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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #612573 it is the complementary color #9EDA8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #612573. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #612573 shade: #66256E, #773781, #884994, #995BA7 and #AA6DBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #612573. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #612573 shade: #612573, #501360, #3F014D, #2E003A and #1D0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #612573 shade: #612573, #732570, #73255B, #732546 and #732531

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #612573 shade: #612573, #4C2573, #372573 and #252573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #612573 shade matches the following richer shades: #612573, #68197F, #6E0C8C and #750098

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #612573 shade: #612573, #5A3167, #543E5A, #4D4A4E and #465642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #612573 shade: #372573, #4C2573, #612573, #732570 and #73255C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #612573 shade: #2C1135, #471B54, #612573, #7B2F92 and #9639B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #612573 shade: #612573, #732528 and #257342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #612573 shade: #612573, #736125 and #257361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #612573 shade: #612573, #732528, #377325 and #257370

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #612573 shade: #612573, #733A25, #377325 and #255E73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

Complementary color

CMYK 28 / 0 / 36 / 15

HEX #9EDA8C

RGB 158 218 140

HSL 106.15, 0.51%, 0.7%

LAB 81.46, -33.57, 32.42

 

CMYK 7 / 66 / 0 / 57

HEX #66256E

RGB 102 37 110

HSL 293.42, 0.5%, 0.29%

LAB 27.5, 40.02, -28.97

 

CMYK 8 / 57 / 0 / 49

HEX #773781

RGB 119 55 129

HSL 291.89, 0.4%, 0.36%

LAB 34.48, 39.62, -29.75

 

CMYK 8 / 51 / 0 / 42

HEX #884994

RGB 136 73 148

HSL 290.4, 0.34%, 0.43%

LAB 41.43, 38.94, -30.27

 

CMYK 8 / 46 / 0 / 35

HEX #995BA7

RGB 153 91 167

HSL 288.95, 0.3%, 0.51%

LAB 48.32, 38.16, -30.65

 

CMYK 9 / 41 / 0 / 27

HEX #AA6DBA

RGB 170 109 186

HSL 287.53, 0.36%, 0.58%

LAB 55.1, 37.36, -30.96

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 17 / 80 / 0 / 62

HEX #501360

RGB 80 19 96

HSL 287.53, 0.67%, 0.23%

LAB 20.11, 39.53, -31.87

 

CMYK 18 / 99 / 0 / 70

HEX #3F014D

RGB 63 1 77

HSL 288.95, 0.97%, 0.15%

LAB 13.32, 38.39, -30.16

 

CMYK 21 / 100 / 0 / 77

HEX #2E003A

RGB 46 0 58

HSL 287.59, 1%, 0.11%

LAB 8.01, 32, -25.51

 

CMYK 26 / 100 / 0 / 85

HEX #1D0027

RGB 29 0 39

HSL 284.62, 1%, 0.08%

LAB 3.68, 19.87, -18.41

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 3 / 55

HEX #732570

RGB 115 37 112

HSL 302.31, 0.51%, 0.3%

LAB 29.76, 43.87, -26.54

 

CMYK 0 / 68 / 21 / 55

HEX #73255B

RGB 115 37 91

HSL 318.46, 0.51%, 0.3%

LAB 28.7, 40.33, -14.63

 

CMYK 0 / 68 / 39 / 55

HEX #732546

RGB 115 37 70

HSL 334.62, 0.51%, 0.3%

LAB 27.87, 37.41, -2.01

 

CMYK 0 / 68 / 57 / 55

HEX #732531

RGB 115 37 49

HSL 350.77, 0.51%, 0.3%

LAB 27.27, 35.2, 11.19

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 34 / 68 / 0 / 55

HEX #4C2573

RGB 76 37 115

HSL 270, 0.51%, 0.3%

LAB 23.99, 34.55, -38.01

 

CMYK 52 / 68 / 0 / 55

HEX #372573

RGB 55 37 115

HSL 253.85, 0.51%, 0.3%

LAB 21.48, 29.85, -42.2

 

CMYK 68 / 68 / 0 / 55

HEX #252573

RGB 37 37 115

HSL 240, 0.51%, 0.3%

LAB 19.86, 26.57, -44.91

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 18 / 80 / 0 / 50

HEX #68197F

RGB 104 25 127

HSL 286.47, 0.67%, 0.3%

LAB 27.22, 48.88, -40.22

 

