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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #612C2C it is the complementary color #9ED3D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #612C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #612C2C shade: #662C27, #773E3A, #88504D, #996260 and #AA7473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #612C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #612C2C shade: #612C2C, #501A19, #3F0806, #2E0000 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #612C2C shade: #622C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #612C2C shade: #622C2C, #623A2C, #62492C, #62582C and #5E622C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #612C2C shade matches the following richer shades: #622C2C, #6E2020, #791515 and #850909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #612C2C shade: #622C2C, #563737, #4B4343, #3F4E4E and #345A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #612C2C shade: #622C49, #622C3A, #622C2C, #623A2C and #62492C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #612C2C shade: #291212, #461F1F, #622C2C, #7F3939 and #9B4545

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #612C2C shade: #612C2C, #57622C and #2C4162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #612C2C shade: #612C2C, #2C622C and #2C2C62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #612C2C shade: #612C2C, #57622C, #2C6262 and #372C62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #612C2C shade: #612C2C, #47622C, #2C6262 and #472C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

Complementary color

CMYK 25 / 0 / 0 / 17

HEX #9ED3D3

RGB 158 211 211

HSL 180, 0.38%, 0.72%

LAB 81.05, -16.98, -5.57

 

CMYK 0 / 57 / 62 / 60

HEX #662C27

RGB 102 44 39

HSL 4.76, 0.45%, 0.28%

LAB 26.08, 25.65, 15.81

 

CMYK 0 / 48 / 51 / 53

HEX #773E3A

RGB 119 62 58

HSL 3.93, 0.34%, 0.35%

LAB 33.29, 24.32, 13.6

 

CMYK 0 / 41 / 43 / 47

HEX #88504D

RGB 136 80 77

HSL 3.05, 0.28%, 0.42%

LAB 40.42, 23.11, 11.85

 

CMYK 0 / 36 / 37 / 40

HEX #996260

RGB 153 98 96

HSL 2.11, 0.23%, 0.49%

LAB 47.43, 22.06, 10.41

 

CMYK 0 / 32 / 32 / 33

HEX #AA7473

RGB 170 116 115

HSL 1.09, 0.24%, 0.56%

LAB 54.32, 21.14, 9.18

 

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

CMYK 0 / 68 / 69 / 69

HEX #501A19

RGB 80 26 25

HSL 1.09, 0.52%, 0.21%

LAB 17.98, 25.28, 14.06

 

CMYK 0 / 87 / 90 / 75

HEX #3F0806

RGB 63 8 6

HSL 2.11, 0.83%, 0.14%

LAB 10.88, 25.99, 14.49

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 41 / 55 / 62

HEX #623A2C

RGB 98 58 44

HSL 15.56, 0.38%, 0.28%

LAB 28.91, 16.03, 16.14

 

CMYK 0 / 26 / 55 / 62

HEX #62492C

RGB 98 73 44

HSL 32.22, 0.38%, 0.28%

LAB 33.01, 6.7, 21.38

 

CMYK 0 / 10 / 55 / 62

HEX #62582C

RGB 98 88 44

HSL 48.89, 0.38%, 0.28%

LAB 37.4, -2.45, 26.76

 

CMYK 4 / 0 / 55 / 62

HEX #5E622C

RGB 94 98 44

HSL 64.44, 0.38%, 0.28%

LAB 40.08, -10.17, 29.83

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 71 / 71 / 57

HEX #6E2020

RGB 110 32 32

HSL 0, 0.55%, 0.28%

LAB 25.11, 34.42, 19.51

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 0 / 93 / 93 / 48

HEX #850909

RGB 133 9 9

HSL 0, 0.87%, 0.28%

LAB 27.3, 47.97, 36.42

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 36 / 36 / 66

HEX #563737

RGB 86 55 55

HSL 0, 0.22%, 0.28%

LAB 26.7, 13.86, 5.69

 

CMYK 0 / 11 / 11 / 71

HEX #4B4343

RGB 75 67 67

HSL 0, 0.06%, 0.28%

LAB 29.2, 3.4, 1.23

 

