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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61274D it is the complementary color #9ED8B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61274D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61274D shade: #662748, #77395B, #884B6E, #995D81 and #AA6F94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61274D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61274D shade: #61274D, #50153A, #3F0327, #2E0014 and #1D0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61274D shade: #62274E, #62273E, #62272E and #622727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61274D shade: #62274E, #62275E, #562762, #462762 and #372762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61274D shade matches the following richer shades: #62274E, #6D1C51, #781054 and #830558

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61274D shade: #62274E, #57324A, #4C3D47, #414843 and #355340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61274D shade: #562762, #62275E, #62274E, #62273E and #62272F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61274D shade: #270F1F, #441B36, #62274E, #7F3365 and #9D3E7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61274D shade: #61274D, #624627 and #27625E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61274D shade: #61274D, #4E6227 and #274E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61274D shade: #61274D, #624627, #27623A and #274262

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61274D shade: #61274D, #625827, #27623A and #273162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

Complementary color

CMYK 27 / 0 / 18 / 15

HEX #9ED8B2

RGB 158 216 178

HSL 140.69, 0.43%, 0.73%

LAB 81.62, -26.24, 12.82

 

CMYK 0 / 62 / 29 / 60

HEX #662748

RGB 102 39 72

HSL 328.57, 0.45%, 0.28%

LAB 25.99, 32.26, -6.39

 

CMYK 0 / 52 / 24 / 53

HEX #77395B

RGB 119 57 91

HSL 327.1, 0.35%, 0.35%

LAB 33.14, 31.54, -7.81

 

CMYK 0 / 45 / 19 / 47

HEX #884B6E

RGB 136 75 110

HSL 325.57, 0.29%, 0.41%

LAB 40.23, 30.69, -8.88

 

CMYK 0 / 39 / 16 / 40

HEX #995D81

RGB 153 93 129

HSL 324, 0.24%, 0.48%

LAB 47.22, 29.85, -9.74

 

CMYK 0 / 35 / 13 / 33

HEX #AA6F94

RGB 170 111 148

HSL 322.37, 0.26%, 0.55%

LAB 54.08, 29.05, -10.48

 

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

CMYK 0 / 74 / 28 / 69

HEX #50153A

RGB 80 21 58

HSL 322.37, 0.58%, 0.2%

LAB 18.13, 31.6, -9.08

 

CMYK 0 / 95 / 38 / 75

HEX #3F0327

RGB 63 3 39

HSL 324, 0.91%, 0.13%

LAB 11.05, 31.07, -6.44

 

CMYK 0 / 100 / 57 / 82

HEX #2E0014

RGB 46 0 20

HSL 333.91, 1%, 0.09%

LAB 5.7, 24.57, -0.43

 

CMYK 0 / 100 / 97 / 89

HEX #1D0001

RGB 29 0 1

HSL 357.93, 1%, 0.06%

LAB 2.38, 10.73, 3.35

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 60 / 37 / 62

HEX #62273E

RGB 98 39 62

HSL 336.61, 0.43%, 0.27%

LAB 24.94, 29.39, -1.3

 

CMYK 0 / 60 / 53 / 62

HEX #62272E

RGB 98 39 46

HSL 352.88, 0.43%, 0.27%

LAB 24.47, 27.46, 8.87

 

CMYK 0 / 60 / 60 / 62

HEX #622727

RGB 98 39 39

HSL 0, 0.43%, 0.27%

LAB 24.3, 26.78, 13.37

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 60 / 4 / 62

HEX #62275E

RGB 98 39 94

HSL 304.07, 0.43%, 0.27%

LAB 26.32, 34.71, -20.51

 

CMYK 12 / 60 / 0 / 62

HEX #562762

RGB 86 39 98

HSL 287.8, 0.43%, 0.27%

LAB 24.68, 31.92, -25.84

 

CMYK 29 / 60 / 0 / 62

HEX #462762

RGB 70 39 98

HSL 271.53, 0.43%, 0.27%

LAB 22.43, 27.25, -29.56

 

CMYK 44 / 60 / 0 / 62

HEX #372762

RGB 55 39 98

HSL 256.27, 0.43%, 0.27%

LAB 20.62, 23.13, -32.56

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 74 / 26 / 57

HEX #6D1C51

RGB 109 28 81

HSL 320.74, 0.59%, 0.27%

LAB 25.79, 40.87, -12.59

 

CMYK 0 / 87 / 30 / 53

HEX #781054

RGB 120 16 84

HSL 320.77, 0.76%, 0.27%

LAB 26.75, 48.05, -12.94

 