CMYK 21 / 91 / 0 / 45

HEX #6E0C8C

RGB 110 12 140

HSL 285.94, 0.84%, 0.3%

LAB 28.04, 56.01, -46.98

 

CMYK 23 / 100 / 0 / 40

HEX #750098

RGB 117 0 152

HSL 286.18, 1%, 0.3%

LAB 29.54, 61.37, -51.9

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 13 / 52 / 0 / 60

HEX #5A3167

RGB 90 49 103

HSL 285.56, 0.36%, 0.3%

LAB 27.71, 28.54, -24.26

 

CMYK 7 / 31 / 0 / 65

HEX #543E5A

RGB 84 62 90

HSL 287.14, 0.18%, 0.3%

LAB 29.58, 15.31, -13.02

 

CMYK 1 / 5 / 0 / 69

HEX #4D4A4E

RGB 77 74 78

HSL 285, 0.03%, 0.3%

LAB 31.86, 2.11, -1.94

 

CMYK 19 / 0 / 23 / 66

HEX #465642

RGB 70 86 66

HSL 108, 0.13%, 0.3%

LAB 34.7, -10.61, 9.63

 

CMYK 52 / 68 / 0 / 55

HEX #372573

RGB 55 37 115

HSL 253.85, 0.51%, 0.3%

LAB 21.48, 29.85, -42.2

 

CMYK 34 / 68 / 0 / 55

HEX #4C2573

RGB 76 37 115

HSL 270, 0.51%, 0.3%

LAB 23.99, 34.55, -38.01

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 3 / 55

HEX #732570

RGB 115 37 112

HSL 302.31, 0.51%, 0.3%

LAB 29.76, 43.87, -26.54

 

CMYK 0 / 68 / 20 / 55

HEX #73255C

RGB 115 37 92

HSL 317.69, 0.51%, 0.3%

LAB 28.75, 40.48, -15.21

 

CMYK 17 / 68 / 0 / 79

HEX #2C1135

RGB 44 17 53

HSL 285, 0.51%, 0.14%

LAB 10.51, 21, -17.88

 

CMYK 15 / 68 / 0 / 67

HEX #471B54

RGB 71 27 84

HSL 286.32, 0.51%, 0.22%

LAB 19.07, 30.92, -25.61

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 16 / 68 / 0 / 43

HEX #7B2F92

RGB 123 47 146

HSL 286.06, 0.51%, 0.38%

LAB 34.64, 48.11, -39.94

 

CMYK 15 / 68 / 0 / 31

HEX #9639B1

RGB 150 57 177

HSL 286.5, 0.51%, 0.46%

LAB 42.13, 56.32, -46.36

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 65 / 55

HEX #732528

RGB 115 37 40

HSL 357.69, 0.51%, 0.3%

LAB 27.08, 34.49, 16.91

 

CMYK 68 / 0 / 43 / 55

HEX #257342

RGB 37 115 66

HSL 142.31, 0.51%, 0.3%

LAB 42.84, -35.61, 20.35

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 16 / 68 / 55

HEX #736125

RGB 115 97 37

HSL 46.15, 0.51%, 0.3%

LAB 41.73, -0.27, 35.86

 

CMYK 68 / 0 / 16 / 55

HEX #257361

RGB 37 115 97

HSL 166.15, 0.51%, 0.3%

LAB 43.53, -28.28, 3.06

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 65 / 55

HEX #732528

RGB 115 37 40

HSL 357.69, 0.51%, 0.3%

LAB 27.08, 34.49, 16.91

 

CMYK 52 / 0 / 68 / 55

HEX #377325

RGB 55 115 37

HSL 106.15, 0.51%, 0.3%

LAB 43.07, -35.14, 36.06

 

CMYK 68 / 0 / 3 / 55

HEX #257370

RGB 37 115 112

HSL 177.69, 0.51%, 0.3%

LAB 43.98, -23.93, -5.28

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 50 / 68 / 55

HEX #733A25

RGB 115 58 37

HSL 16.15, 0.51%, 0.3%

LAB 31.36, 23.07, 24.11

 

CMYK 52 / 0 / 68 / 55

HEX #377325

RGB 55 115 37

HSL 106.15, 0.51%, 0.3%

LAB 43.07, -35.14, 36.06

 

CMYK 68 / 18 / 0 / 55

HEX #255E73

RGB 37 94 115

HSL 196.15, 0.51%, 0.3%

LAB 37.18, -11.39, -17.39

 

Description

Color code: HEX #612573 | qconv.com Color code: HEX #612573 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 37 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 37 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 68 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 68% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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