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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613BA6 it is the complementary color #9EC459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613BA6 shade: #663BA1, #774DB4, #885FC7, #9971DA and #AA83ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613BA6 shade: #613BA6, #502993, #3F1780, #2E056D and #1D005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613BA6 shade: #603AA6, #7D3AA6, #9A3AA6, #A63A94 and #A63A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613BA6 shade: #603AA6, #433AA6 and #3A3AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613BA6 shade matches the following richer shades: #603AA6, #5B28B8, #5616CA and #5003DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613BA6 shade: #603AA6, #654C93, #6B5E81, #70706F and #75825D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613BA6 shade: #3A4EA6, #433AA6, #603AA6, #7C3AA6 and #993AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613BA6 shade: #3D2468, #4E2F87, #603AA6, #734ABF and #8B68CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613BA6 shade: #613BA6, #A63A6A and #3FA63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613BA6 shade: #613BA6, #A6603A and #3AA660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613BA6 shade: #613BA6, #A63A6A, #80A63A and #3AA675

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613BA6 shade: #613BA6, #A63A4A, #80A63A and #3AA695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

Complementary color

CMYK 19 / 0 / 55 / 23

HEX #9EC459

RGB 158 196 89

HSL 81.31, 0.48%, 0.56%

LAB 74.49, -29.48, 48.88

 

CMYK 37 / 63 / 0 / 37

HEX #663BA1

RGB 102 59 161

HSL 265.29, 0.46%, 0.43%

LAB 35.06, 40.66, -48.52

 

CMYK 34 / 57 / 0 / 29

HEX #774DB4

RGB 119 77 180

HSL 264.47, 0.41%, 0.5%

LAB 42.04, 39.6, -48.49

 

CMYK 32 / 52 / 0 / 22

HEX #885FC7

RGB 136 95 199

HSL 263.65, 0.48%, 0.58%

LAB 48.94, 38.55, -48.4

 

CMYK 30 / 48 / 0 / 15

HEX #9971DA

RGB 153 113 218

HSL 262.86, 0.59%, 0.65%

LAB 55.73, 37.55, -48.3

 

CMYK 28 / 45 / 0 / 7

HEX #AA83ED

RGB 170 131 237

HSL 262.08, 0.75%, 0.72%

LAB 62.42, 36.63, -48.21

 

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

CMYK 46 / 72 / 0 / 42

HEX #502993

RGB 80 41 147

HSL 262.08, 0.56%, 0.37%

LAB 27.84, 41.99, -51.83

 

CMYK 51 / 82 / 0 / 50

HEX #3F1780

RGB 63 23 128

HSL 262.86, 0.7%, 0.3%

LAB 20.94, 42.64, -51.35

 

CMYK 58 / 95 / 0 / 57

HEX #2E056D

RGB 46 5 109

HSL 263.65, 0.91%, 0.22%

LAB 14.36, 42.18, -50.03

 

CMYK 68 / 100 / 0 / 65

HEX #1D005A

RGB 29 0 90

HSL 259.33, 1%, 0.18%

LAB 8.99, 38.01, -46.37

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 25 / 65 / 0 / 35

HEX #7D3AA6

RGB 125 58 166

HSL 277.22, 0.48%, 0.44%

LAB 38.09, 47.75, -46.49

 

CMYK 7 / 65 / 0 / 35

HEX #9A3AA6

RGB 154 58 166

HSL 293.33, 0.48%, 0.44%

LAB 42.23, 54.71, -39.64

 

CMYK 0 / 65 / 11 / 35

HEX #A63A94

RGB 166 58 148

HSL 310, 0.48%, 0.44%

LAB 43.17, 54.65, -27.24

 

CMYK 0 / 65 / 28 / 35

HEX #A63A77

RGB 166 58 119

HSL 326.11, 0.48%, 0.44%

LAB 41.95, 50.42, -11.41

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 60 / 65 / 0 / 35

HEX #433AA6

RGB 67 58 166

HSL 245, 0.48%, 0.44%

LAB 31.74, 35.71, -57.07

 

CMYK 65 / 65 / 0 / 35

HEX #3A3AA6

RGB 58 58 166

HSL 240, 0.48%, 0.44%

LAB 31.06, 34.28, -58.21

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 51 / 78 / 0 / 28

HEX #5B28B8

RGB 91 40 184

HSL 261.25, 0.64%, 0.44%

LAB 32.26, 54.29, -66.87

 

CMYK 57 / 89 / 0 / 21

HEX #5616CA

RGB 86 22 202

HSL 261.33, 0.8%, 0.44%

LAB 31.39, 64.66, -78.93

 