CMYK 0 / 96 / 33 / 49

HEX #830558

RGB 131 5 88

HSL 320.48, 0.93%, 0.27%

LAB 28.48, 53.22, -12.73

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 43 / 15 / 66

HEX #57324A

RGB 87 50 74

HSL 321.08, 0.27%, 0.27%

LAB 26.16, 20.69, -7.7

 

CMYK 0 / 20 / 7 / 70

HEX #4C3D47

RGB 76 61 71

HSL 320, 0.11%, 0.27%

LAB 27.65, 8.54, -3.64

 

CMYK 10 / 0 / 7 / 72

HEX #414843

RGB 65 72 67

HSL 137.14, 0.05%, 0.27%

LAB 29.82, -3.99, 2.02

 

CMYK 36 / 0 / 23 / 67

HEX #355340

RGB 53 83 64

HSL 142, 0.22%, 0.27%

LAB 32.51, -15.86, 7.65

 

CMYK 12 / 60 / 0 / 62

HEX #562762

RGB 86 39 98

HSL 287.8, 0.43%, 0.27%

LAB 24.68, 31.92, -25.84

 

CMYK 0 / 60 / 4 / 62

HEX #62275E

RGB 98 39 94

HSL 304.07, 0.43%, 0.27%

LAB 26.32, 34.71, -20.51

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 60 / 37 / 62

HEX #62273E

RGB 98 39 62

HSL 336.61, 0.43%, 0.27%

LAB 24.94, 29.39, -1.3

 

CMYK 0 / 60 / 52 / 62

HEX #62272F

RGB 98 39 47

HSL 351.86, 0.43%, 0.27%

LAB 24.49, 27.56, 8.22

 

CMYK 0 / 62 / 21 / 85

HEX #270F1F

RGB 39 15 31

HSL 320, 0.44%, 0.11%

LAB 7.88, 15.26, -5.67

 

CMYK 0 / 60 / 21 / 73

HEX #441B36

RGB 68 27 54

HSL 320.49, 0.43%, 0.19%

LAB 16.89, 23.65, -8.36

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 0 / 60 / 20 / 50

HEX #7F3365

RGB 127 51 101

HSL 320.53, 0.43%, 0.35%

LAB 33.6, 39, -13.4

 

CMYK 0 / 61 / 21 / 38

HEX #9D3E7C

RGB 157 62 124

HSL 320.84, 0.43%, 0.43%

LAB 41.32, 46.62, -15.57

 

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

CMYK 0 / 29 / 60 / 62

HEX #624627

RGB 98 70 39

HSL 31.53, 0.43%, 0.27%

LAB 32.09, 8.08, 23.22

 

CMYK 60 / 0 / 4 / 62

HEX #27625E

RGB 39 98 94

HSL 175.93, 0.43%, 0.27%

LAB 37.8, -20.08, -3.49

 

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

CMYK 20 / 0 / 60 / 62

HEX #4E6227

RGB 78 98 39

HSL 80.34, 0.43%, 0.27%

LAB 38.73, -17.91, 30.58

 

CMYK 60 / 20 / 0 / 62

HEX #274E62

RGB 39 78 98

HSL 200.34, 0.43%, 0.27%

LAB 31.26, -7.24, -15.87

 

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

CMYK 0 / 29 / 60 / 62

HEX #624627

RGB 98 70 39

HSL 31.53, 0.43%, 0.27%

LAB 32.09, 8.08, 23.22

 

CMYK 60 / 0 / 41 / 62

HEX #27623A

RGB 39 98 58

HSL 139.32, 0.43%, 0.27%

LAB 36.88, -29.19, 17.16

 

CMYK 60 / 33 / 0 / 62

HEX #274262

RGB 39 66 98

HSL 212.54, 0.43%, 0.27%

LAB 27.32, 0.48, -21.98

 

CMYK 0 / 60 / 21 / 62

HEX #61274D

RGB 97 39 77

HSL 320.69, 0.43%, 0.27%

LAB 25.35, 31.32, -10.79

 

CMYK 0 / 10 / 60 / 62

HEX #625827

RGB 98 88 39

HSL 49.83, 0.43%, 0.27%

LAB 37.34, -2.92, 29.44

 

CMYK 60 / 0 / 41 / 62

HEX #27623A

RGB 39 98 58

HSL 139.32, 0.43%, 0.27%

LAB 36.88, -29.19, 17.16

 

CMYK 60 / 50 / 0 / 62

HEX #273162

RGB 39 49 98

HSL 229.83, 0.43%, 0.27%

LAB 21.98, 12.21, -30.45

 

Description

Color code: HEX #61274D | qconv.com Color code: HEX #61274D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 39 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 39 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 21 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 21% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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