL 311.09, 0.75%, 0.24%

LAB 24.34, 45.97, -20.86

 

CMYK 0 / 96 / 18 / 54

HEX #750560

RGB 117 5 96

HSL 311.25, 0.92%, 0.24%

LAB 25.97, 51.17, -22.13

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 61 / 11 / 66

HEX #57224D

RGB 87 34 77

HSL 311.32, 0.44%, 0.24%

LAB 22.68, 30.62, -15.04

 

CMYK 0 / 43 / 8 / 70

HEX #4D2C47

RGB 77 44 71

HSL 310.91, 0.27%, 0.24%

LAB 23.12, 19.97, -10.45

 

CMYK 0 / 19 / 3 / 74

HEX #433641

RGB 67 54 65

HSL 309.23, 0.11%, 0.24%

LAB 24.36, 8.07, -4.66

 

CMYK 11 / 0 / 9 / 75

HEX #39403A

RGB 57 64 58

HSL 128.57, 0.06%, 0.24%

LAB 26.28, -4.3, 2.68

 

CMYK 28 / 74 / 0 / 62

HEX #461961

RGB 70 25 97

HSL 277.5, 0.59%, 0.24%

LAB 19.48, 34.82, -33.64

 

CMYK 7 / 74 / 0 / 62

HEX #5A1961

RGB 90 25 97

HSL 294.17, 0.59%, 0.24%

LAB 22.76, 39.68, -28.18

 

CMYK 0 / 74 / 12 / 62

HEX #611955

RGB 97 25 85

HSL 310, 0.59%, 0.24%

LAB 23.31, 39.3, -19.28

 

CMYK 0 / 74 / 32 / 62

HEX #611942

RGB 97 25 66

HSL 325.83, 0.59%, 0.24%

LAB 22.41, 36.38, -7.82

 

CMYK 0 / 74 / 53 / 62

HEX #61192E

RGB 97 25 46

HSL 342.5, 0.59%, 0.24%

LAB 21.7, 34, 4.98

 

CMYK 0 / 74 / 13 / 88

HEX #1F081B

RGB 31 8 27

HSL 310.43, 0.59%, 0.08%

LAB 4.91, 13.62, -7.14

 

CMYK 0 / 75 / 14 / 75

HEX #401037

RGB 64 16 55

HSL 311.25, 0.6%, 0.16%

LAB 14.04, 28.35, -13.52

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 75 / 14 / 49

HEX #822170

RGB 130 33 112

HSL 311.13, 0.6%, 0.32%

LAB 31.81, 49.35, -23.13

 

CMYK 0 / 74 / 13 / 36

HEX #A22A8D

RGB 162 42 141

HSL 310.5, 0.59%, 0.4%

LAB 40.02, 58.58, -27.96

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 47 / 74 / 62

HEX #613319

RGB 97 51 25

HSL 21.67, 0.59%, 0.24%

LAB 26.68, 18.29, 25.11

 

CMYK 74 / 0 / 18 / 62

HEX #196150

RGB 25 97 80

HSL 165.83, 0.59%, 0.24%

LAB 36.62, -26.38, 3.39

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 12 / 0 / 74 / 62

HEX #556119

RGB 85 97 25

HSL 70, 0.59%, 0.24%

LAB 38.81, -15.36, 37.48

 

CMYK 74 / 12 / 0 / 62

HEX #195561

RGB 25 85 97

HSL 190, 0.59%, 0.24%

LAB 33.06, -14.55, -12.52

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 47 / 74 / 62

HEX #613319

RGB 97 51 25

HSL 21.67, 0.59%, 0.24%

LAB 26.68, 18.29, 25.11

 

CMYK 74 / 0 / 62 / 62

HEX #196125

RGB 25 97 37

HSL 130, 0.59%, 0.24%

LAB 35.77, -35.68, 27.53

 

CMYK 74 / 28 / 0 / 62

HEX #194661

RGB 25 70 97

HSL 202.5, 0.59%, 0.24%

LAB 27.98, -5.42, -20.36

 

CMYK 0 / 74 / 13 / 62

HEX #611954

RGB 97 25 84

HSL 310.83, 0.59%, 0.24%

LAB 23.26, 39.13, -18.69

 

CMYK 0 / 25 / 74 / 62

HEX #614919

RGB 97 73 25

HSL 40, 0.59%, 0.24%

LAB 32.65, 4.65, 31.56

 

CMYK 74 / 0 / 62 / 62

HEX #196125

RGB 25 97 37

HSL 130, 0.59%, 0.24%

LAB 35.77, -35.68, 27.53

 

CMYK 74 / 49 / 0 / 62

HEX #193161

RGB 25 49 97

HSL 220, 0.59%, 0.24%

LAB 21.08, 8.97, -31.28

 

Description

Color code: HEX #611954 | qconv.com Color code: HEX #611954 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 25 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 25 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 13 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 13% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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