CMYK 19 / 0 / 0 / 69

HEX #3F4E4E

RGB 63 78 78

HSL 180, 0.11%, 0.28%

LAB 31.93, -5.88, -1.97

 

CMYK 42 / 0 / 0 / 65

HEX #345A5A

RGB 52 90 90

HSL 180, 0.27%, 0.28%

LAB 35.56, -13.47, -4.26

 

CMYK 0 / 55 / 26 / 62

HEX #622C49

RGB 98 44 73

HSL 327.78, 0.38%, 0.28%

LAB 26.39, 28.27, -6.53

 

CMYK 0 / 55 / 41 / 62

HEX #622C3A

RGB 98 44 58

HSL 344.44, 0.38%, 0.28%

LAB 25.87, 26.07, 2.75

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 41 / 55 / 62

HEX #623A2C

RGB 98 58 44

HSL 15.56, 0.38%, 0.28%

LAB 28.91, 16.03, 16.14

 

CMYK 0 / 26 / 55 / 62

HEX #62492C

RGB 98 73 44

HSL 32.22, 0.38%, 0.28%

LAB 33.01, 6.7, 21.38

 

CMYK 0 / 56 / 56 / 84

HEX #291212

RGB 41 18 18

HSL 0, 0.39%, 0.12%

LAB 8.55, 11.89, 4.87

 

CMYK 0 / 56 / 56 / 73

HEX #461F1F

RGB 70 31 31

HSL 0, 0.39%, 0.2%

LAB 17.37, 18.66, 8.71

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 55 / 55 / 50

HEX #7F3939

RGB 127 57 57

HSL 0, 0.38%, 0.36%

LAB 33.42, 30.3, 14.63

 

CMYK 0 / 55 / 55 / 39

HEX #9B4545

RGB 155 69 69

HSL 0, 0.38%, 0.44%

LAB 40.66, 35.93, 17.58

 

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

CMYK 11 / 0 / 55 / 62

HEX #57622C

RGB 87 98 44

HSL 72.22, 0.38%, 0.28%

LAB 39.49, -13.37, 28.99

 

CMYK 55 / 34 / 0 / 62

HEX #2C4162

RGB 44 65 98

HSL 216.67, 0.38%, 0.28%

LAB 27.29, 2.4, -22.01

 

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

CMYK 55 / 0 / 55 / 62

HEX #2C622C

RGB 44 98 44

HSL 120, 0.38%, 0.28%

LAB 36.84, -30.23, 25.19

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

CMYK 11 / 0 / 55 / 62

HEX #57622C

RGB 87 98 44

HSL 72.22, 0.38%, 0.28%

LAB 39.49, -13.37, 28.99

 

CMYK 55 / 0 / 0 / 62

HEX #2C6262

RGB 44 98 98

HSL 180, 0.38%, 0.28%

LAB 38.12, -17.74, -5.47

 

CMYK 44 / 55 / 0 / 62

HEX #372C62

RGB 55 44 98

HSL 252.22, 0.38%, 0.28%

LAB 21.93, 19.79, -30.45

 

CMYK 0 / 55 / 55 / 62

HEX #612C2C

RGB 97 44 44

HSL 0, 0.38%, 0.28%

LAB 25.34, 24.02, 11.37

 

CMYK 28 / 0 / 55 / 62

HEX #47622C

RGB 71 98 44

HSL 90, 0.38%, 0.28%

LAB 38.3, -20.35, 27.29

 

CMYK 55 / 0 / 0 / 62

HEX #2C6262

RGB 44 98 98

HSL 180, 0.38%, 0.28%

LAB 38.12, -17.74, -5.47

 

CMYK 28 / 55 / 0 / 62

HEX #472C62

RGB 71 44 98

HSL 270, 0.38%, 0.28%

LAB 23.75, 24.43, -27.44

 

Description

Color code: HEX #612C2C | qconv.com Color code: HEX #612C2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 44 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 44 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 55 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 55% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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