CMYK 64 / 99 / 0 / 14

HEX #5003DC

RGB 80 3 220

HSL 261.29, 0.97%, 0.44%

LAB 31.67, 72.11, -88.93

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 31 / 48 / 0 / 42

HEX #654C93

RGB 101 76 147

HSL 261.13, 0.32%, 0.44%

LAB 37.92, 26.64, -35.49

 

CMYK 17 / 27 / 0 / 49

HEX #6B5E81

RGB 107 94 129

HSL 262.29, 0.16%, 0.44%

LAB 42.33, 12.8, -17.64

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 10 / 0 / 28 / 49

HEX #75825D

RGB 117 130 93

HSL 81.08, 0.17%, 0.44%

LAB 52.44, -11.67, 18.5

 

CMYK 65 / 53 / 0 / 35

HEX #3A4EA6

RGB 58 78 166

HSL 228.89, 0.48%, 0.44%

LAB 36.18, 21.33, -49.9

 

CMYK 60 / 65 / 0 / 35

HEX #433AA6

RGB 67 58 166

HSL 245, 0.48%, 0.44%

LAB 31.74, 35.71, -57.07

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 25 / 65 / 0 / 35

HEX #7C3AA6

RGB 124 58 166

HSL 276.67, 0.48%, 0.44%

LAB 37.96, 47.52, -46.71

 

CMYK 8 / 65 / 0 / 35

HEX #993AA6

RGB 153 58 166

HSL 292.78, 0.48%, 0.44%

LAB 42.08, 54.46, -39.88

 

CMYK 41 / 65 / 0 / 59

HEX #3D2468

RGB 61 36 104

HSL 262.06, 0.49%, 0.27%

LAB 21.03, 28.4, -35.78

 

CMYK 42 / 65 / 0 / 47

HEX #4E2F87

RGB 78 47 135

HSL 261.14, 0.48%, 0.36%

LAB 27.85, 34.86, -44.39

 

CMYK 42 / 65 / 0 / 35

HEX #603AA6

RGB 96 58 166

HSL 261.11, 0.48%, 0.44%

LAB 34.53, 41.25, -52.41

 

CMYK 40 / 61 / 0 / 25

HEX #734ABF

RGB 115 74 191

HSL 261.03, 0.48%, 0.52%

LAB 41.7, 43.27, -55.51

 

CMYK 31 / 49 / 0 / 21

HEX #8B68CA

RGB 139 104 202

HSL 261.43, 0.48%, 0.6%

LAB 51.44, 34.94, -46.11

 

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

CMYK 0 / 65 / 36 / 35

HEX #A63A6A

RGB 166 58 106

HSL 333.33, 0.48%, 0.44%

LAB 41.49, 48.8, -4.03

 

CMYK 62 / 0 / 65 / 35

HEX #3FA63A

RGB 63 166 58

HSL 117.22, 0.48%, 0.44%

LAB 60.46, -50.92, 45.8

 

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

CMYK 0 / 42 / 65 / 35

HEX #A6603A

RGB 166 96 58

HSL 21.11, 0.48%, 0.44%

LAB 47.98, 24.92, 33.56

 

CMYK 65 / 0 / 42 / 35

HEX #3AA660

RGB 58 166 96

HSL 141.11, 0.48%, 0.44%

LAB 60.8, -46.61, 27.43

 

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

CMYK 0 / 65 / 36 / 35

HEX #A63A6A

RGB 166 58 106

HSL 333.33, 0.48%, 0.44%

LAB 41.49, 48.8, -4.03

 

CMYK 23 / 0 / 65 / 35

HEX #80A63A

RGB 128 166 58

HSL 81.11, 0.48%, 0.44%

LAB 63.48, -29.65, 49.97

 

CMYK 65 / 0 / 30 / 35

HEX #3AA675

RGB 58 166 117

HSL 152.78, 0.48%, 0.44%

LAB 61.18, -42.44, 16.55

 

CMYK 42 / 64 / 0 / 35

HEX #613BA6

RGB 97 59 166

HSL 261.31, 0.48%, 0.44%

LAB 34.85, 40.91, -51.89

 

CMYK 0 / 65 / 55 / 35

HEX #A63A4A

RGB 166 58 74

HSL 351.11, 0.48%, 0.44%

LAB 40.62, 45.59, 14.73

 

CMYK 23 / 0 / 65 / 35

HEX #80A63A

RGB 128 166 58

HSL 81.11, 0.48%, 0.44%

LAB 63.48, -29.65, 49.97

 

CMYK 65 / 0 / 10 / 35

HEX #3AA695

RGB 58 166 149

HSL 170.56, 0.48%, 0.44%

LAB 61.95, -34.65, -0.21

 

Description

Color code: HEX #613BA6 | qconv.com Color code: HEX #613BA6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 59 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 59 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 64 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 64% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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